Michael - The Great Album Debate

That's true. A perfect example is questions such as:

how do you make 4 equal triangles with 6 barres: | | | | | | Try it :)
:swoon: LOL jk I've done this before, use 4 bars to make a square and form an x in the center of that square with the two remaining bars and voila!

We are so Off Topic right now lol sorry about that guys just wanted to put in my 2 cents on this discussion. :doh:
 
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:swoon: LOL jk I've done this before, use 4 bars to make a square and form an x in the center of that square with the two remaining bars and voila!

Wrong answer ;) Cuz if you do it that way none of the bars would touch the corners of your square, which means, they wouldn't be triangles.

You must make 4 real equal triangles with those 6 bars. Try again :)
 
Wrong answer ;) Cuz if you do it that way none of the bars would touch the corners of your square, which means, they wouldn't be triangles.

You must make 4 real equal triangles with those 6 bars. Try again :)
Oh Nooo! I just did this on paper! Shouldn't they fit if the bars are of equal length?? LOL I give up already, whats the answer? Now I wont got to sleep until I figure this out.:bugeyed
 
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Oh Nooo! I just did this on paper! Shouldn't they fit if the bars are of equal length?? LOL I give up already, whats the answer?

A pyramid

triangles_puzzle2.jpg
 
A musicologist works on this and has the ability to hear things that we don't.

And your wrong facts also come from the people that were there with Michael Jackson on the studio since they were actually in his presence while he recorded.

Example: Saying no to that is like you telling your friend that his mom is not his mom he's like "but she is" then your like "nope your wrong she's not".

its a professional OPINION, a person doesnt have to be a musicologist to have a good ear, thats bullshit, im a musician and i trust my ears, maybe u rely on others to hear things for you but im capable of making my own decisions when it comes to what i hear, and there was no one there besides eddie cascio when mj supposedly recorded these tracks, and he has no proof, words are not proof, i can tell my friend that his mother is not his mother, because she may not be his biological, until he shows me the birth certificate i can say that she is not his mother, so you are wrong and so is your example
 
love is magical;3566612 said:
If we take a look to the Breaking News thread and look at posts written shortly after the premiere of Breaking News, we’ll see how the initial reaction (“intuition”) was overwhelmingly repulsive. Many tend to underestimate the reliability of our own intuition. But, human beings DO rely on our intuition to survive. For instance, our intuition tells us to run away when a car is coming fast. We don’t stand there to weight in all the options. Our intuition tells us to run. Many professionals, like doctors and nurses, rely on intuition. Intuition is also a product of years of trainings and experience. The initial negative reaction from many fans shall not be overlooked. </SPAN>

I really enjoyed your post about the information about the book but I'm curious and wonder if fans reaction could really named an "intuition" based on the fact that the idea of the vocals might not be authentic had been pre-introduced.

If nothing was said and when the song first streamed and people went "hey hold on a minute this does not sound like Michael" , I would have given a lot more weight to it. But as we have Friedman, TMZ talking about authenticity weeks before the first song release and Jackson's starting tweeting mere hours before it was streamed makes me question the reliability of people's "intuition" and wonder if it can be mainly due to the introduced "bias".
 
ivy;3566773 said:
I think if you are going to refer to Dr.Shafer some of the other things he also said has to be considered in this debate

"Many aspects of the “standard of care” have been codified by organizations. For example, the American Society of Anesthesiologists has practice guidelines that very clearly spell out the standard of care during administration of anesthesia. My testimony was based largely on those guidelines.One could argue that it was merely my “opinion” to represent the published guidelines of the American Society of Anesthesiologists as fact. However, it is a fact that they have published guidelines on the standard of care, and those published guidelines were the basis of my “opinion.”"

In this part he referred it wasn't an opinion but a fact based on the reality that there were rules and guidelines already written by organizations.

In relevance to out issue if there's an established rules, procedures, steps to be done by the musicologists to identify vocals - such as waveforms etc.- then it can be argued that it's not an opinion but a fact based on already established guidelines. That was what the musicologist contacted by maximumjackson referred to. Assuming that these people were indeed legit experts and they have used methods in a way that's already established manner, it was useless to get another expert to do it again because most probably you would get the same "fact" of the numbers and figures.

He didn't exactly claim his opinion was 'fact' by basing it on seemingly objective guidelines, but that his opinion was based on something considered 'objective'. Basically, as he says the practiced guidelines are established fact, it should be reasonable enough to assume that any rational expert would end up with the same opinion as him, so long as they base that opinion on the same 'fact' that he just did. Just as I mentioned that a waveform of a file could be considered 'objective', but once you draw a conclusion from it, it is effectively an 'opinion', although more respected than the usual mere opinion and preferably classified as an 'expert opinion'.

I won't know if there are any established guidelines as to how forensic musicologists should perform their analysis and how to further conclude on their findings. I do know, based on my understanding of what articles I've read, that different methods have been attempted to successfully identify a singer or an artist, such as the different mathematical models used to conduct the comparison, the choice of singing characteristics to analyse and compare (such as the singer's timbre or vibrato), or the method used to seperate background music from the singing voice. None of which, claim to be the 'tried-and-true' method for identifying a singer or artist, but all offering possibilities for reducing the 'error rate' in identification.
So no, I doubt all forensic musicologists who perform these tests would end up with the exact same numbers and figures, given the many different methods attempted and the varying degrees of success. Besides, as I mentioned before, it is probable that each forensic musicologist or expert might have a different threshold for error. Hence, as rational as each expert may be, it is probable for conclusions to still be different due to different tolerance for error.

A possible example could be the conclusions drawn from the experts in the Murray trial. As impressive as their resumes may be, it was clear that there was a degree of biasedness in Dr. White's testimony, and a high level of tolerance for error in his conclusions, otherwise, he would have researched on the journal articles as diligently as Dr. Shafer.



ivy;3566773 said:
true, it becomes an expert opinion. and in that instance it becomes a credibility and experience issue. That's what we saw in the experts in the Murray trial. That's why they spent hours going over the resumes of the doctors testified.

Also what is missing here is that we don't have an expert that's claiming the opposite or challenging what the Sony/ Estate experts have said.

Hence, the need to identify biasedness in expert opinions or subjective facts, and the need to establish a general consensus of subjective facts. Another question I feel is that, must the expert necessarily be a forensic musicologist for sure? Or can it be a past acquaintance of Michael who is aware of his behavioral characteristics? Can it be a linguistic expert in accents? Can it be a production engineer who is familiar with the effects of over or under production? Can a forensic tape analysis expert be credible?
Just as in the case of something seemingly so technical as an 'information system', I feel that the problem of identifying Michael on these tracks, is a bit more of a multi-disciplinary field than simply hiring a forensic musicologist who is more specialised in copyright infringements. I'm thinking that it could possibly involve behavioural, scientific and technical approaches to identifying Michael.

It is true, that no expert opinion in the form of discrediting the Estate's forensic musicologists' claims have been brought up, but nonetheless, I am pleased that the views of other field expertise have been brought up.




ivy;3566773 said:
Again to quote Dr. shafer

" That is an “expert opinion.” However, it is more scientifically precise to say “conclusion, based on the data” that to call it “opinion”, since the latter implies uninformed speculation. "

You can see that as an expert he refuses the notion of "speculation" and prefers "conclusion based on the data". Although it's prone to error - as both you and Dr. Shafer said- it's an expert conclusion based on the factual data available.

Nonetheless, an expert opinion based on factual (by factual, I'm assuming you mean objective numerical) data, is still a subjective fact. It does make an expert opinion more credible than an uninformed one, as it's based on something solid or verifiable, but it does not make it, above all, an objective fact.


ivy;3566773 said:
the problem is we have self-proclaimed experts and none of us are really experts. Here a person coming and saying "I'm a fan for 25 years and I know MJ's voice" and proclaiming that they are an expert doesn't mean a thing. Experts are generally determined by 3rd parties. Such as what makes Dr. Shafer an expert is not him saying that he's an expert but the fact that he has multiple diplomas, certifications, decades of experience, peer reviewed work and so on. So the argument here is not of an "expert" debate but it's simply a personal opinions discussion.

Actually, by expert, I wasn't thinking so much about the "MJ fan for 20+ years" group as I was the 'profession' group, such as Grent and BUMPER. I mean, I only became a fan in 2008, and yet I have the utmost confidence in my ability to identify Michael, without worrying too much about fanatical years of loyalty under my belt. But nonetheless, I took it into consideration as I trust that the average MJ fan should be able to identify Michael with slightly greater precision than the average joe. But seeing as we're all MJ fans, I guess we will have to look to other fields.
You might regard it as a "personal opinion" debate as you do not see value in the opinions offered by experts of fields other than forensic musicologists, and perhaps, this is where we might not see eye-to-eye. Because I feel the issue here can very much be a multi-disciplinary field, as long as individuals stick to arguing that which they are most knowledgeable and expertised in.



ivy;3566773 said:
sorry I have a huge issue with "majority rule" notion because if that was the case then 70% of the general public that thought Michael to be a molester had determined the truth. Furthermore as you said "Just like how it was once claimed as a fact that the world was flat by a vast majority.". That alone shows you that not always majority rule would be the correct thing.

By 'majority rules', I refer to how the perception of what is 'fact' changes as the majority shifts from one popular opinion to another, such as in the case of Ignaz Semmelweis, who "discovered that the incidence of puerperal fever could be drastically cut by the use of hand disinfection in obstetrical clinics."

Quote wikipedia:

"Despite various publications of results where hand-washing reduced mortality to below 1%, Semmelweis's observations conflicted with the established scientific and medical opinions of the time and his ideas were rejected by the medical community. Some doctors were offended at the suggestion that they should wash their hands and Semmelweis could offer no acceptable scientific explanation for his findings. Semmelweis's practice earned widespread acceptance only years after his death, when Louis Pasteur confirmed the germ theory. In 1865, Semmelweis was committed to an asylum, where he died of septicemia, at age 47."

Thus, by "majority rules", I'm actually refering to the consensus of subjective claims of fact, that ultimately results in the subjective fact becoming 'objective'. For example, even in the case of scientists who make theories. It only becomes established as 'fact' if other scientists are able to perform the same tests and come to the same conclusions as the initial scientist who came up with the theory. Therefore, even in the case of a majority believing Michael to be a pedophile, it doesn't automatically become an objective fact as how does one substantiate the percentage of uninformed opinions and subjective facts (expert/informed opinions)? One could say that the claim that "the world is flat" was based on an accumulation of uninformed opinions, but perhaps in the past, the ones making the claims may have been deemed as 'experts' for being so bold as to consider the outside world, I wouldn't know.
 
He didn't exactly claim his opinion was 'fact' by basing it on seemingly objective guidelines, but that his opinion was based on something considered 'objective'. Basically, as he says the practiced guidelines are established fact, it should be reasonable enough to assume that any rational expert would end up with the same opinion as him, so long as they base that opinion on the same 'fact' that he just did. Just as I mentioned that a waveform of a file could be considered 'objective', but once you draw a conclusion from it, it is effectively an 'opinion', although more respected than the usual mere opinion and preferably classified as an 'expert opinion'.

I won't know if there are any established guidelines as to how forensic musicologists should perform their analysis and how to further conclude on their findings. I do know, based on my understanding of what articles I've read, that different methods have been attempted to successfully identify a singer or an artist, such as the different mathematical models used to conduct the comparison, the choice of singing characteristics to analyse and compare (such as the singer's timbre or vibrato), or the method used to seperate background music from the singing voice. None of which, claim to be the 'tried-and-true' method for identifying a singer or artist, but all offering possibilities for reducing the 'error rate' in identification.
So no, I doubt all forensic musicologists who perform these tests would end up with the exact same numbers and figures, given the many different methods attempted and the varying degrees of success. Besides, as I mentioned before, it is probable that each forensic musicologist or expert might have a different threshold for error. Hence, as rational as each expert may be, it is probable for conclusions to still be different due to different tolerance for error.

I would think that for example a waveform would give the same result regardless of who did it. For example there have been waveforms posted at max-jax that showed similar but not same results. Similarly to Dr. Shafer making his simulations available to the defense, if there's any mathematical models or software's as mentioned they should be giving the same results. That's why the expert approached by max-jax called it a waste of money.

A possible example could be the conclusions drawn from the experts in the Murray trial. As impressive as their resumes may be, it was clear that there was a degree of biasedness in Dr. White's testimony, and a high level of tolerance for error in his conclusions, otherwise, he would have researched on the journal articles as diligently as Dr. Shafer.

true and as I said the second part of this equation is the conclusions - if any. Such as looking to the waveform and writing a conclusion based on it. In that point the expert, their credibility, their background and their bias comes into play.

Hence, the need to identify biasedness in expert opinions or subjective facts, and the need to establish a general consensus of subjective facts. Another question I feel is that, must the expert necessarily be a forensic musicologist for sure? Or can it be a past acquaintance of Michael who is aware of his behavioral characteristics? Can it be a linguistic expert in accents? Can it be a production engineer who is familiar with the effects of over or under production? Can a forensic tape analysis expert be credible?
Just as in the case of something seemingly so technical as an 'information system', I feel that the problem of identifying Michael on these tracks, is a bit more of a multi-disciplinary field than simply hiring a forensic musicologist who is more specialised in copyright infringements. I'm thinking that it could possibly involve behavioural, scientific and technical approaches to identifying Michael.

Well if you read the Estate statement it wasn't only a forensic musicologist. They had approached to one who probably had used a previously determined and would hold in court techniques of voice identification. Sony had it double checked by a second expert - hence controlling for bias, error, credibility to an extent. Estate went on to list another group of people who have worked with Michael including sound engineers to musicians to producers.

So their conclusion wasn't based on one single forensic musicologist but a double check and other people that had other expertise based on their previous experience with Michael's voice.


Nonetheless, an expert opinion based on factual (by factual, I'm assuming you mean objective numerical) data, is still a subjective fact. It does make an expert opinion more credible than an uninformed one, as it's based on something solid or verifiable, but it does not make it, above all, an objective fact.

numerical data is not as subjective as you sound it to be. For example 2+2 will be 4 regardless of who you ask. For example any legit mathematical testing would give you a result as well as an error rate. for example in statistical testing you can give a confidence level and an error rate. That would make such tests a lot more objective than you claim. For DNA for example if the result is 99.97 , it would mean that there's a 0.03% error. That would account for the error but yet continue to be objective. Fingerprint testing has shown to have error rates ranging to 20%, yet it's a widely accepted and used objective test. (error rate is tested by doing multiple tests in multiple labs)

Actually, by expert, I wasn't thinking so much about the "MJ fan for 20+ years" group as I was the 'profession' group, such as Grent and BUMPER. I mean, I only became a fan in 2008, and yet I have the utmost confidence in my ability to identify Michael, without worrying too much about fanatical years of loyalty under my belt. But nonetheless, I took it into consideration as I trust that the average MJ fan should be able to identify Michael with slightly greater precision than the average joe. But seeing as we're all MJ fans, I guess we will have to look to other fields.

not to offend anyone but what do you know about their credentials and their profession? a lot of people refer to me as "legal expert" and I claim to know about the subject but that doesn't make me an expert in the correct sense. It's a self - proclaimed position. Furthermore it's quite interesting that people question "forensic musicologists who worked for FBI" as not having objective facts but yet there are open to accept unknown strangers as experts. I honestly can't understand people being so critical of what Sony/ Estate experts have said but yet they have no problems with accepting people only has nicknames and posting on fan forums as the ultimate experts. Is it because these fan experts are saying what you want to hear?

Even though they might be truthful about their professions yet you still need to question everyone's background and credentials. Like I said Dr. Shafer has a PhD, a medial diploma, board certification, he worked in multiple big universities, he has hundreds of peer-reviewed articles, he's an editor at a journal, he does the modeling even used on the packaging. He's an expert determined by 3rd parties and decades of background - not because he said so.

What do you know about Bumper, Grent, me or anyone else to classify them as experts? furthermore you need to compare them to other experts. For example Bruce Swedien who worked with word famous artists for decades says it's Michael. Why should Grent's opinion be more credible than Bruce Swedien?

and finally you need to account for bias. No one here is free of bias. So even though you might have highly respectful experts here unfortunately every one of us is plagued by bias hence it would negatively affect the credibility of anyone's "expert opinion".

You might regard it as a "personal opinion" debate as you do not see value in the opinions offered by experts of fields other than forensic musicologists, and perhaps, this is where we might not see eye-to-eye. Because I feel the issue here can very much be a multi-disciplinary field, as long as individuals stick to arguing that which they are most knowledgeable and expertised in.

No I value experts from other areas. As long as they are experts and have comparable credentials.
 
Before I can't trace it again....just found the link for 'Let the monster go' ('Monster' in right speaker, 'Let me let go' in left speaker) on my computer (by accident). I can remember someone asking for the link:

http://file.si/public/viewset/68027

If you listen to it, keep changing your left and right speaker from one ear to another: I had a hard time keeping the two songs apart whilst doing this.

@Ivo: you said Jason didn't have the technique, (the gritty sung 'Breakin', the news') but in this little snippet of 'Let me let go' I hear the same gritty voice.


I agree that Michael is original and totally not like the others..:D, but aren't all artists original in their own way?

I hoped to read some more specific things, like I asked you.

But I know enough now, so thank you. Won't ask you again.
Even my little nephew spotted the difference between Jason Malachi and Michael Jackson on that audio file.

Those are somethings that made me like MJ more and more to the point that I only listen to him now and not any other artist.
 
^^ She didn't say it was a FACT that Michael isn't on the tracks, she said it was a FACT that SHE doesn't hear him on the tracks...

;)
 
I would think that for example a waveform would give the same result regardless of who did it. For example there have been waveforms posted at max-jax that showed similar but not same results. Similarly to Dr. Shafer making his simulations available to the defense, if there's any mathematical models or software's as mentioned they should be giving the same results. That's why the expert approached by max-jax called it a waste of money.

A waveform would be the same, regardless of the program used. I'm not too familiar with the spectrums used at maximumjackson, but from what I understand, the users were trying to find copy and pastes from Michael's other songs, and not actually to identify if the singer were really Michael. Even when the spectrum of the acapella of Speechless and the This Is It version of Speechless were compared, they appeared completely different to the untrained folks. Attempts were also made to validate the singer's vibrato by stretching the waveform to show that unlike Michael, the singer's vibrato breaks apart (perhaps trying to show the difference between Michael's wobble vibrato and the singer's bleat vibrato). But the comparison was dismissed as it was claimed that to stretch the waveform would be to distort the audio so as to become unrecognisable.

From what I can recall, the expert on maximumjackson considered the task a waste of money due to the lack of information. For example, without the raw demos of the Cascio tracks and other raw samples from Michael's catalogue, unfortunately, the error rate is greater. Making it much more likely that two forensic musicologists will come to different conclusions. The experts could share information, but nonetheless, unless the audio files being analysed are in their most basic form, there will be a difference in expert opinions from error rates, and even more when we consider potential biasedness.

With difference in expert opinions, it ultimately becomes a battle of experts, which the forensic musicologist discouraged on maximumjackson, as ultimately, the onus is on the fans to proof their claims. He did mention that Quincy Jones believing the tracks to be fake would be a big help, and even better if the fans could get more statements from other 'behavioural experts' of Michael. But even then, it wouldn't have been enough. Which is ultimately why he discouraged the fans from hiring him, and instead asked the fans to obtain more information from the Estate about the tracks before pursuing further.




true and as I said the second part of this equation is the conclusions - if any. Such as looking to the waveform and writing a conclusion based on it. In that point the expert, their credibility, their background and their bias comes into play.



Well if you read the Estate statement it wasn't only a forensic musicologist. They had approached to one who probably had used a previously determined and would hold in court techniques of voice identification. Sony had it double checked by a second expert - hence controlling for bias, error, credibility to an extent. Estate went on to list another group of people who have worked with Michael including sound engineers to musicians to producers.

So their conclusion wasn't based on one single forensic musicologist but a double check and other people that had other expertise based on their previous experience with Michael's voice.

Even if Sony or the Estate were to hire two forensic musicologists to analyse the audio files, there's still a chance for biasedness. For example, the forensic musicologists not wanting to upset their wealthy client, so as to have opportunities for further work, or potentially be recommended to other wealthy clients by Sony/Estate. When it comes to cases of potential fraud or simple business risk, I tend to stress the need for independent third parties for the 'auditing' of songs bought from outside parties. But unfortunately, there is no law governing the authenticity of songs, as to sell an impersonator as the real artist, is simply unheard of in this time and age.

If we were to assume that these forensic musicologists were completely independent in their analysis, unfortunately, I still don't believe they ever had the actual raw demos to analyse as I heard they were deleted/destroyed? Thus, as I mentioned before, it results in higher rates of error, either in terms of difficulty of seperating vocal from non-vocal segments, sampled parts of Michael's other songs already being present, or different studio productions resulting in different audio frequencies.

The other group which Sony/Estate listed are perhaps, what I consider the 'behavioural experts', that is, those who are familiar with Michael's studio behaviour, since they are former co-workers of his. But I find the fact that Sony/Estate conveniently left out the 'rest of the opinions' from that listening session rather...suspicious. It would seem that they intended the statement as a 'comfort' letter, but not as a guarantor of authenticity. Perhaps, one could even consider the statement as simply hearsay.





numerical data is not as subjective as you sound it to be. For example 2+2 will be 4 regardless of who you ask. For example any legit mathematical testing would give you a result as well as an error rate. for example in statistical testing you can give a confidence level and an error rate. That would make such tests a lot more objective than you claim. For DNA for example if the result is 99.97 , it would mean that there's a 0.03% error. That would account for the error but yet continue to be objective. Fingerprint testing has shown to have error rates ranging to 20%, yet it's a widely accepted and used objective test. (error rate is tested by doing multiple tests in multiple labs)

The subjectiveness of numerical data does not come from the numerical data itself, but from the conclusion drawn from it. For example, the number of days credit taken by a debtor is calculated as Debtors/Sales x 365 Days. Assume Co. A grants 30 days credit term to its customers. From January 1st to December 30th, Co. A made sales of $100,000, all of which have been paid up. On the last day of the financial year, Co. A makes another credit sale worth $100,000 to a debtor, which has not been paid up. At the end of the financial year:

No. of days for debtor collection = $100,000 Debtors / $200,000 Sales x 365 Days
= 183 Days

Co. A grants 30 days credit term to its customers, is the company making a lot of bad debts? 183 days > 30 days, the statisticians would seem to think so. Recall that the last sale was made on the last day of the financial year, which made up half of the total number of sales for the whole year. This debtor, in fact, still has 29 days to go on his credit term, and all other sales are fully paid for.

Another example:

Co. B makes 10% profits a year, Co. C makes 90% profits a year. It would seem that Co. C would be a better investment. But what if Co. B actually makes $100 million sales with a cost of $90 million, and Co. C only made a sale of $1, costing $0.10?

$10 million v.s. $0.90 profit. Tells one a lot about how factual statistics is. But it's not that the figures are subjective, they are objective, i.e they do not depend on what people think. But it becomes a subjective fact when one bases an opinion (expert or non-expert) on the objective figures.

Regarding the error rates or confidence levels, I never said that the numerical or statistical data must be subjective. They are objective because they do not depend on what people think. But when one draws a conclusion from that objective data, that conclusion is subjective. That is, the conclusion is a subjective fact because it is based on something 'factual', but the conclusion is still subjective (based on individual character experience).


not to offend anyone but what do you know about their credentials and their profession? a lot of people refer to me as "legal expert" and I claim to know about the subject but that doesn't make me an expert in the correct sense. It's a self - proclaimed position. Furthermore it's quite interesting that people question "forensic musicologists who worked for FBI" as not having objective facts but yet there are open to accept unknown strangers as experts. I honestly can't understand people being so critical of what Sony/ Estate experts have said but yet they have no problems with accepting people only has nicknames and posting on fan forums as the ultimate experts. Is it because these fan experts are saying what you want to hear?

Even though they might be truthful about their professions yet you still need to question everyone's background and credentials. Like I said Dr. Shafer has a PhD, a medial diploma, board certification, he worked in multiple big universities, he has hundreds of peer-reviewed articles, he's an editor at a journal, he does the modeling even used on the packaging. He's an expert determined by 3rd parties and decades of background - not because he said so.

What do you know about Bumper, Grent, me or anyone else to classify them as experts? furthermore you need to compare them to other experts. For example Bruce Swedien who worked with word famous artists for decades says it's Michael. Why should Grent's opinion be more credible than Bruce Swedien?

and finally you need to account for bias. No one here is free of bias. So even though you might have highly respectful experts here unfortunately every one of us is plagued by bias hence it would negatively affect the credibility of anyone's "expert opinion".



No I value experts from other areas. As long as they are experts and have comparable credentials.

People tend to refer to you as the 'legal expert' because you're damn good at convincing others just by being confident. I consider you the 'legal expert' because you're 'more expert' than myself and others, as far as I can tell.

I tend to have considerable respect for people who can critically argue their points with verifiable evidence. And even if said evidence may never be known to me to be either true or false, such as BUMPER's knowledge of voiceless and voiced speech or whatever one calls it, I do take these points into consideration if the argument is convincing enough. After all, I'm not in court, I don't have the luxury of time to verify claims through researching hundreds of journal articles and the like, although once in a while, I do skim-read.

I don't exactly shudder at the idea of titles or credentials. I mean, Dr. White's certainly didn't match his testimony.

The reason why I might not consider Bruce Swedien is because he is out of bounds for questioning. So far, all I've gotten is hearsay from the Estate's 'comfort' letter and thus, I am not convinced. Nor am I moved by Teddy Riley's "This is Michael Jackson. You can tell from his screams", or something to that effect.

The fact that everyone is biased, is pretty much the case for politics debates as well, with both sides claiming greater biasedness on the other side. I guess, the only way to proceed is to read through arguments, see which is built upon piles of unverifiable assumptions, and simply discredit those.

Do note though, that everything I state here, is just for the sake of debate. I'm not dreaming of marching to court with Grent and BUMPER. I make do with whatever "expert" opinion is available because I don't bother that terribly with what happens with this debate or controversy.
 
Who said that Smooth Criminal's Annie is a guy ? Lol

"As He Came Into The Window
It Was The Sound Of A Crescendo
He Came Into Her Apartment
He Left The Bloodstains On The Carpet
She Ran Underneath The Table
He Could See She Was Unable
So She Ran Into The Bedroom
She Was Struck Down, It Was Her Doom"
 
From what I can recall, the expert on maximumjackson considered the task a waste of money due to the lack of information. For example, without the raw demos of the Cascio tracks and other raw samples from Michael's catalogue, unfortunately, the error rate is greater. Making it much more likely that two forensic musicologists will come to different conclusions. The experts could share information, but nonetheless, unless the audio files being analysed are in their most basic form, there will be a difference in expert opinions from error rates, and even more when we consider potential biasedness.

With difference in expert opinions, it ultimately becomes a battle of experts, which the forensic musicologist discouraged on maximumjackson, as ultimately, the onus is on the fans to proof their claims. He did mention that Quincy Jones believing the tracks to be fake would be a big help, and even better if the fans could get more statements from other 'behavioural experts' of Michael. But even then, it wouldn't have been enough. Which is ultimately why he discouraged the fans from hiring him, and instead asked the fans to obtain more information from the Estate about the tracks before pursuing further.

actually he also said that asking him to test against Malachi would be introducing bias as well.

and it's always a battle of experts.


Even if Sony or the Estate were to hire two forensic musicologists to analyse the audio files, there's still a chance for biasedness. For example, the forensic musicologists not wanting to upset their wealthy client, so as to have opportunities for further work, or potentially be recommended to other wealthy clients by Sony/Estate. When it comes to cases of potential fraud or simple business risk, I tend to stress the need for independent third parties for the 'auditing' of songs bought from outside parties. But unfortunately, there is no law governing the authenticity of songs, as to sell an impersonator as the real artist, is simply unheard of in this time and age.

I don't exactly shudder at the idea of titles or credentials. I mean, Dr. White's certainly didn't match his testimony.

Dr. White is actually an example of an expert not wanting to disappoint their client. But you also need to account for reputation. I would assume that if a well-known expert with credentials such as working with FBI etc. would not jeopardize their integrity with pleasing Sony. Similarly for every Dr. White , there would be a Dr. Shafer who is willing to correct such bias with facts.

"independent third party" is impossible in regards to authentication as someone has to pay. If Sony is hiring an expert they pay, if Jackson's hire an expert they pay, if you and I hire an expert we'll pay. The only real "independent" would be if the expert is court appointed.

I'm not sure what kind of law you are looking for but a consumer fraud or false advertising laws would cover a use of an impersonator.

If we were to assume that these forensic musicologists were completely independent in their analysis, unfortunately, I still don't believe they ever had the actual raw demos to analyse as I heard they were deleted/destroyed? Thus, as I mentioned before, it results in higher rates of error, either in terms of difficulty of seperating vocal from non-vocal segments, sampled parts of Michael's other songs already being present, or different studio productions resulting in different audio frequencies.

I think we have already established these from Taryll Jackson's statement " I heard these "so-called" Michael Jackson songs raw and without the distraction of the well produced music by Teddy Riley."

Therefore as both sides (Estate and Jacksons) referred to raw versions, I believe it's safe to assume that they exist.

furthermore from Birchey we have learned that adlibs and grunts were added on as separate tracks - therefore easy to separate.

The other group which Sony/Estate listed are perhaps, what I consider the 'behavioural experts', that is, those who are familiar with Michael's studio behaviour, since they are former co-workers of his. But I find the fact that Sony/Estate conveniently left out the 'rest of the opinions' from that listening session rather...suspicious. It would seem that they intended the statement as a 'comfort' letter, but not as a guarantor of authenticity. Perhaps, one could even consider the statement as simply hearsay.

Rest of the opinions from the session is just coming from Taryll and Cory Rooney. No one else has come forward and said that they gave another opinion and it wasn't included and such. So the rest of opinions being left out is just a claim by Taryll.

Furthermore they acknowledge the concerns raised - hence you know that there's a group that doesn't agree with the statement. Also you see that people do not necessarily mention the other side. For example when Taryll started tweeting about this issue he didn't say "I don't think these songs to be Michael but 2 experts determined that it's him and Bruce Swedien said it's him as well". so why aren't you suspicious of Taryll omitting the "rest of the opinions" ?

Honestly that's just normal. Estate acknowledged the concerns and built on their experts and behavioral experts - as you call it. Taryll focused on his own personal belief and kinda acknowledged the other people and their opposing opinion by calling them being after money.

The statement will be binding for them in legal sense - meaning that everything they said - if they lied - can be used against them in court. And there's silence by acceptance rule. You cannot name drop people as you please. If that statement mentioned Bruce Swedien and if he didn't came out and said "hey I didn't say that and/or I didn't authorize them to say that", we can easily conclude that they indeed said what the Estate said they did.


Regarding the error rates or confidence levels, I never said that the numerical or statistical data must be subjective. They are objective because they do not depend on what people think. But when one draws a conclusion from that objective data, that conclusion is subjective. That is, the conclusion is a subjective fact because it is based on something 'factual', but the conclusion is still subjective (based on individual character experience).

and I have already said this as well. The question is how much of the conclusion in this case is subjective.

People tend to refer to you as the 'legal expert' because you're damn good at convincing others just by being confident. I consider you the 'legal expert' because you're 'more expert' than myself and others, as far as I can tell.

I tend to have considerable respect for people who can critically argue their points with verifiable evidence. And even if said evidence may never be known to me to be either true or false, such as BUMPER's knowledge of voiceless and voiced speech or whatever one calls it, I do take these points into consideration if the argument is convincing enough. After all, I'm not in court, I don't have the luxury of time to verify claims through researching hundreds of journal articles and the like, although once in a while, I do skim-read.

I still say it doesn't make anyone experts - including me. Furthermore law is a lot more different because you actually refer to a written rule - hence an established procedure. So I kinda believe different things would have different objectivity / subjectivity based on the area we are talking about. Penal Code Rule xyz seems to be a lot more objective than a hearing based opinion.



The reason why I might not consider Bruce Swedien is because he is out of bounds for questioning. So far, all I've gotten is hearsay from the Estate's 'comfort' letter and thus, I am not convinced. Nor am I moved by Teddy Riley's "This is Michael Jackson. You can tell from his screams", or something to that effect.

and now your approach to experts has become a personal preference and not based on credentials or expertise.

Do note though, that everything I state here, is just for the sake of debate. I'm not dreaming of marching to court with Grent and BUMPER. I make do with whatever "expert" opinion is available because I don't bother that terribly with what happens with this debate or controversy.

and I didn't even think about that for a second.

but honestly this has been an interesting discussion. I believe once again we see bias at play here. On one hand Estate / Sony's experts are rejected because their identities and credentials and reliability and bias is not known. Yet similarly unknown people with no backing credentials and clear bias is accepted as experts. On one hand Estate/Sony's experts conclusions are reduced to subjective opinions and it should be enough to see that then the self-proclaimed experts opinions aren't anything more than subjective and biased opinions as well. Similarly if a waveform/software analysis combined with an expert conclusion is considered as subjective, it must be clear as day that the comparison audios are a lot more subjective. In the end it would be seen that this will most probably be a never ending debate.
 
Actually, by expert, I wasn't thinking so much about the "MJ fan for 20+ years" group as I was the 'profession' group, such as Grent and BUMPER. I mean, I only became a fan in 2008, and yet I have the utmost confidence in my ability to identify Michael, without worrying too much about fanatical years of loyalty under my belt. But nonetheless, I took it into consideration as I trust that the average MJ fan should be able to identify Michael with slightly greater precision than the average joe. But seeing as we're all MJ fans, I guess we will have to look to other fields.
You might regard it as a "personal opinion" debate as you do not see value in the opinions offered by experts of fields other than forensic musicologists, and perhaps, this is where we might not see eye-to-eye. Because I feel the issue here can very much be a multi-disciplinary field, as long as individuals stick to arguing that which they are most knowledgeable and expertised in.

What do you know about Bumper, Grent, me or anyone else to classify them as experts? furthermore you need to compare them to other experts. For example Bruce Swedien who worked with word famous artists for decades says it's Michael. Why should Grent's opinion be more credible than Bruce Swedien?

As far as I am concerned I can easily prove my credentials and the fact that I am a forensic.

Although I joke around quite a lot when it comes to those Cascio tracks, my whole point is, it is not because you have a piece of paper saying that you are a forensic or a PhD that it automatically means you are more expert than others who have experience and work in the same field.

For example when I base my opinion on my field of expertise I draw conclusion that it is not Michael Jackson on those tracks, I am convinced it is a fact for myself, I never ever said that my conclusion is a general truth fact, nor do I impose it on others. I do trust my evaluation, my intuition, and what I hear. If some people follow my opinion, then fine. But the fact is, no one ever actually asked me anything. People already had their opinion before asking anything any expert. In other words people drew same conclusions without necessarily needing to be experts. And that alone is a fact.

Now, no other expert such as a musicologist can ever state his/her opinion based on his/her field of expertise as a 100% fact. So the Estate/SONY should not issue statements such as "we are 100% sure it's Michael", because that way they force and influence their opinion onto general public based on what? Again, based on bunch of selected people that suit their business.

If, on the other hand, people don't follow my opinion, fine too. But then I will be defending mine and I will be challenging people to prove me wrong. I want to be proven wrong. I am totally open to that idea. But so far, in all objectivity what proof do I actually have that it is Michael Jackson singing? A bunch of selected people (experts, but still human beings and not any kind of super human beings who would be familiar with all the voices in the world) and vague statements "it is Michael"? I am as sceptical as when some other experts were sceptical when the official experts claimed that the Earth was flat.

Finally I don't get why people have such a trust in people having a piece of paper saying PhD. It is not the official paper that should be trusted, but the person behind that PhD. A simple every day example: if you are not happy with your doctor (a PhD) for his/her inefficiency, you go to see another one (PhD). So they both have the same diploma, but are not the same people behind their title.
 
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Now, no other expert such as a musicologist can ever state his/her opinion based on his/her field of expertise as a 100% fact. So the Estate/SONY should not issue statements such as "we are 100% sure it's Michael", because that way they force and influence their opinion onto general public based on what? Again, based on bunch of selected people that suit their business.

The reason why I am sceptical when it comes to voice recognition by the musicologists is quite simple and logical actually. Although, I don't doubt their professionalism, nor methods, nor knowledge in music theory and/or music practice, I do doubt their ability to recognize Michael's voice.

Here is why. Given the fact that they are not necessarily specialized in voice recognition, yet they had to identify Michael's voice on those tracks, it would mean that they would be able to do any distinctive voice recognition that there is. Not only Michael's voice, but the voice of the remaining 7 billion people on this planet thanks to their "expertise". Now, let's talk about their expertise. Have they listened to all different 7 billion voices for decades to be able to claim their experience in voice recognition of all those voices? A waveformat is a waveformat, and nothing else. It can't be considered as a solid proof, because the same voice (person) could produce drastically different waveformats on the same level as two different people (soundalikes) could produce the same waveformat. And if you add some copy pastes from earlier songs, the waveformat would be a total mess anyway, which is the case actually. (We still don't know what the musicologists have analysed).

Now, why am I insisting on the fact that hard core fans are as experts in voice recognition (if not more) than the musicologists? Because no hardcore MJ fan claims to be able to do voice identification of 7 billion people on this earth. They claim they can recognize 1 distinctive voice among those 7 billion people.
Hardcore fans' expertise is their experience in listening to Michael Jackson and in recognizing the slightest breath, the slightest note, of not only Michael Jackson's voice, but also of Michael Jackson's songs. Fans are able in very little time to debunk where copy-pastes come from. And that is a proven fact. Even the slightest note. And when all the fans come together and do their homework, they're more efficient in recognizing melodies, notes and voice than musicologists whose knowledge of MJ's voice is only theoretical and nothing more than one of 7 billion other voices.

In a nutshell, if you can't hear it by yourself and for yourself, you either trust:

-musicologists (whose job isn't voice recognition) being able to recognize 7 billion different voices

-fans (whose, not job, but life was getting to know Michael Jackson's voice) being able to recognize only one voice among those 7 billion voices.

p.s. I also wanted to add that experts are not a bunch of superhumans living in the cupboards of their laboratories or offices 24/7. they are just as humans as anyone else, they have the same activities as anyone else, and they are not a group of people, race or elite apart.

p.p.s. I am convinced many other musicologists would contradict those who were hired by SONY and the Estate. But I guess that the latter two would not consider tham as "the best" or "the second best".

p.p.p.s. One of my colleagues who is a musicologist, voice coach and singing teacher confirmed that there is no way for them to accurately identify a singing voice recorded in a studio as many alterations can be done to the voice.

In the end, we're all left with our good old ears and the intuition what our ears hear. You trust them or not.
 
As much as this thread is controversial, I love it because this is where we focus on his MUSIC - that very first thing we loved him for and it's that very same thing that brings us together...it's just too bad that these songs at the same time are splitting us apart...we should be celebrating his talent, not arguing about who the hell is singing on these songs...

Who would have thought this would have ever happened after he died?? The most beloved artist in the world and this is happening...it's actually still very surreal to me...the fact that this issue is still up in the air - unresolved..

As we've mentioned before, even if the songs are Michael, they are an insult to what he's worked so hard for his entire life and it saddens me that I feel there is ultimately nothing we can do to make it better...
Yes, it is surreal.

And the thought of the other Cascio songs that maybe will be on the next album, I just don't want to go there.....to me the line is already crossed with the three on 'Michael' and it has to stop now. If they can give us real proof Michael is singing these tracks, then I have to accept it. But to me the songs, even if he sang them, will always be a source of sadness, because again, to me, they do not represent the Michael Jackson I know and I don't believe for one second he ever wanted these to come out this way, but unfortunately he couldn't do anything about it. There are other songs on the album he probably also never wanted to be officially released, but with these songs at least we KNOW FOR SURE Michael sang/wrote them and we pretty much know his share, because of the explanation/stories we heard from the producers and people Michael collaborated with. And Michael found these songs good enough to record them (for himself, not another artist) and that fact alone is enough for me to enjoy them.

It's not that I don't grant Eddie Cascio success, money, fame...If he deserves it, I grant him everything. I love young musicians/producers/songwriters and respect everyone who's trying to make it and are doing what they're good at and being passionate about music. Same goes for Jason Malachi. Don't always like what I hear, but that's another story.

I care about Michael Jackson, the artist and how he expressed himself through his music, dancing and singing. His talents attracted me; the way he sang, the way he danced. Every cel in his body was music. A joy to listen to and watch. He was gifted with these things and when you're gifted with that, you don't lose that, ever.
I want to know the truth about these songs and we shouldn't be content with what is given to us as proof, because it isn't proof. They're on a Michael Jackson album, so show us it's Michael.

If there are any more Cascio songs released, it only makes me more determined to know the truth.

If we can get organized and can do something (respectful, always), please let me know. I'm in.
 
For example when I base my opinion on my field of expertise I draw conclusion that it is not Michael Jackson on those tracks, I am convinced it is a fact for myself, I never ever said that my conclusion is a general truth fact, nor do I impose it on others. I do trust my evaluation, my intuition, and what I hear. If some people follow my opinion, then fine. But the fact is, no one ever actually asked me anything. People already had their opinion before asking anything any expert. In other words people drew same conclusions without necessarily needing to be experts. And that alone is a fact.

true but again let's not forget that the voice authenticity issue was pre-introduced. As I said before if it wasn't written before and people on their own went "hey wait a minute", it would have been a totally different thing.

Now, no other expert such as a musicologist can ever state his/her opinion based on his/her field of expertise as a 100% fact. So the Estate/SONY should not issue statements such as "we are 100% sure it's Michael", because that way they force and influence their opinion onto general public based on what? Again, based on bunch of selected people that suit their business.

then you should have no problem with sony/ estate because they never said "we are 100% sure it's Michael". Estate statement simply wrote what they did and said there are still concerns and the fans would be the judge. Sony/ Epic statement said they were confident in the results of the research they had done.


Here is why. Given the fact that they are not necessarily specialized in voice recognition, yet they had to identify Michael's voice on those tracks, it would mean that they would be able to do any distinctive voice recognition that there is. Not only Michael's voice, but the voice of the remaining 7 billion people on this planet thanks to their "expertise". Now, let's talk about their expertise. Have they listened to all different 7 billion voices for decades to be able to claim their experience in voice recognition of all those voices? A waveformat is a waveformat, and nothing else. It can't be considered as a solid proof, because the same voice (person) could produce drastically different waveformats on the same level as two different people (soundalikes) could produce the same waveformat. And if you add some copy pastes from earlier songs, the waveformat would be a total mess anyway, which is the case actually. (We still don't know what the musicologists have analysed).

do you know the 7 billion voices in the world so that you say that you are forensic and can do voice identification? sorry but that's a ridiculous "requirement" that you created. As a forensic do you always give expert opinion on the people that you personally know? It's simple all they need to do is compare the recent voice to the previous samples. That's how they identify Osama, that's how they identified Elvis, that's how they identified Michael.

I'm also fascinated with the can't differentiate between the real person and the soundalikes. Do you claim that for example all the voice identification US government had done in regards to Osama is crap because they can't differentiate between the soundalikes? How do you personally handle that? If that has been the case then wouldn't your profession be useless?

Although we don't know what is actually analyzed, Estate statement referred to it as raw and acapella and the existence of such versions has been confirmed by Taryll. Birchey with protools session information confirmed that the tracks was separate - as he was able to list them. It's just the people here that assume that they analyzed a vocal with pasted adlibs, music or that it was combined etc. You should ask your musicologist friend about raw and acapella vocals.

p.s. I also wanted to add that experts are not a bunch of superhumans living in the cupboards of their laboratories or offices 24/7. they are just as humans as anyone else, they have the same activities as anyone else, and they are not a group of people, race or elite apart.

true but their experience and knowledge levels are different.

p.p.s. I am convinced many other musicologists would contradict those who were hired by SONY and the Estate. But I guess that the latter two would not consider tham as "the best" or "the second best".

it doesn't matter if they would be considered "second best" IMO. What is more important is that there has been no opposing musicologists. One of the questions is why Jacksons didn't pursue this further.

p.p.p.s. One of my colleagues who is a musicologist, voice coach and singing teacher confirmed that there is no way for them to accurately identify a singing voice recorded in a studio as many alterations can be done to the voice.

this shouldn't be an issue here as the doubters claim that there are blatantly obvious differences. It's not like you claim it sounds like Michael so that it can be mixed up.

question : isn't a musicologist and forensic musicologist two different things? I would assume forensic one would have extra credentials and knowledge.
 
Interesting reads . Especially read the last one about spectrogram - apparently it's difficult to beat by a soundalike.


Voice recognition is a rapidly developing technology, thanks to the availability of cheap computing power. You've probably seen a "voice print," a plot of frequency density vs. time; music editing software makes them on personal computers. Old voice recognition analysis made matches between sets of such plots. Modern voice identification systems, which seek to have low false-alarm rates even in the presence of noise, tend to depend more heavily on a technique known as "feature analysis." A feature is a peculiar twist in the voice, often a tell-tale transition between phonemes with different pitches. These are not readily heard by listeners, but they can be picked out in a digital analysis. Patterns of such glitches are unique identifiers, much like the ridge bifurcations and other minutiae of fingerprint patterns are the keys in fingerprint identification.

Voice identification systems are already in widespread use around the world. They are employed at the Canadian border to identify and track frequent travelers, and in Britain to verify the compliance of young parolees. U.S. companies, including Chase Manhattan Bank, Charles Schwab, and Prudential Securities, use voice identification to control access to secure areas and records. Visa is hoping to replace credit card verification personal identification numbers with voice recognition; a computer will compare features of your voice with those stored in the credit card chip.

1. The tape was made by an impressionist trying to imitate bin Laden's voice. Good impressionists can mimic the tone and pacing of their subject, but they often overemphasize obvious quirks, much as a caricaturist exaggerates dominant physical features. That makes it amusing to hear, but it won't fool an analyst. Impressionists are not good at catching the more subtle features that even simple voice recognition software uses. This kind of counterfeit can almost certainly be ruled out.

2. The tape was made by cutting and pasting true excerpts from bin Laden's past speeches. Much of the tape could be unchanged from a prior recording. The tough part for the counterfeiter was adding mention of Saddam's capture, where words and phrases had to be rearranged. To detect such a forgery, a good analyst would listen for discontinuities in the background noise, or small blips indicating the tape was spliced. Digital processing by the tape maker can remove such artifacts, but they leave behind their own; low-pass filters, for example, create easily detected changes in the spectrum of the background hiss. (That's why true audiophiles dislike noise suppression filters. It is readily noticed by a trained ear.) Such cutting and pasting, even with digital filtering, would have been detected by the CIA. Digital processing can be detected in other ways; for example, it sometimes generates false frequencies (called aliases). Such tampering would have raised suspicions. Therefore this scenario can probably be ruled out as well.

-----------------------

The CIA, FBI and National Security Agency have computers that use special programs to identify voice prints. The idea is that every voice has a unique pattern like a fingerprint.

Computers can break down the frequencies and harmonics and other possible patterns of someone's speech.

Those attributes are thought to be unique because the construction of everyone's mouth, nasal cavities and larynx is different and because everyone uses muscles differently to articulate words.

Voice prints require matching the same phrase to the same phrase and between 10 to 20 words or phrases, known as exemplars, are needed to get meaningful results, according to Bruce Koenig, who performed audio and video analysis for the FBI for 21 years.

---------------------------------

The spectrogram, a pictorial representation of a Fourier transformation of an acoustic signal, is still the first step in automatic speaker verification. The Fourier transform, due to Joseph Fourier (also credited with discovering the greenhouse effect in 1824), decomposes vibrations in the air detected by a microphone into a set of frequencies. A pure tone vibrates at exactly one frequency. Combining frequencies gives more complex sounds. A typical Fourier transformation of a speech signal represents each 10 millisecond segment, or &#8220;frame&#8221;, with around 13 frequencies. Remarkably, neurons associated with hearing respond to specific frequencies, suggesting that our brains perform a kind of Fourier transformation as well.

Modern speaker verification involves statistical techniques for identifying characteristic features of a person&#8217;s voice. The most widely used method attempts to create a precise model for the kinds of individual frames a person generates. For the imaginative, think of each speech frame in an Osama Bin Laden tape as a point in 13-dimensional space. Laying out a few thousand such frames on 13-dimensional coordinate axes, patterns begin to emerge, small clusters of frames in particular regions. The statistical model, estimated from this data, can give the probability that some new frame was generated by Mr. Bin Laden.

While much active research in this field is with regards to higher-level features of speech&#8212;intonation, syllable duration, idiosyncratic word usage&#8212;the basic method is very hard to beat. In effect, it identifies a speaker by the unique geometry of the vocal chords, larynx, epiglottis, nasal cavity, mouth, tongue, teeth and lips that contribute to the particular sounds each person can make. For this reason, it is difficult to fool simply by faking an accent, and under good conditions, with a few minutes of training data and a few minutes of test speech, it is better than 99% accurate on the speaker verification task (are you who claim to be?)

Of course, as Solzhenitsyn would remind us, conditions are not always good. Different phones can be quite different and background noise (car stereos, fire trucks, chirping birds, angry neighbors) can overwhelm the signal. One of the biggest open problems in signal processing is source separation&#8212;isolating the specific contributions of different acoustic originators&#8212;identifying the musical line of the cello in a string quartet, for example. Thus, despite some 60 years of progress, no speaker verification technology can provide conclusive evidence for a conviction, only partial evidence for innocence. Solzhenitsyn, who died on August 3rd of this year, at age 89, would want us to remember this too.
 
After I read multiple other articles let me write this

1. It's not perfect - it's not 100% this is acknowledged by everyone. However that doesn't mean it's unusable as well. For example FBI did a fingerprint test - sent the same fingerprints to all crime labs- and the error rate was 23%. So no test is perfect.

2. They say above voice identification should not be the only thing to be used - especially in court or declaring absolute (100%) certainty.

3. Humans familiarity with the voice and human identification is mentioned to be used together with the above identification methods. Combination of human + machine is reported to be the best.

4. Interestingly soundalikes portrayed as no problem at all for computer aided testing.

5. Funnily best soundalikes seem to be family members. As I wrote before in humans ability to identify voices that mothers cannot differentiate between their sons, family members seem to be harder to distinguish. I would assume family members would have similar physical characteristics therefore harder to differentiate.
 
Breaking News thread. Can't remember which page where the reactions started coming. http://www.mjjcommunity.com/forum/t...-News-quot-All-General-Discussion-Here-Merged

Pay attention to the poll.
I wish i didnt enter to relive that feeling again
OMg God I almost forgot how that went down. That is the saddest thread with 29 pages of estatic fans waiting to finally hear Michael again so high and happy and then its like someone came along and hit them in the head with a baseball bat once they heard the song . fans were in a daze confused angry upset and I was hysterical. we didnt hear Michael. this was fans honest reactions and mine too. We didnt hear Michael. That was so sad but LOL at my initial reaction - I went off and set my font to large to say it. I had no preconceived idea it wouldnt be him. I was in shock and then in tears .. like many.. We didnt distort the songs. Its not our fault they sound foreign to us and will alway sound foreign to our ears so that we cant enjoy them ..
IM F*ckign dying here That is effing Jason Malachi OMG
this is NOT breaking news _ It Breaking HEART News :

Im crying my eyes out _ hysterical

Go listen to a Jason malachi track on youtube
then you will know who is singing Breaking HEART news

I know his voice and dilalect _

HELL NO THAT IS NOT MJ
Im furious .. I would be the first to say YES
if I thought for 1 second _ I have NO doubts
NO One will convice me
:unsure:

Ive changed my stance since then in that I think parts are Michael
but that doesnt change the distorted sound of the songs. Even if it is Michael they messed him up beyond recognition for our ears. I have to strain to try and hear him and figure out which parts are Michael which parts are Porte or some other singer. That isnt right ..its sucks - How can that be enjoyable.
 
true but again let's not forget that the voice authenticity issue was pre-introduced. As I said before if it wasn't written before and people on their own went "hey wait a minute", it would have been a totally different thing.

In order to brainwash people you need much more than just a pre-introduced idea. Some people have been raised in different religious backgrounds for years, they don't necessarily share the same ideas at all despite years-long brainwashing education.

then you should have no problem with sony/ estate because they never said "we are 100% sure it's Michael". Estate statement simply wrote what they did and said there are still concerns and the fans would be the judge. Sony/ Epic statement said they were confident in the results of the research they had done.

I do have a problem with them, because despite the doubts they included those songs on an official MJ album.

do you know the 7 billion voices in the world so that you say that you are forensic and can do voice identification? sorry but that's a ridiculous "requirement" that you created. As a forensic do you always give expert opinion on the people that you personally know? It's simple all they need to do is compare the recent voice to the previous samples. That's how they identify Osama, that's how they identified Elvis, that's how they identified Michael.

You missed my point. Musicologists should be able to make clear differences between any voice among 7 billion people without necessarily putting a name on it, just pointing out the differences. But they can't, because waveformats as much as they are neutral could be as much different for one single person as for different people. So it's a dead end to claim that they are 100% sure based on objective research.

I'm also fascinated with the can't differentiate between the real person and the soundalikes. Do you claim that for example all the voice identification US government had done in regards to Osama is crap because they can't differentiate between the soundalikes? How do you personally handle that? If that has been the case then wouldn't your profession be useless?

Not useless, but helpful knowing that the error is never to be excluded. I didn't call any expert or profession crap. I am drawing attention to the fact that when it comes to voice recognition, if the expert isn't quite familiar with the voice, then he/she could be wrong. Again, all depends on what has been analysed by the experts. How do we know if the experts analysed thoroughly each voice on all 12 tracks? How do we know how familiar those experts are with Michael Jackson's voice? If they are familiar with MJ's voice, then it means they are also familiar with all the voices that they have to analyse, and I really doubt they are familiar with all the voices they analyse.

Although we don't know what is actually analyzed, Estate statement referred to it as raw and acapella and the existence of such versions has been confirmed by Taryll. Birchey with protools session information confirmed that the tracks was separate - as he was able to list them. It's just the people here that assume that they analyzed a vocal with pasted adlibs, music or that it was combined etc. You should ask your musicologist friend about raw and acapella vocals.

You mention Birchey. Have you read his tweets regarding the voice? Not Michael.

I suppose you already have raw vocals and/or acapellas of some of MJ's songs. Are they drastically different from the studio album versions?

true but their experience and knowledge levels are different.

Ask yourself this question, who knows Michael Jackson's songs/voice/style/dance/artistry/... better, his long date hardcore fans or one-time hired musicologists?

it doesn't matter if they would be considered "second best" IMO. What is more important is that there has been no opposing musicologists. One of the questions is why Jacksons didn't pursue this further.

I posted an article and a link of an independent label studio who openly stated that those songs were not Michael. Now, why would other musicologists voice their opinion without being hired? Not everyone in this world is MJ's fan.


this shouldn't be an issue here as the doubters claim that there are blatantly obvious differences. It's not like you claim it sounds like Michael so that it can be mixed up.

My colleague isn't that familiar with MJ's voice, so she spoke for herself that there are risks she mixes up the two.

question : isn't a musicologist and forensic musicologist two different things? I would assume forensic one would have extra credentials and knowledge.

Forensic does not have extra knowledge nor extra credentials. Forensics are listed as experts in their domains and as such can work for justice, police, official documents, contracts, etc. Anyone with already acquired credentials and diplomas can become a forensic, you just have to apply for it in your city or local district. The appropriate department attached to Justice or local Tribunal select the applicants. After selection the police pay you a visit in order to check your credibility and to have an idea of where and how you live. After that you go to the police and have to answer all their questions about yourself which they type/record and store in their archives. When/if the application is accepted your name appear on a list of forensics so that you can be contacted by any citizen, company, police or tribunal if necessary. At the same time you can do your usual job with usual clients.
 
@ivy...you talk about the authenticity issue being pre-introduced, but what about the Estate's statement? After that was issued, a lot of people who initially DID NOT hear Michael on BN, we're satisfied that it was him singing after this statement...works both ways...
 
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