love is magical
Proud Member
Re: Michael - The Great Album Debate (Only Go Here if You Want To Continue The Controversy)
Well, I always take words from "critics" with a grain of salt. At least this Joe Vogel guy focused on the songs, not the made-up stories about Michael.
I disagree with what Vogel said about the Cascio tracks:
They aren't all the polished, perfectionist-Michael Jackson people are accustomed to hearing, but they are him, and what some of his closest friends and collaborators felt his fans deserved to hear.
I'm not going to go into whether the songs are Michael's or not. Yet, the above sentence bothers me. None of his closest friends or collaborators can determine what Michael's fans deserved to hear. Actually, none of us is entitled to anything. Only Michael could determine what he wanted us to see and what he wanted us to hear. I know Michael can no longer make that call. The best thing Michael's collaborators can do is to release songs completed with integrity, release songs that the "perfectionist-Michael Jackson" would have been proud of. The release of the Cascio tracks are soley driven by cost/profitablity concern. Don't make it sound like they do it for the fans.
By the end of the article, I'm already confused by the writer's stance.
First, he mentioned, "Teddy Riley gives the song a fresh but faithful sheen."
Then, he said, "But occasionally, the creative liberties taken do seem questionable, or at the very least, unexplained."
So, is it faithful or questionable? :scratch:
I do give the writer some credits because I've seen much worse reviews way too many times.
Well, I always take words from "critics" with a grain of salt. At least this Joe Vogel guy focused on the songs, not the made-up stories about Michael.
I disagree with what Vogel said about the Cascio tracks:
They aren't all the polished, perfectionist-Michael Jackson people are accustomed to hearing, but they are him, and what some of his closest friends and collaborators felt his fans deserved to hear.
I'm not going to go into whether the songs are Michael's or not. Yet, the above sentence bothers me. None of his closest friends or collaborators can determine what Michael's fans deserved to hear. Actually, none of us is entitled to anything. Only Michael could determine what he wanted us to see and what he wanted us to hear. I know Michael can no longer make that call. The best thing Michael's collaborators can do is to release songs completed with integrity, release songs that the "perfectionist-Michael Jackson" would have been proud of. The release of the Cascio tracks are soley driven by cost/profitablity concern. Don't make it sound like they do it for the fans.
By the end of the article, I'm already confused by the writer's stance.
First, he mentioned, "Teddy Riley gives the song a fresh but faithful sheen."
Then, he said, "But occasionally, the creative liberties taken do seem questionable, or at the very least, unexplained."
So, is it faithful or questionable? :scratch:
I do give the writer some credits because I've seen much worse reviews way too many times.