I said it was Jason Malachi within very few minutes of the stream.
Me too. Especially when I heard the word "stalking" (stocking) in the song Monster. It struck me immediately and I posted it immediately in the forum (I think it was in the Mosnter thread at that time).
A year after some research, I found out that in Maryland's dialect the words in "-alk-" like talk, walk, stalk, etc. are pronounced as "-ock-", so talk is pronounced "tock", walk = "wock" and stalk = "stock", just like the singer in the song Monster.
When I heard Stay for the first time, I found it extremely unusual, first to hear such a voice timbre, second to hear the word "waiting" clearly pronounced with the "t" ellision = "wa'ing". It struck me. Guess what, in Maryland dialect speakers elide "t"s in the middle of the words.
In "Breaking News" towards the end you clearly hear unusual voice timbre singing/shouting "breaking the news" with lots of either difficulties (actually it's a copy paste of words in the midfdle of the sentence) or actually what sounds very much like Jason's voice "breaking the news".
When I heard Soldier Boy, the way the word "victim" is pronounced is first of all extremely strange, as if the voice was either choked or copy-pasted. Very unnatural.
Water contains a rip off of break of dawn, etc, etc.
I mean, as far as I am concerned, do I really need anyone to tell me that the songs are either genuine or fake after hearing so many discrepancies? Seed of doubt introduced or not, something is clearly wrong with those vocals and songs as a whole. And of course I am referring to the lead vocalist, not to the auxilary vocals.
I just wish I don't hear what I hear and I just wish I could hear Michael and be at peace with it. I wouldn't even bother coming inhere and torture myself over what's wrong with either those songs or my hearing capacity. But the truth of the matter as far as I am concerned is that something about those songs is extremely fishy and my ears are trying to warn me that the voice isn't as smooth as it should be, whic has nothing to do with the fact that is a posthumous release, but with the fact that the vocals sound frustratingly unusual and foreign.