azsummergirl;3571245 said:
WHY WON'T THE BAD TOUR WORK!?!? can they at LEAST give me the yokohama version of thriller without the stupid dripping effect on it?! MY GOD.
I heard some fans who had talked to some Sony people once said there isn’t a big enough market for concert DVD. BUT, it’s just rumor. You know, over the years, many so-called “insider info” turned out false. </SPAN>
Like you, at this point, I’m willing to settle with Yokohama with no effects that scream 80’s. It kills me to see that fading effect on Human Nature and yes, that dripping effect on Thriller is cringe-worthy. </SPAN>
They can just give me Yokohama, Bucharest and Munich. I just want high quality version, so they play properly on my TV. I spent hours reading my TV manual trying to figure out how it can play Dangerous Bucharest without stretching the screen. It’s frustrating. </SPAN>
azsummergirl;3571245 said:
you know, i really don't fault them for releasing greatest hits cds. As a fan, of course i don't want them. I'd rather have an unedited 3 hour video of michael drinking tea or tying his shoes or breathing . . . but the average person doesn't. the average person doesn't even know songs (masterpieces) like little susie--they want to hear billie jean and the way you make me feel. I don't think anything's wrong with that. the more greatest hits come out, the more people will listen and hopefully, fall in love with mj's music and seek out more of it. I'm FINE with greatest hits, as long as they sprinkle some stuff in for the diehard fans (of which there are many) every once in a while. The only thing i'm not fine with is dissrespect. like, you know, fraud.
I understand what you are talking about. But, Sony is starting to saturate the market with too many GH collections in a relative short period of time. Number Ones and TII sold extremely well. Nevertheless, we can’t expect people who owned Number Ones to buy another GH. I own many GH albums of other artists. If those artists I like, but not crazy about, release another GH with similar content, then I just won’t buy it. In the last seven years, Michael had five GH collections out (Number Ones, Essentials, TUC, KOP and TII.) Immortal is a fancier version of GH remixes. By now, Michael has more GH albums than his studio albums. </SPAN>
ADKIc3mAnX;3571247 said:
Well actually Michael Jackson is selling well, slow but well.
This Is It the movie made $261,183,588 in box offices that's over 1/4 of a billion dollars and became the biggest documentary/music film of all time.
This Is It the album has a platinum status of 23.
Vision DVD box set sold pretty well and has a platinum status of 8 while 5 of those are from the U.S alone.
"Michael" was the Global #1 album of 2010 and has a platinum status of 26.
Immortal World Tour was probably the best thing that the estate did since it brings in about $500,000.00 daily from ticket sales alone.
Immortal album is being promoted by Cirque Du Soleil which is going around North America selling out concerts/shows and some people cannot make it to the concerts or afford it so they can buy the album and at least listen to it.
My list was made to show that the $250,000,000.00 deal between Sony & the estate is doing well.
</SPAN>
I’m talking about the $250 million deal between Sony and the Estate. </SPAN>
TII, the movie, was not part of the deal. It’s a deal among Columbia (a Sony company), AEG and Sony. Columbia paid $60 million for the right.</SPAN>
TII the album was a hit. No doubt. Sony tried hard to replicate the performance of TII with no success thus far.</SPAN>
Michael Jackson’s Vision:</SPAN>
You know the threshold of platinum certification for DVD is 50,000 units in the U.S. based on SHIPMENT, right? 5 platinum certifications means 250,000 units shipped. Assuming the return is minimal and each DVD sells at $45, total sales is $11.25 million, not the $25 million per project Sony hopes to get. </SPAN>
Michael, the album:</SPAN>
See the below excerpt from Wiki:</SPAN>
Nielsen SoundScan</SPAN> figures are not used in RIAA certification; the RIAA system predates Nielsen SoundScan and includes sales outlets Nielsen misses. Prior to Nielsen SoundScan, RIAA certification was the only audited and verifiable system for tracking music sales in the U.S.; it is still the only system capable of tracking 100% of sales (albeit as shipments less returns, not actual sales like Nielsen SoundScan). This system has allowed, at times, for record labels to promote an album as Gold or Platinum simply based on large shipments. For instance, the 2010 </SPAN>Michael Jackson</SPAN> compilation album Michael</SPAN> shipped Platinum with over 3 million shipments but was a sales bust, with two million returns expected in 2011.[SUP][2][/SUP] Similarly, all four solo albums by the members of </SPAN>Kiss</SPAN> simultaneously shipped Platinum that same year but did not reach the top 20 of the </SPAN>Billboard 200</SPAN> album chart.[SUP][3][/SUP] The following year, the RIAA began requiring 120 days from the release date before recordings were eligible for certification, although that requirement has been reduced over the years and currently stands at 30 days. </SPAN>Sony</SPAN> was roundly criticized in 1995 for hyping Michael Jackson's double album HIStory</SPAN> as five times Platinum, based on shipments of 2.5 million and using the RIAA's recently adopted practice of counting each disc toward certification, while SoundScan was reporting only 1.3 million copies sold.[SUP][4][/SUP] A similar discrepancy between shipments and sales was reported with The Lion King</SPAN> soundtrack.[SUP][5][/SUP]</SPAN></SPAN>
Don’t just go by platinum figures. Platinum certifications are reliable only when return is not substantial. In some ways, platinum certification is another gimmick employed by record label. Take a look to the discussion I had with Ivy a little earlier, Michael, the album, was not a money maker by any means. </SPAN>
Immortal World Tour is not a Sony/Estate project. It’s a collaboration between the Estate and Cirque du Soleil. It’s not part of the 10-project deal.</SPAN>
Immortal, the album:</SPAN>
So far, the sales has been lukewarm. This album is more like a souvenir item than a chart-topper. People who go to see the show will probably grab the album on their way in or out of the show. </SPAN>
You said people who can’t afford to buy tickets to the show may buy the album? Why? It’s not a DVD. There is no visual. Fans may probably buy the album to listen to the Immortal remixes. But, the general public would not be interested. If they want to hear MJ, there are five other greatest hit collections for them to choose from. </SPAN>
Now, do you see your list is not as accurate as you thought? The $250 million deal isn’t working out as promising as it seemed in the spring of 2010. Vision and Michael weren’t success. Immortal (the album) isn’t outstanding. Things as they stand now aren’t great. Sony could make more money if they put $250 million in a risk-free investment, like U.S. T-note. Sony misjudged the market. The market for Michael Jackson is immense. But, music fans aren’t headless. They aren’t blind to accept whatever with the name Michael Jackson on it. So far, Sony failed to energize this immense fanbase. </SPAN>
Just look at the Immortal album thread, it’s quiet. Even fans don’t find much to talk about.
ADKIc3mAnX;3571254 said:
Sorry to interrupt but that poster idea is smart because holiday season + big poster where every plane departing and landing can see it's a good idea.
Well I'm in NYC and I seen many taxi's with the "Michael" album cover on the top and in Times Square they set up many posters with the cover.
</SPAN>
If the poster idea was that smart, we would hear more people talking about it when it was out. Just ask around, see how many people knew such poster even existed? Was it a water-cooler conversation topic? </SPAN>
I’m also in NYC. I can see Times Square from my office window. When I learned about the Michael billboard, I walked to TS and took a look. Honestly, I almost missed it. It was on top of the Mama Mia billboard, but smaller. Not that attention grabbing, I have to say.</SPAN>
I’m also a fan. I want every project with Michael’s name on it to be a success. But, I recognize it when the project is lackluster. See who remember the HMH video, the Hollywood Tonight video or the Behind the Mask video. None of the above make any impact at all. </SPAN>