I find it weird they got people who believe he's guilty and still doing the show. like, what the heck? i just hope that the show will be good and don't drag it down with fake lies etc. i swear if this show full of that then i don't know anymore. let's just hope it will be good. that's all we can do.
If they somehow manage to slip past the Estate and insert a scene that implies that he's guilty, I hope people boo the shit out of it.
I find it weird they got people who believe he's guilty and still doing the show. like, what the heck? i just hope that the show will be good and don't drag it down with fake lies etc. i swear if this show full of that then i don't know anymore. let's just hope it will be good. that's all we can do.
There is too much hysteria from fans, running around saying that the people working on the musical "believe MJ is guilty." That is a gross over-simplification of the actual facts of the matter and I truly think that fans have been sucked into the usual spin and misrepresentation that goes on in the US and UK media.
Newbie question: Where does the Estate initially post their statements? I see them floating around on the internet but cannot find the source. Thanks.
Billyjeanplxiv;4272147 said:You can sign up for email notifcations on the offical website. I've been getting them since 2009
They send them to the big MJ fan sites through email. That's how we get them.Newbie question: Where does the Estate initially post their statements? I see them floating around on the internet but cannot find the source. Thanks.
ScreenOrigami;4272151 said:Thanks, I’ll sign up for the newsletter then.
No archive of past statements online, though?
I believe it would be helpful if the Estate had an official public archive online, as people are actively seeking out reliable information.
I see they are still trying to pretend that she didn't say she believes Wade and James. Very shameful that they are lying like this. It's pretty sad that people like this are looking after MJs legacy.
I see they are still trying to pretend that she didn't say she believes Wade and James. Very shameful that they are lying like this. It's pretty sad that people like this are looking after MJs legacy.
Lia Vollack is considered one of the leaders of music for film. She started her career in NYC as a theatre sound designer and eventually went to California where she became the President of Worldwide Music of Theatrical for Sony Pictures Entertainment. She created the digital label Madison Gate to publish film music that otherwise may have never seen the light of day. Some of its latest releases include Trent Reznor and Atticus Ross’ soundtrack to The Girl with the Dragon Tattoo, the jazz score to Midnight in Paris, a second volume for Country Strong as well as the soundtrack for The Social Network. She was also involved with Adele’s Oscar-winning son Skyfall for the James Bond film of the same name. Additional projects she has spearheaded include the soundtrack for The Amazing Spider Man and the remake of Annie. Other artists she has worked with include Paul McCartney, Pharrell Williams, Britney Spears, One Direction, Hans Zimmer, and Danny Elfman, to name a few. More recently, Ms. Vollack was appointed the Executive Vice President of Theatrical for Sony Pictures Entertainment, where she is helping develop a number of film-to-stage projects, including the West End musical Groundhog Day, based on the 1993 Bill Murray comedy.
ozemouze;4274782 said:MJ is controversial since at least 1985 according to MSM... It's a way to taint anything even neutral by always using the same negative attributives attached to it.
....Born in a musical household, Sykes grew up learning the drums, saxophone, trumpet and piano from his parents. He graduated from the Alvin Ailey/Fordham University BFA program with honors, and then toured with the Ailey II company for two years. “I went to Fordham as a dancer dancer. I had tunnel vision,” he remembers.
A choreographer's assistant tapped him to audition for The Little Mermaid, which led Sykes to his Broadway debut in the Disney musical. “Once I got that, I felt at home. I never thought to do Broadway before that moment,” Sykes says. “My whole journey to Broadway has been—I can't even say a dream because I could have never dreamt it. I keep working hard and winding up in places I would have never expected.”
...After Hairspray Live!, Sykes was in demand, but he chose an audition for a stage show over pilot season. "All my agents and managers are like, ‘All right, Hollywood is buzzing about you.’ I had 20 to 25 meetings right after, and lo and behold, the first audition I had was for Ain't Too Proud,” Sykes says. “I really just understood this piece and this man's life.” Sykes captures the electricity of the troubled Temptations lead singer. “This is the most monstrous role I've ever had to take on,” Sykes explains. "My measure of success with this show is really just feeling like I've tried my best.”
Awards season voters have taken notice of the triple-threat: Sykes is nominated for the Drama League Distinguished Performance Award and an Outer Critics Circle Award for his performance in Ain’t Too Proud. But Sykes says it’s about a lot more than trophies: “The award is when I walk out of the stage door, and I meet somebody that says, ‘What you did really connected to me.' I love what I do. That's the award for me.”
myosotis;4274861 said:I'm seeing this on Twitter, but the article doesn't appear to be available in Europe, or the USA. Fans are saying it was maybe published too soon and has been pulled?