NatureCriminal7896
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No it's about having respect to Michael and some of his fans.
ScreenOrigami;4292605 said:So you’re ok with the officially distributed version remaining censored 25 years after some people complained? That’s how art is supposed to be treated?
ScreenOrigami;4292608 said:Seriously, you’re both not getting the point. This is censorship, and there should be outrage. Just because back in the day, in that situation, they decided to give in to the criticism doesn’t mean that this is still the right thing to do today.
Hulkamaniac;4292609 said:You can listen to it on YT. Nobody is censoring it anymore.
I think this discussion is not about HIStory25 anymore, but about censoring tracks . . .
I am waiting for the other merch comng to us . . .
ScreenOrigami;4292596 said:I’m talking about an official re-release that’s regularly on the shelves and streaming services for new fans to enjoy.
Hulkamaniac;4292609 said:You can listen to it on YT. Nobody is censoring it anymore.
Yeah but in case you don't want to listen to it in lossy quality on YT, but on let's say a nice sounding vinyl.
That's something difficult in these days. New pressings generally sound awful.
Then there's a market gap! The Estate should release high-end vinyls.
ozemouze;4292615 said:I can even imagine a History-only re-release (without the Greatest Hits material), so the focus would be on the then-new tracks. I understand it was a concept to include his older hits in an album that is about his legacy, but the second disc is still a bit unnecessary (I listened to it like once, haha). I remember reading an opinion that this strategy sent a bit confusing message to the general public, not being clear what it was, new material or a "best of" collection, and I think there's some truth to it.
And yep, it should be uncensored: the message of TDCAU is perfectly clear, to accuse it with the complete opposite meaning was due to deliberate misinterpretation IMO, so censoring it wasn't necessary (MJ did it as he was too concerned to not offend anyone, not even unintentionally).
ozemouze;4292615 said:Yeah but in case you don't want to listen to it in lossy quality on YT, but on let's say a nice sounding vinyl.
Hulkamaniac;4292620 said:No such thing as high end vinyls. There's no bigger scam than the "180 gram audiophile vinyl".
ScreenOrigami;4292622 said:Yup, I remember it to be extremely confusing for me back in the day. I definitely remember thinking HIStory was a Greatest Hits compilation with some obscure bonus tracks.
ScreenOrigami;4292622 said:That, and you’d have to know it’s out there at all. When you buy a new CD from a store, you don’t usually assume you have a censored version in your hands.
ozemouze;4292625 said:Yep, and it's such a disappointment to find out later such things. It happens with film releases as well unfortunately, you have to check almost everything before buying. :/
AlwaysThere;4292568 said:Theory: there is no HIStory 25 because there isn't enough material to warrant one.
Several informants have suggested that the HIStory section of the vault is essentially barren. Neither Joseph Vogel, Damien Shields, nor Mike Smallcombe—three of the most credible sources available—have been able to identify a single usable outtake from the 1994-95 sessions; several of the long-circulating titles (e.g., "Bassouille," "Fear") have been debunked; and the handful of known titles are either released ("Morphine," "Is It Scary," "On the Line," "In the Back," "Much Too Soon"), spoken word pieces over instrumental grooves ("Faces"), or lacking vocals beyond a chorus ("Willing & Waiting," "Innocent Man").
Assistant engineer Rob Hoffman did say there were a few nearly-finished pieces in 2009, but since he refused to identify any titles beyond "Much Too Soon," it's within the realm of possibility that these were holdovers from previous albums that we've since heard (e.g., "Do You Know Where Your Children Are").
Furthermore, are the demos of HIStory tracks even worth inclusion? Early cuts of songs like "Jam," "Billie Jean," and "Gone Too Soon" are completely extraneous, and that very well could be the case here. "What About Us" is nearly indistinguishable from "Earth Song," and for all we know, the 1989-90 sketch of "They Don't Care About Us" has no vocals.
When the Estate was gearing up for Off the Wall in 2016, they issued a statement claiming that there was insufficient unreleased material to justify any sort of elaborate music drop (which is entirely plausible seeing that the Off the Wall sessions are just as desolate as HIStory in terms of publicly available information). That very well could be the case here.
Plenty of fans were displeased with Bad 25 because it housed the two foreign language cuts of "I Just Can't Stop Loving You" and three irrelevant remixes. If all the Estate has to offer are similar recordings, maybe it's best that we don't get anything. I'm sure plenty will say, "the Estate is just greedy," but sometimes that's not the case.
mjfan_93;4292635 said:How do you know about „Innocent Man“ and „Willing and Waiting“?
I've spoken to a few people who were lucky enough to have heard them. "Willing & Waiting" is standard mid-'90s Babyface R&B, and "Innocent Man" is (surprisingly) a mid-tempo song that bears some resemblance to "Another Day in Paradise" by Phil Collins.
AlwaysThere;4292568 said:Several informants have suggested that the HIStory section of the vault is essentially barren. Neither Joseph Vogel, Damien Shields, nor Mike Smallcombe—three of the most credible sources available—have been able to identify a single usable outtake from the 1994-95 sessions; several of the long-circulating titles (e.g., "Bassouille," "Fear") have been debunked; and the handful of known titles are either released ("Morphine," "Is It Scary," "On the Line," "In the Back," "Much Too Soon"), spoken word pieces over instrumental grooves ("Faces"), or lacking vocals beyond a chorus ("Willing & Waiting," "Innocent Man").
Assistant engineer Rob Hoffman did say there were a few nearly-finished pieces in 2009, but since he refused to identify any titles beyond "Much Too Soon," it's within the realm of possibility that these were holdovers from previous albums that we've since heard (e.g., "Do You Know Where Your Children Are").
I've heard about these titles. Do you know how finished they are?
Was Chicago 1945 ever considered for inclusion on History?
Nite Line;4292683 said:- So Michael’s most productive eras in terms of unreleased material would be the Bad, Dangerous and Invincible eras.
- Off The Wall and History eras have barely any unreleased material left to release.
- Thriller era may have some unreleased material left but not a lot.
Is that correct AlwaysThere?
ScreenOrigami;4292630 said:Yup. Approximately 10 minutes after my Moonwalker Blu-Ray arrived in my mailbox, I learned that it’s censored and I need to buy the DVD also.
ChrisC;4292705 said:I also think MJ signed off on the change. So what would he want now? Difficult one. I suppose the way to do it would be to present both versions and give them plenty of context as to what MJ meant, the controversy it generated and why MJ was compelled to change it.
ScreenOrigami;4292709 said:Yeah, but he was pressured by the public to sign it off. He was still in the process of recovering from the bad press in 1993/94 and he certainly couldn’t afford another fallout at the time. I quote from MJ’s statement: “I am angry and outraged that I could be so misinterpreted.” So, yes, he did sign off on the change, but he didn’t appear to be overjoyed with the fact that he had to do it, and that’s putting it mildly. He had no choice.
ChrisC;4292710 said:You are right. And I agree he was probably wrong to make the change in the first place.
It's a shame we don't have MJ on record about that issue beyond June 1995. It would be interesting to hear how he felt about it 10 years on for example. Of course MJ was interviewed multiple times thereafter but the topics covered in those interviews were usually how come you prefer climbing trees to sex and plastic surgery and his skin. It's laughable really when you think about it.