Re: 11th July, 08:The Truth Behind The Latest Photos Of Michael Jackson
Nice little story about Michael from a man named Thomas Dolby:
http://canadianpress.google.com/article/ALeqM5iw5kA56wQ3k3FGNNLHjhqo3XCXIA
25 years after blinding us with science, Thomas Dolby is back
7 hours ago
TORONTO — Most people probably don't realize just how much they listened to Thomas Dolby's music during the 1980s.
Yes, they likely remember the British synth-guru's 1983 hit single "She Blinded Me With Science" and its spoof-on-a-silent-movie video that played endlessly on MTV.
But do they realize he helped create the distinct sound of the Foreigner smash "Waiting for a Girl Like You"? Or that he can be heard on tracks by the Thompson Twins?
Even Dolby's 12-year-old son - who has developed a penchant for stripping off his shirt and pounding away on the drums - was surprised to learn recently that his father played keyboards on Def Leppard's seminal album "Pyromania."
"The other day I popped my head around the corner and I said: 'Isn't that Def Leppard?"' Dolby, 49, recalled in a recent interview.
"And he goes: 'How d'you know that? I thought you didn't like this stuff?' And I said, 'Well I played on that."'
Dolby says his son was shocked, insisting that Booker T. Boffin performed keyboards on the album.
Recalls Dolby: "I said: 'And who do you think Booker T. Boffin is?"'
Now, after 15 years spent largely away from the music scene, Dolby - whose stage name evolved from his childhood fascination with his cassette player (he was born Thomas Robertson) - is stepping back into the spotlight.
He's working on a new album, and recently returned to live performance with the "Sole Inhabitant" tour, which saw him take to the stage outfitted with a camera mounted on his head, much like a miner's lantern.
An accompanying screen allowed the audience to view the show from the artist's perspective. Dolby stopped in Toronto recently to promote a CD-DVD of the concerts that has recently been released in Canada.
The techno touring stunt was classic Dolby, who was ahead of the musical curve in the '80s and is still cited today for his innovative brand of synthesizer-driven "steampunk," borne of a love of H.G. Wells and Jules Verne. He's proud that his admirers have remained loyal.
"I think that I've still got stuff to say, musically. I feel that the stuff I did always sort of went against the grain and was somewhat timeless," he says.
"There's actually a hardcore fanbase who've never stopped listening to my music because of the Internet. They're in there analyzing chord sequences and discussing lyrical interpretations and they have been even when I was silent for all those years."
Dolby's last studio album was 1992's "Astronauts and Heretics." The next year, he started a computer software company called Headspace, to which he was devoted for much of the 1990s.
Music, though, has proven to have a considerable pull. Dolby is curious to see if he can capture a younger generation of listeners.
The musician - who with his bald pate is virtually unrecognizable from his '80s days - sees an "appetite for authenticity" in music these days. Fans who like the bands that he influenced may want to look back at where the music originated, he surmises.
"When people hear a style of music these days they're kind of curious about the heritage of it."
Still, even as he produces new material, Dolby will no doubt be remembered for his musical run during the '80s.
Asked about his memories of being at the top of the charts along with glam-bands like Spandau Ballet and Duran Duran,
Dolby relates a bizarre encounter with Michael Jackson, whom he'd met in a studio near the pinnacle of Jackson's eccentric '80s success.
He went to the King of Pop's mansion and they had a "very nice conversation," as Jackson sat on a medieval throne, surrounded by an eclectic collection of treasures, including gold clocks and ivory chess sets.
"I thought we were alone in the house, and then halfway through the conversation I just noticed these little faces up 'round the balcony," remembers Dolby.
"They'd disappear. And then my song came blasting from upstairs. ... And suddenly about 12 little neighbour kids came downstairs in their pyjamas. It was like the Munchkins. They all had Tonka toys and stuff and he let them play with their Tonka toys on the floor around us while he and I were talking.
"And while we were talking about production he kept going: 'Jimmy, don't do that. Billy, bring that over here, no give that back to Bobby' ... He was like king of the castle in this thing. It was very surreal, but kind of charming, actually."