SAMPLING BASICS: Part 1
Sampling Basics: Part 1
Published in SOS January 1996
Technique : Sampling
[FONT=arial,helvetica]Having come a long way from its humble beginnings in the early n-n-n-n-nineteen eighties, sampling is now an integral part of music making. PAUL WHITE explains what samplers do and how they can be used.[/FONT]
[FONT=arial,helvetica]Just about every musician has heard of sampling, but unless you have a sampler and use it, you may not be clear about exactly what they can and can't do. A sampler is essentially a tapeless, digital recording device. At its most basic level, you need know no more about how sampling works; this series will leave an explanation of the principles behind digital recording to a future article.[/FONT]
[FONT=arial,helvetica]Before we go on, it will be helpful to look at the two main ways people use samplers.[/FONT]
[FONT=arial,helvetica]SAMPLERS: WHAT ARE THEY GOOD FOR?[/FONT]
[FONT=arial,helvetica]If you sample single musical notes, such as strings or organ sounds, you can use the sampler very much like any other synthesizer -- though you're not restricted to the manufacturer's own internal sounds, as with many synths. And absolutely any sound can be sampled and used as a musical instrument -- even everyday household objects. Indeed, most people, when they get their first sampler, go around the house hitting and scraping things to see what sounds good (for more on this curious side-effect of buying your first sampler, see the article on Off The Wall Sampling back in
SOS June '94).[/FONT]
[FONT=arial,helvetica]The other popular way of using samplers is to record not just individual notes but whole musical or rhythmic phrases, and this way of working forms the cornerstone of modern dance music construction. Typically, you might sample a four-bar drum rhythm, for example, and then trigger this on the first beat of every bar to provide a continuous rhythmic backing. [/FONT]
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