The Michael Jackson Musical: 'MJ'

Broadway’s Michael Jackson: ‘Ain’t Too Proud’ Star Ephraim Sykes

The Tony-nominated performer will lead the cast of “MJ the Musical,” which is scheduled to open next summer.

The Michael Jackson musical has found its King of Pop.

Ephraim Sykes, a limber-legged, scene-stealing, Tony-nominated performer in “Ain’t Too Proud,” will jump from one jukebox musical to another when he stars in “MJ the Musical,” which is scheduled to open on Broadway next summer.

Sykes, a 34-year-old from St. Petersburg, Fla., is a gifted dancer who was trained at the Alvin Ailey/Fordham University B.F.A. program, toured with the Ailey II company for two years, and this year was named the outstanding male dancer in a Broadway show at the Chita Rivera Awards, which honor dance in theater and film.

He has appeared in six Broadway musicals, beginning as a replacement member of the ensemble in “The Little Mermaid,” and he was a member of the original Broadway cast of “Hamilton.” In “Ain’t Too Proud: The Life and Times of the Temptations” he has his first major role, portraying David Ruffin, who was one of the group’s lead singers.

“MJ the Musical” arrives at a challenging time for the pop singer’s legacy, which has been tarnished by renewed allegations that he sexually abused young boys. But he remains acknowledged as one of the greatest American pop artists ever; his songs continue to be ubiquitous and his fan base intense, and the musical’s producers, after canceling a pre-Broadway run in Chicago, have determinedly pushed toward a Broadway opening.

Earlier this month the production finished an eight-week work session in New York, with Sykes leading the cast during the day while continuing to perform in “Ain’t Too Proud” at night. It was the show’s third and final developmental workshop; now the writers will revise the material in anticipation of rehearsals starting in May.

The lead producers are Lia Vollack and the Michael Jackson Estate. Vollack, who previously headed Columbia Live Stage, the theatrical division of Sony Pictures Entertainment, recently formed her own production company; Columbia Live Stage and Sony Music, which was Jackson’s longtime record label, remain investors in the musical.

The show, which will feature many of Jackson’s best known songs, both as a solo artist and as a member of the Jackson 5, has a highly regarded creative team: the book is by Lynn Nottage, a playwright who has twice won the Pulitzer Prize, and the show is directed and choreographed by Christopher Wheeldon, an English ballet dancer and choreographer who won a Tony Award for “An American in Paris.”

Nottage and Wheeldon said earlier this year that they were wrestling with how best to represent the complexities of Jackson’s life and legacy in the show, which is set in 1992, as Jackson was preparing for a tour to promote his “Dangerous” album. Since that interview, the show has declined to offer any specifics about whether and how the musical might reference the abuse allegations or other issues that have complicated how Jackson is now viewed.

“The production is not commenting on the content of show as it is in development,” said a spokesman, Rick Miramontez.

Audition notices suggest that, in addition to the adult Jackson, anticipated characters include Jackson at age 10; Jackson in his late teens and early 20s; a female documentary filmmaker and journalist; Jackson’s father Joseph, and Berry Gordy, the founder of Motown.

“MJ the Musical” is scheduled to begin previews July 6 and to open Aug. 13 at Broadway’s Neil Simon Theater.

https://www.nytimes.com/2019/11/21/theater/mj-musical-ephraim-sykes.html
 
Have they changed the show? Wasn't it supposed to be set during the Dangerous tour?
 
Hmmmm.......

Audition notices suggest that, in addition to the adult Jackson, anticipated characters include Jackson at age 10; Jackson in his late teens and early 20s; a female documentary filmmaker and journalist....


Despite the scrutiny Jackson's legacy has faced, Sykes told Essence in a recent interview that he is looking forward to showcasing the iconic musician's "human" side. "I really want to do my best to bring it back down to show how human he truly was," he told the publication. "Putting those extraordinary circumstances, for better or for worse, so hopefully we can all have a little bit more empathy with him, his downfalls, his demons, his struggles as well."

https://www.hollywoodreporter.com/n...-1256852?utm_medium=social&utm_source=twitter
 
Last edited:
Tony Award nominee Ephraim Sykes will moonwalk on Broadway, playing Michael Jackson in "MJ The Musical."
It begins previews on July 6, 2020, at the Neil Simon Theatre with an official opening set for Aug. 13.
21574331053.jpg

MJ The Musical will feature a book by two-time Pulitzer Prize winner Lynn Nottage and a score made up of some of the best-loved, top-selling songs in recording history. Tony Award winner Christopher Wheeldon will direct and choreograph.

Mr. Wheeldon stated, "Ephraim Sykes is a bonafide triple threat, and dynamic rising star on Broadway. I am honored to be working with him on this exciting new production."

Tickets for MJ the Musical will go on sale on January 15, 2020, at 10 a.m. To sign-up for priority ticket access, go to MJTheMusical.com.
https://www.broadwayworld.com/artic...ay-Michael-Jackson-in-MJ-on-Broadway-20191121
 
<blockquote class="twitter-tweet" data-lang="de"><p lang="en" dir="ltr">From Rich &amp; Tone's IG. Super excited about the fact that they are involved in the choreography of the show. Big thanks to <a href="https://twitter.com/shengyin0709?ref_src=twsrc%5Etfw">@shengyin0709</a> for the heads up. <a href="https://t.co/HWzP9zLTCY">https://t.co/HWzP9zLTCY</a></p>&mdash; andjustice4some (@andjustice4some) <a href="https://twitter.com/andjustice4some/status/1197580205188976640?ref_src=twsrc%5Etfw">21. November 2019</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
 
<blockquote class="twitter-tweet" data-lang="de"><p lang="en" dir="ltr">Ephraim Sykes <a href="https://twitter.com/hashtag/MJtheMusical?src=hash&amp;ref_src=twsrc%5Etfw">#MJtheMusical</a> <a href="https://twitter.com/hashtag/MichaelJackson?src=hash&amp;ref_src=twsrc%5Etfw">#MichaelJackson</a><a href="https://t.co/LcPnXEUzGX">https://t.co/LcPnXEUzGX</a> <a href="https://t.co/Zgz0dP7Ceh">pic.twitter.com/Zgz0dP7Ceh</a></p>&mdash; HonorMJ (@HonorMJ1) <a href="https://twitter.com/HonorMJ1/status/1197581005776916480?ref_src=twsrc%5Etfw">21. November 2019</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
 
Congrad to Mr. Sykes. And if anyone wants to bring up LN, that is the chance to bring up "LIES in Leaving Neverland" and "SquareOne". See MJ is NOT like others who been accused. FACTS show him innocence no matter what haters or media sites who love to make a living being negative to MJ. This is the time to EXPOSE them even more. Washington post was one that wrote the editor. They hate for Trump to call them Fake media. I told WP, you do not like it when Trump calls you Fake YET you do NOT post the LIES told on Michael Jackson. if you can lie on MJ, you can lie on Trump and anyone else. What else as a reader should I think when I read the facts on MJ which I never see you post along with talking about LN? This is how you have to handle these sites. Thank goodness for Email, Social Media, etc. Again, THIS NOT 2005 and they can not say what they want and let it get by.
 
OK. I said it previously today in a different thread. The narrative is beginning to change. ET managed to write a short article about the musical without any mention of LN or use of the word “controversial”. I read it three times to make sure I haven’t overlooked anything. :eek:

Full text below, but please click through to make them aware that that’s the kind of article we want to read.
https://www.etonline.com/michael-jackson-broadway-musical-casts-its-king-of-pop-136814

Michael Jackson Broadway Musical Casts Its King of Pop

MJ, the upcoming musical set to Michael Jackson’s hits, has found its King of Pop. Tony Award nominee Ephraim Sykes has been tapped to portray the singer on Broadway, producers Lia Vollack and the Michael Jackson Estate announced on Thursday.

Sykes can currently be seen performing onstage in the hit production Ain’t Too Proud – The Life and Times of The Temptations as recording artist David Ruffin. The role earned him a Tony Award nomination in 2019 for Best Performance by an Actor in a Featured Role in a Musical. He was previously seen in Hamilton, Motown the Musical and Newsies.

The casting news comes after the production was pushed back and renamed MJ. Now set for an August 2020 opening, the show will feature a book by two-time Pulitzer Prize winner Lynn Nottage, who made her Broadway writing debut with the play Sweat, which was nominated for three Tony Awards, including Best Play and Best Performance by an Actress in a Featured Role for both Johanna Day and Michelle Wilson. Tony Award winner Christopher Wheeldon will direct and choreograph.

“Ephraim Sykes is a bona fide triple threat and dynamic rising star on Broadway. I am honored to be working with him on this exciting new production,” Wheeldon said in a statement.

MJ The Musical will begin preview performances on Monday, July 6, 2020, at the Neil Simon Theatre, with an opening night set for Thursday, Aug. 13, 2020.
 
A short piece from the end of a recent interview with Nottage from Vogue, 22 Nov '19:

Int:You&#8217;re so busy this year. You&#8217;re doing an opera...

I'm doing Michael Jackson. I have The Secret Life of Bees. I have my new play, which is going to come around next year.

Int:Can I ask you a question about Michael Jackson? How do you contend with the weight of that history?

We all, on some level, recognize the complexity of Michael Jackson. For many years, he has occupied a very specific space.

Int:Going into this moment, when there&#8217;s such a spotlight on him, and such decided opinion on it now around what we should do with that history...

Cancel culture is the dominant culture in this moment. But my guiding principle is that you have to sustain the complexity. I really feel as an artist that writing this piece is me trying to process my complicated feelings about someone who I idolized from the time I was five years old. To reconcile that with that person who, in the media, was quite complicated. I can&#8217;t simply cancel that person. I have to, as an artist, lean into that complication&#8212;that is what I&#8217;m investigating by doing this. And I think that the easy thing would be to say no and run away. But for me the more interesting thing is to lean into it and try to figure out personally how I feel.

https://www.vogue.com/article/jeremy-o-harris-lynn-nottage-interview-slave-play


-------------------------------------------

This is an unconnected article by Lynn Gardner (Editor of 'The Stage'), in which she discusses how the theatre needs to keep up with 'the news', in the age of rapid reporting and short news cycles. Ms Nottage may find her play is outdated by next August, if either the HBO and/ or Robson/ Safechuck cases have moved substantially forward by then.... The 'MJ Musical' may not 'age' well, if Nottage spends substantial time focusing on MJ's so-called 'complexity'- which is in reality a perception thrust upon him by the media, and certainly not of his choosing.

''I&#8217;m not suggesting that plays written in 2016 are undeserving of their slot in a theatre&#8217;s schedule. Merely that it must be frustrating for a writer to have spent so much time and effort on a play, only to find when it&#8217;s finally produced that it no longer has the urgency with which it was originally conceived, and that the landscape has changed.

The last three years have seen momentous cultural and political shifts, and plays that don&#8217;t reflect those shifts, whether they are around #MeToo or the climate emergency, can look dated. We really cannot expect playwrights to be clairvoyant.

For those making programming decisions a year or more ahead, even if every single one turns out to be a cracker, where is the room for the plays that are a response to the moment?

In an age when everyone has 24-hour news at their fingertips, it is not surprising that long lead times in programming, added to long development periods, sometimes leave theatre and individual plays looking a little dusty.''

https://www.thestage.co.uk/opinion/...pressure-on-producers-and-writers-to-keep-up/
 
Last edited:
I see "complicated" will be now the new buzzword. Not exactly what I wished for when I thought "controversial" was getting boring.

myosotis;4275051 said:
Cancel culture is the dominant culture in this moment. But my guiding principle is that you have to sustain the complexity. I really feel as an artist that writing this piece is me trying to process my complicated feelings about someone who I idolized from the time I was five years old. To reconcile that with that person who, in the media, was quite complicated. I can’t simply cancel that person. I have to, as an artist, lean into that complication—that is what I’m investigating by doing this. And I think that the easy thing would be to say no and run away. But for me the more interesting thing is to lean into it and try to figure out personally how I feel.

Thanks, Ms. Nottage. :rolleyes:
 
ozemouze;4275058 said:
I see "complicated" will be now the new buzzword. Not exactly what I wished for when I thought "controversial" was getting boring.
Thanks, Ms. Nottage. :rolleyes:

:lmao:

EDIT: I mean, it&#8217;s not that she&#8217;s a Pulitzer winning playwright or anything.
 
<blockquote class="twitter-tweet" data-lang="de"><p lang="en" dir="ltr">Can’t wait for the MJ MUSICAL. Long live the king . Based on evidence n the court documents MJ REMAINS INNOCENT. N I hope the musical make him justice . &#128591;</p>&mdash; Heidi (@HeidilovesMJ) <a href="https://twitter.com/HeidilovesMJ/status/1197626624839163913?ref_src=twsrc%5Etfw">21. November 2019</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
 
<blockquote class="twitter-tweet" data-lang="de"><p lang="en" dir="ltr">&quot;Sykes is a legend in the making.&quot; – <a href="https://twitter.com/TheRoot?ref_src=twsrc%5Etfw">@TheRoot</a> <a href="https://twitter.com/hashtag/MJtheMusical?src=hash&amp;ref_src=twsrc%5Etfw">#MJtheMusical</a> <a href="https://t.co/CzTDVoHYVp">https://t.co/CzTDVoHYVp</a></p>&mdash; MJ (@MJtheMusical) <a href="https://twitter.com/MJtheMusical/status/1198990003671572480?ref_src=twsrc%5Etfw">25. November 2019</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

<blockquote class="twitter-tweet" data-lang="de"><p lang="en" dir="ltr">That's our own Mellie in NYC--eagerl anticipating <a href="https://twitter.com/hashtag/MJtheMusical?src=hash&amp;ref_src=twsrc%5Etfw">#MJtheMusical</a> ... <a href="https://t.co/EiQj64CzmG">https://t.co/EiQj64CzmG</a> <a href="https://t.co/H7AU1QGnCl">pic.twitter.com/H7AU1QGnCl</a></p>&mdash; MJJJusticeProject (@MJJJusticePrjct) <a href="https://twitter.com/MJJJusticePrjct/status/1198649970905079809?ref_src=twsrc%5Etfw">24. November 2019</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
 
<blockquote class="twitter-tweet" data-lang="de"><p lang="en" dir="ltr">Did you all see <a href="https://twitter.com/ephsykes?ref_src=twsrc%5Etfw">@ephsykes</a> Ephraim( MJ musical) on the Macy’s thanksgiving parade ...he will be the perfect MJ &#10084;&#65039;&gt;&gt;&gt; <a href="https://t.co/v6wG5UMb8F">https://t.co/v6wG5UMb8F</a></p>&mdash; Melanie321 (@Mellie4Justice) <a href="https://twitter.com/Mellie4Justice/status/1200800961658327040?ref_src=twsrc%5Etfw">30. November 2019</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
 
<blockquote class="twitter-tweet" data-lang="de"><p lang="en" dir="ltr">“My actual wildest dream is coming true…I’ll do my best to honor the man who made me wanna sing and dance in the first place. Love you MJ!” – <a href="https://twitter.com/ephsykes?ref_src=twsrc%5Etfw">@ephsykes</a> who will play Michael Jackson in the upcoming MJ: The Musical. <br>Tickets on sale in January! <a href="https://t.co/aSmlZMZZFH">https://t.co/aSmlZMZZFH</a> <a href="https://t.co/ztBG7JRGXV">pic.twitter.com/ztBG7JRGXV</a></p>&mdash; Michael Jackson (@michaeljackson) <a href="https://twitter.com/michaeljackson/status/1202997475340103680?ref_src=twsrc%5Etfw">6. Dezember 2019</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
 
<blockquote class="twitter-tweet" data-lang="de"><p lang="en" dir="ltr">Behind the Scenes: Feeling the Focus.<br>&#10024; Get First Access to Tickets—<a href="https://t.co/hqugZL0wJ4">https://t.co/hqugZL0wJ4</a> &#10024;<a href="https://twitter.com/hashtag/MJtheMusical?src=hash&amp;ref_src=twsrc%5Etfw">#MJtheMusical</a> <a href="https://t.co/NWlLiEbHZQ">pic.twitter.com/NWlLiEbHZQ</a></p>&mdash; MJ (@MJtheMusical) <a href="https://twitter.com/MJtheMusical/status/1204545610659106816?ref_src=twsrc%5Etfw">10. Dezember 2019</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
 
Rehearsing Neverland: Ephraim Sykes Talks Becoming Michael Jackson in 2020 Musical

&#8220;I&#8217;m the most excited person in the entire world, but also the most frightened,&#8221; says actor who also appears in Temptations musical Ain&#8217;t Too Proud

By David Browne

This fall, singer, actor and dancer Ephraim Sykes juggled two of the most demanding jobs on Broadway. By night, he played the troubled, tortured David Ruffin in Ain&#8217;t Too Proud, the hit Broadway show about the life and music of the Temptations. But during the day, Sykes began preparing for what should be an even more demanding and controversial job: the lead role as Michael Jackson in a musical based on his life.

The Jackson estate first announced MJ: The Musical, Scheduled to open August 13th, 2020, in 2018 with a creative team including Tony-winning director Christopher Wheeldon and Pulitzer-winning playwright Lynn Nottage. Set in 1992, the show will focus on Jackson&#8217;s life in his twenties and thirties and include two dozen of his songs.

But in light of the ongoing controversies and sense of unease that linger around Jackson&#8217;s legacy, it&#8217;s no surprise that hurdles ensued. Initially called Don&#8217;t Stop &#8217;Til You Get Enough, the show was scheduled for a tryout run in Chicago early this year. But those performances were canceled soon after the Sundance premiere of Leaving Neverland, the HBO documentary that alleged Jackson abused two then-young boys, Wade Robson and James Safechuck. (The official reason for the cancellation was &#8220;scheduling difficulties.&#8221;)

Throughout the show&#8217;s news cycle, one other uncertainty remained: Who would play Jackson? That question was answered last month when 34-year-old Sykes was announced as the lead. The seasoned performer has appeared in Hamilton, Motown and The Little Mermaid, and he&#8217;ll soon leave Ain&#8217;t Too Proud to start rehearsals for MJ in May. As Sykes tells RS, &#8220;I&#8217;m looking to take a couple of months off, rest and recuperate my voice, my body, my mind, find out who Ephraim is again, before I take on this next icon.&#8221;

How are you feeling about this undertaking right now?
Oh my God. I&#8217;m the most excited person in the entire world, but also the most frightened. Literally both of those extremes are happening at the same time right now. But at the end of the day, I&#8217;m grateful and honored to be able to portray the man who&#8217;s the reason I&#8217;m here at all &#8211; the reason why I started singing and dancing in the first place. And as an actor, I&#8217;m excited to take on such a huge talent, who I feel is maybe the most complicated person who ever walked the earth. Truly, truly complicated, to the level where we may never even know the truth and depth of it.

The show is set in 1992 as Jackson is preparing for the Dangerous tour. How finished and ready is it?
We did a whole workshop starting in October through the end of November. We worked out the entire piece, fully staged and choreographed. I was spending my days doing Michael Jackson, and then from 7 to 11 o&#8217;clock every night I was David Ruffin &#8211; possibly the two most extreme characters I could ever try to fit into my head at the same time. David Ruffin was this hothead and known as a coke addict and egomaniac. The most infamous words were tied to him. That, versus possibly the most meek, mild, humble, and, like, mousey person Michael Jackson could be sometimes; how insecure he could be sometimes except when he was onstage. They&#8217;re complete opposite ends of the spectrum.

The show supposedly features roles for a younger Michael, as well as possibly Berry Gordy, Marlon Jackson and Michael&#8217;s father Joe.
Yeah, it definitely has a way of showing you memories and things in in his head. But I&#8217;m in a lot of it. I&#8217;m still throughout the whole thing.

Given all the recent controversies around Michael, did you have any reservations about taking on the role, and how did they factor into your decision?
To be honest, man, it definitely factored in. And it&#8217;s something I still just have to grapple with every day. But at the end of the day, I just can&#8217;t know the whole story. Nobody can know exactly what went down. I just choose to look at it as a challenge, as a way for me to humanize as best I can somebody we held up; who we idolized beyond any other star. He&#8217;s almost like a demigod to us. And I want to talk about the things I do know in terms of how he was in pain physically, how he was abused physically as a kid, the painkillers.

We definitely know something wasn&#8217;t quite right. None of us can really put our finger on exactly what was happening, because he was also very private in a lot of ways. But with all his demons, he still inspired me to be the person I am, especially as a performer, and how he treated people and what he gave to the world and to people in need. Those are the aspects of him I still believe are worth celebrating.

We live in a country that can be one of the most hypocritical places of all time, and we find ways to try to celebrate this place we call the land of the free that was built on the backs of slaves. Somehow we try to celebrate people like Christopher Columbus and George Washington who did these monstrous things and still try to find the best of ourselves, even simultaneous with the ugliness that we are as people and as part of the human condition. That&#8217;s my hope, my purpose, in doing this show. I want to find ways to make us all be able to connect to our darkness as well as well to our light.

That connects Ruffin and Michael too.
Exactly. That&#8217;s one leg up [on finding] the pain and talk[ing] about it honestly.

How much does the MJ script touch on his issues?
I&#8217;ll say this: It touches on lots of controversy that was going on. It touches on a lot of problems and things he was facing. I can&#8217;t give anything away. But I do know we&#8217;re looking to try to fully encapsulate his creative genius as well as the monsters he was having to face internally. And we speak to some of the other really positive things that happened throughout this man&#8217;s life too and how much he gave &#8211; which still are undeniable.

My goal is to paint as full a picture as possible and then we can talk amongst ourselves about how we feel about him and ourselves, honestly. How much of our darkness and light do we accept &#8211; or allow other people to see? Who do we give grace and forgiveness to versus who do we choose to condemn? It&#8217;s a huge conversation that is very tricky, but that to me is interesting.

Do you think his fans will support the show bringing up things that weren&#8217;t always positive?
From what I&#8217;ve seen so far, with just the announcement that it was happening, a lot of his fans are ride and die. They&#8217;re already supportive. Then, of course, you have the skeptics who are somewhere in between. And you have people outright who are like, &#8220;We need to cancel Michael.&#8221; I always say all opinions are valid, but let&#8217;s just try to speak truth to power and be as open with our dialogue as possible. Everybody&#8217;s still going to have their own opinions about it, but at least we can still respect each other and be honest with each other.

It&#8217;s going to be interesting to see how people take to it, but I do know there&#8217;s a huge group of people who are going to love it. They still love him and his music. And with the people in between, when a Michael Jackson song comes on the radio or at a wedding, everybody&#8217;s still grooving. Everybody has a certain connection with him, for better and for worse, and I think everybody&#8217;s valid and I look for this to be another thing that hopefully brings us together.

At the very least, it won&#8217;t be a boring experience.
That it won&#8217;t be.

Source: https://www.rollingstone.com/music/music-features/ephraim-sykes-michael-jackson-interview-929643/
 
^ Plenty to worry about in his interview. :(

I don't share his expectation that fans will be happy to see MJ portrayed as a possible 'monster, but we'll never know.' We Do know that he was no such thing.

I&#8217;m excited to take on such a huge talent, who I feel is maybe the most complicated person who ever walked the earth. Truly, truly complicated, to the level where we may never even know the truth and depth of it................................................

But at the end of the day, I just can&#8217;t know the whole story. Nobody can know exactly what went down. I just choose to look at it as a challenge, as a way for me to humanize as best I can somebody we held up; who we idolized beyond any other star. He&#8217;s almost like a demigod to us. And I want to talk about the things I do know in terms of how he was in pain physically, how he was abused physically as a kid, the painkillers.

We definitely know something wasn&#8217;t quite right. None of us can really put our finger on exactly what was happening, because he was also very private in a lot of ways. But with all his demons, he still inspired me to be the person I am, especially as a performer, and how he treated people and what he gave to the world and to people in need. Those are the aspects of him I still believe are worth celebrating.

We live in a country that can be one of the most hypocritical places of all time, and we find ways to try to celebrate this place we call the land of the free that was built on the backs of slaves. Somehow we try to celebrate people like Christopher Columbus and George Washington who did these monstrous things and still try to find the best of ourselves, even simultaneous with the ugliness that we are as people and as part of the human condition. That&#8217;s my hope, my purpose, in doing this show. I want to find ways to make us all be able to connect to our darkness as well as well to our light.
 
^ Plenty to worry about in his interview. :(

I don't share his expectation that fans will be happy to see MJ portrayed as a possible 'monster, but we'll never know.' We Do know that he was no such thing.

Yeah, my heart sank when I read that. :( I had high hopes when Ephraim Sykes was announced for the role of MJ, but now not so much anymore. :(
 
The minute Lynne was telling everyone she believed Wade and James, I completely checked out of this project. Zero interest.

And I had originally planned to visit NYC from Scotland just to see it.
 
The minute Lynne was telling everyone she believed Wade and James, I completely checked out of this project. Zero interest.

And I had originally planned to visit NYC from Scotland just to see it.

That's why I don't understand this whole mess. Who is the target audiance they are aiming at with this? Fans will boycott it, the general public wants to be entertained so won't watch a musical on such a "controversial topic", only obsessed haters remain but they aren't that many.
 
A fan on Twitter commented that it was not 'acceptable for Ephraim to be neutral about the allegations'.

Ephraim 'liked' the comment and asked the fan to DM him. It will be interesting to see if the response is made public, and what is said.

Hmmm This fan seems to be changing his mind. Said 'It was just an interview and he didn't really say anything negative about MJ.' Apparently he received a voice message from Ephraim but didn't ask if he can share it. He added that Ephraim 'personally believes that MJ is innocent'. Odd then that he can't say that in interviews.

It's a pretty sad state of affairs that someone working on an Estate project and, most specifically 'being' Michael Jackson, cannot bring themselves to say in public that known perjurers are lying about MJ being an abuser.
 
Last edited:
A fan on Twitter commented that it was not 'acceptable for Ephraim to be neutral about the allegations'.

Ephraim 'liked' the comment and asked the fan to DM him. It will be interesting to see if the response is made public, and what is said.

Link, please? :)
 
With the METOO movement and the highly sensitive society we live in, many in here are delusional if they expect to see Michael Jackson portrayed as some innocent angel. The media would crucify these people if they came on television or did interviews completely dismissing child sex abuse allegations. These people involved have to walk a very fine line. It's sad but this is the world we live in now guys. I had my Twitter account of 8 years permanently suspended last month due to people reporting me for supporting pedophilia. Only because I was defending Michael Jackson. It's really come to this. Freedom of speech is dead, and if somebody gets hurt from your comments.... beware.

So Im not surprised at all this narrative is being taken from all the people involved in the musical. In the end I highly doubt they will portray him as some monster. I imagine it will be more like leaving the audience to form their own opinion. They won't ignore the controversy (MJ was a controversial person as we all know, he refused to fit in to the box society demanded), however they will focus mostly on his incredible talents.
 
With the METOO movement and the highly sensitive society we live in, many in here are delusional if they expect to see Michael Jackson portrayed as some innocent angel. The media would crucify these people if they came on television or did interviews completely dismissing child sex abuse allegations. These people involved have to walk a very fine line. It's sad but this is the world we live in now guys. I had my Twitter account of 8 years permanently suspended last month due to people reporting me for supporting pedophilia. Only because I was defending Michael Jackson. It's really come to this. Freedom of speech is dead, and if somebody gets hurt from your comments.... beware.

So Im not surprised at all this narrative is being taken from all the people involved in the musical. In the end I highly doubt they will portray him as some monster. I imagine it will be more like leaving the audience to form their own opinion. They won't ignore the controversy (MJ was a controversial person as we all know, he refused to fit in to the box society demanded), however they will focus mostly on his incredible talents.

I hope you're right about it being left to audience interpretation. Unfortunately, I can't help but get the feeling that it will somehow subtly skewer it towards the negative, or at least the press will. And then the bullshit will start over again.

Sucks your Twitter account got banned. :( I keep feeling tempted to join Twitter but I'm afraid to now.
 
With the METOO movement and the highly sensitive society we live in, many in here are delusional if they expect to see Michael Jackson portrayed as some innocent angel. The media would crucify these people if they came on television or did interviews completely dismissing child sex abuse allegations. These people involved have to walk a very fine line. It's sad but this is the world we live in now guys. I had my Twitter account of 8 years permanently suspended last month due to people reporting me for supporting pedophilia. Only because I was defending Michael Jackson. It's really come to this. Freedom of speech is dead, and if somebody gets hurt from your comments.... beware.

So Im not surprised at all this narrative is being taken from all the people involved in the musical. In the end I highly doubt they will portray him as some monster. I imagine it will be more like leaving the audience to form their own opinion. They won't ignore the controversy (MJ was a controversial person as we all know, he refused to fit in to the box society demanded), however they will focus mostly on his incredible talents.

You got your Twitter account suspended too? Hater job is what got our accounts suspended. I ought sue who got my account suspended.
 
Back
Top