Find me audio where Michael does it.
That's what I think, since I've heard it from Jason 3-4 times. May be even more.
By the way, Joe Vogel's book on MJ's music, which will be a song-by-song analysis, is coming out in September. An appendix will be dedicated to "Michael", and while he couldn't get an interview with the Cascios in time for it to be included, he did talk to friends of theirs.
What the **** do you expect? Of course I keep on posting his name in this thread. Do you have any idea what this thread is all about? Free promotion? Everyone here knows who Jason is.Dude, you must be thinking of Jason Malachi every moment of your day, every post I see you keeping his name in your mouth. If he did sing the songs or even if he didn't, your just giving him free promotion.
I mean, no publicity is bad publicity right lol.
1:54/55 @ album version.I'd have to listen to that snort again...where does he do it?
What the **** do you expect? Of course I keep on posting his name in this thread. Do you have any idea what this thread is all about? Free promotion? Everyone here knows who Jason is.
4 posts? Nice, go somewhere else on the forum and get it higher by not posting bullshit, thank you.
1:54/55 @ album version.
How do you know I care about my post count?so what if i have 4 posts mate? I don't care about post counts like you lol, I care about Michael Jackson's music thank you. Here's a snippet that will undoubtedly make you post 10000 more posts about malachi.
http://hulkshare.com/1obidburb7j7
How do you know I care about my post count?
And where did you get that Mamacita a cappella snippet?
....
Do you by any chance have the full Critical a cappella and DJ Don't Stop It a cappella?
Well you've snorted that out for us
1:54/55 @ album version.
Ah it was you lol. It was a funny comment.
Ok, but when you listen to Another Day you clearly can hear that there aren't enough lyrics, which automatically led to more refrains. But anyway, it is a grat song.
And here a little video showing Lenny in the street. When I saw this video, I surely saw first how nice he is and second how an excellent singer he is.
Listen to his voice in the street, with a cheap microphone-- guess what, he sounds exactly LENNY. (And someone tries to make me believe that Michael couldn't sound Michael in a studio because of this, because of that?????):
[youtube]SBgZNINN6MU&feature=related[/youtube]
To quote 'Michael' in Monster - HA!
That's actually Michael (without the apostrophes) in Unbreakable. Copied and pasted onto Monster. So that Teddy could claim 'no one screams like that'.
You couldn't make it up!
^^Sam, Tony, are you guys talking about quotation marks?
The album "Michael" does get all of us confused with the use of punctuation. :cheeky:
Indeed we are. We've discussed everything else to death, it was the only thing left.
No, we still haven't discussed the title of this thread
So, is Joe Vogel a music critic?
I actually like the idea of his book. An analysis of Michael's work is much needed. I hope it's going to be an objective one.
Alright, so how did Joe Vogel know whether Michael warmed up his voice or not? Was he a fly in that basement?
By the way, Joe Vogel's book on MJ's music, which will be a song-by-song analysis, is coming out in September. An appendix will be dedicated to "Michael", and while he couldn't get an interview with the Cascios in time for it to be included, he did talk to friends of theirs.
The book is going to be fake looool
well he believes the vocals to be legit so I'm sure someone will be able to find something to discredit him or compare him to Bashir etc.
Which ones? The copy pasted or the imposter's?
from his articles:
The first of the Cascio tracks to be heard -- "Breaking News" -- obviously isn't a perfect realization of Jackson's abilities. Receiving the most critical attention are Jackson's vocals, the veracity of which even some family and fans are questioning. There are understandable reasons for this. This certainly isn't a "typical" Jackson recording: there weren't extensive warm ups with longtime vocal coach Seth Riggs, no layering and polishing by Jackson himself, no Bruce Swedien and world-class studio technology to capture the original vocal. This was a guide demo, supplemented by the supporting vocals of James Porte (for which he is credited), and produced nearly four years later by Teddy Riley.
While these are not perfectly realized tracks -- as no posthumous material can be -- there is certainly much to appreciate. The Cascio tracks represent, after all, some of the last work Jackson ever wrote and recorded. It wasn't ready to be released, but then, Jackson wasn't ready to die.
"Breaking News," "Monster," "Hold My Hand" and the rest of the tracks that comprise Michael are, similar to the This Is It documentary, fragments of an unfinished vision. They aren't all the polished, perfectionist-Michael Jackson people are accustomed to hearing, but they are him, and what some of his closest friends and collaborators felt his fans deserved to hear.
Breaking News
The song will likely be forever-linked to the controversy surrounding its vocals. Yet in spite of the backlash, the content of the song is classic Michael Jackson, following in the tradition of anti-media tracks like "Leave Me Alone, "Tabloid Junkie," and "Privacy." The repeated use of the name, "Michael Jackson," highlights the way his name has been objectified--it is simply a media construct, a "boogieman," that the real Michael feels detached from. The exaggerated way the name is uttered humorously mocks the way the media exploits him for sensational effect. While the strength and clarity of the vocals clearly aren't up to Jackson's standards, the song itself is quite good. The harmonized chorus is catchy and memorable. Teddy Riley gives the song a fresh but faithful sheen. One can easily imagine the song as an outtake from the Dangerous or HIStory sessions.
Keep Your Head Up
Narrates the life of an ordinary woman "looking for the hope in the empty promises." The song is well-suited to the current economic climate and will likely resonate with many listeners. The back half of the song offers a classic MJ crescendo, with the gospel choir providing the lift and communal strength the woman needs to keep going.
For a variety of reasons, many tracks that Jackson was working on during his final years aren't on the tracklist (including those with will.i.am). In addition, the vocals, particularly on a couple of the "Cascio tracks," don't always measure up to Jackson's typical strength and vitality, leading some to label them as "fake." Until a forensic analysis or some other concrete evidence proves otherwise that conspiracy theory doesn't hold up for me--especially after hearing the final album versions on very good speakers. But occasionally, the creative liberties taken do seem questionable, or at the very least, unexplained. For the purists (myself included), it would be nice, in addition to the current album versions, to have some of these songs as they were last heard by Michael--just as it was nice to see Michael un-mediated in This Is It.
What kind of friends are the Cascios to even think selling so weak and poor tracks?
why not blame the ones that bought them? selling is a thing of supply and demand. If there wasn't/isn't demand , you can't sell anything.
and actually Joe Vogel himself answers your question(s)
"They aren't all the polished, perfectionist-Michael Jackson people are accustomed to hearing, but they are him, and what some of his closest friends and collaborators felt his fans deserved to hear."
btw : is Lady Gaga's new song has to much "inspiration" from Madonna?