Throw Bad in the coffin with me
Now, I'm getting greedy. I want to have BAD in the coffin with me too. Wait... actually I want the entire Jackson 5, Jacksons and Michael Jackson catalogue with me... lol...
Oh, I know...After I said Bad, I was like....'how will I live without ITC ad libs?'
Yeah, just throw them all in!
They better get a roomy coffin for me... Coz, I want my DVD collections to be thrown in too...
ooooh, yes, I forgot about the videos....Come Together, anyone? MJ in vinyl
Lol... we need to crawl back to the manhood thread if we continue our discusssion on come together... :wub:
Could people stop justifying the validity of the Cascio tracks by undermining Michael's singing ability or downplaying Michael's previous works?
So far, I've heard people saying Michael's voice changed. He had problem in hitting certain notes. Gimme a break! He sounded like an angel till his last day on earth.
Or, Invincible is not good at all. The Cascio tracks are better than certain songs on Invincible. Really? Seriously, I mean really?
And now, some lyrics on HIStory are "wretched", really? To me, Scream, D.S. and Little Sussie are brilliant. I don't know who else can write a song about a DA who seek vandetta with such grace.
ivy;3223502 said:Did recent Dr. Freeze interview is mentioned here? It's in French and is translated to English automatically by Google (perhaps someone can translate it better)
Q : Filmiez-vous vos sessions d'enregistrement?
F : Non, aucune caméra n'était autorisée. Vous savez, il n'aimait pas être pris en photo et être filmé en studio. Par conséquent, c'était interdit.
Q: Do you Shoot your recording sessions?
F: No, no cameras were allowed. You know, he disliked being photographed and being filmed in the studio. Therefore, it was forbidden.
Q : Avait-il des demandes de matériels spécifiques pour les enregistrements, comme par exemple des microphones ou des instruments précis ? Avait-il des exigences particulières ?
F : Non, il s'en fichait tant que ça sonnait bien. Il aurait pu chanter quelque chose dans son portable et l'enregistrer comme ça, ça ne le gênait pas tant que c'était une bonne mélodie ou un tube en puissance.
Q: Did he have specific hardware demands for records, such as microphones or instruments accurate? Were there any special requirements?
F: No, he did not care as it sounded good. He could sing something in his notebook and save it like that, it did not bother him as it was a good melody or a tube power.
thanks Bumper for the translation. I was wondering what was meant by "tube power"
It's a special tube that makes you sound like Jason Malachi....
kidding...
So, it has the PVC pipe effect. Are they selling this kinda tube in Home Depot?
"Tube" in French is indeed a tube or could be a sort of a pipe. But it also means a hit. A hit "in power", means actually a powerful hit, but of course it is meant "smashing".
:hysterical:
See, I'm actually right. :smilerolleyes:
I can think of one thing that the Cascios can do with that tube.
At the end of the day, these low quality "guide demos" found their ways to be officially released on a Michael Jackson album as finished songs, while great songs like DYKWYCA and STTR are unofficially leaked.
Many of us felt the album is doing Michael a disservice and are very frustrated about the situation.
Like kopwatcher said, a great opportunity and the potential for something great are wasted. To make matter worse, such controversy casts shadow in all future releases.
Was it worthy? I am asking again the question.
it's "beyond reasonable doubt". nothing in life can be 100%. Even DNA tests are 99.997% - there's always room for error.
I'm hitting my head on a wall right now.
Again scientific test and law are different. and I'm saying that yes objective scientific tests are more superior than other kinds of evidence (DNA vs eye witness account) yet in a court of law in most cases a single scientific test wouldn't be enough and more the evidence the better.. I don't know how I can explain this if you still don't get it.
1) first of all there's no actual confirmation that MJ's mother or children said anything - it's all said by Roger Friedman and repeated by TMZ - are we going to say that they are perfectly credible? If the answer to this is yes and you also need to account the fact that both Roger Friedman and TMZ also said that this was due to jealousy and the children were manipulated. so that part of the information must be true as well. I honestly do not understand this "picking out information that suits me and refusing the part that doesn't suit me" logic.
2) when did I say my personal opinion was solely based on expert reports?
After learning about James Porte, guide vocals, processing went into it and seeing the estate statement (2 forensic experts + opinions of people worked with MJ ) and adding my personal life experiences with music to me it became "MJ with legit supporting/backing vocals". My opinion is a combination of many things. (and honestly I didn't consider Jason's word to be an important factor)
3) as for "he said - she said" argument I also explained why I was personally needed more from Jacksons to believe their statements. Everyone will be subjective in this regard as who they think more credible. It's very similar to you saying "I don't believe Teddy's word". Similarly another person might not be believing to what is being said by any of the Jacksons.
4) even in my first post as a reply to your longer post it can easily be seen that I never claimed scientific tests to be perfect (as I acknowledged the error and possibility to fool them). My goal was to explain what is meant by "scientific" testing and how "comparison" videos/audios wouldn't be able to compete with them. Again although scientific objective tests would have more weight in a court of law, it doesn't mean that just having them will be enough.
Test them scientifically as they did with Michael's vocals. It wouldn't hurt.We don't know what else they might have done
I did answer you 3 times now. Calling and asking someone is a thing that can easily be done, it would be additional confirmation that can protect you legally. So why not? 100 proof confirming the same thing is better than 10 and 1. So more the better. It's that simple.
Perhaps they did, perhaps they didn't. Perhaps it cannot be "reasonably" done without the raw vocals of Jason. This is all speculation.
And why shouldn't the company get away with it in this scenario as they were themselves were "fooled"? You say that the tests gave a false positive as Jason was able to mimic MJ perfectly and even asked this Jason denied his involvement. The record company is innocent in this scenario.
I don't think I understand this who's getting money from who? If you mean there was a fraud but not by the record company yes they can sue whoever did the fraud.
who got away? again in your above scenario if the record company is fooled despite their best efforts, it's not their fault. Whoever did the fraud still be legally responsible for the crime.
not unless they have been in a studio with Michael and have relevant experience to offer an educated opinion.
It was hypothetically speaking.in what lawsuit?
From the time love is magical wrote the above I wanted to tell a story. However it wasn't that important or relevant and would require sometime to type up, therefore I delayed writing it. You'll find it at the second half
First of all to answer the questions of "why these songs made the cut" , we can go with what Branca said that there are only limited number of songs available and in order to satisfy the contract they might have used fillers (not so good songs).
Sure probably we can all agree that "all perfect songs" would be better than a "a mix of good and bad songs" however this might not have happened due to many reasons.
comments such as "such controversy casts shadow in all future releases." and "was it worth it?" actually a logical argument against the conspiracy of faking the vocals. They already knew that Jacksons had some concerns, they knew the vocals will bring controversy with them (RF was writing about it weeks before Breaking News streaming).
Anyway to my story now - as you know I mentioned before that I worked with a pop-rock band in my country. This is our experience with the record companies.
Going back the time before they got a record deal : The band consisted of 5 guys all with ability to play instruments (guitar -guitar - bas guitar - keyboards and drums), 4 out of 5 having considerable amount of experience / education in music (several years of vocal training, classical trained in a music academy, coming from a family of musicians, working as a sound and recording engineer).
One of them was working as a sound and recording engineer at a subsidiary of Universal music and he was able to get the permission to use the studio of the record company when it's not in use. The band recorded their songs all by themselves - with total freedom from the record company. This unfinished product was shown to the executors and resulted in a 5 album record deal. A few professionals were brought in to finish the album. As you can tell it was a very "low cost" production. Similarly the budget for the video(s) was very low , the first video was shot by a unknown director at local bar they performed (during non work hours) with family and friends playing the extras. The album was an instant hit and sold very well. The band was happy, the fans were happy, the record company was happy.
Second album had a little more higher budget - the main difference being record company paying for the professional producer the band wanted. Still the band members with their experiences were recording all the instruments, doing the recording and some mixing mastering by themselves - again with total freedom of doing whatever they wanted to do. Budgets for video and promotion were also increased. Second album was also a success and sold a little better than the first one. The band was happy, the fans were happy, the record company was happy.
As 2 albums did well and showed a consistency the budget for the 3rd album was significantly increased. The company rented a studio for a long period of time for the sole use of the band (allowing them record whenever they felt like it rather than fitting into schedules), similarly every person involved in the production was professionals. As the record company had increased belief towards the band's success they were again given full freedom in their artistic creation. Before the recording the band had went through a lot of personal issues (break ups, divorces, accidents etc) hence they were in a depressed mood - this resulted in a dark, depressed and a more rock album than previous albums. The band planned a 5 video story for the album which was approved by the company and all the videos were to be shot by a well known film director. The album released - it got rave reviews due it's lyrical and musical deepness (12 years later it's release it still is mentioned in any "top albums" lists), the fans were extremely joyous about the album as well but guess what it didn't sell. The sale numbers was 1/3 of the sale numbers of the first 2 albums. So the band was extremely happy (with the album's artistic side and didn't really care about the sale numbers), the fans were extremely happy and the company was not happy at all.
After the second video was released and the sales didn't improve the record company called a meeting with the band. They told that they were stopping the promotion and cancelling future planned 3 videos. Of course the band argued without promotion the sales would not increase but the company maintained that they already had incurred a lot of costs for the album and they didn't believe that regardless what was done it wouldn't improve the sales so they were aiming to minimize their losses (and that meant stopping everything).
Furthermore they told the band the 4th album had to be an "easy listening" that would related to the "masses" and it had to "sell well" or they would not be releasing any more albums and "shelfing the band". (basically meaning they would delay the release of the 5th album that satisfies the contract and hurt their financials, careers etc).
So the 4th album was done with a relatively low budget - firing the professional producer that the band wanted and had during album 2-3, replacing him with a record company appointed producer. The record company dictating and making decisions about what songs to include, which song to be first release etc. The album got released the fans was furious as they thought this was a inferior product that lacked the substance of the previous albums especially the 3rd album. However it did appeal to the masses and the album sold "double" than the band's highest selling album. So the band was unhappy, the fans was furious, the record company was extremely happy.
The band hid their unhappiness (mainly due to their contract) and believe me they were attacked by fans right and left. In every show / interview they did fans would blast the band with questions such as "how could you release such an album? how could you sell out?" etc and the band will lie saying "well this album represent how we feel during the moment and we are in a relaxed and happy state of mind and this album is the product of it" etc.
Needless to say the band wanted out of their contract simply because they had lost their artistic freedom. The record company didn't want them to go as the sales were highest ever and said that they had found the magic formula of "easy listening pop that appeals to masses and bring high sales" they wanted to continue. Luckily the contract allowed for a best of /compilation album to be released as the 5th album. so a best of album packaged with unreleased songs/demos and remixes was released as the last album. The band didn't even wanted to participate to a album cover photo shot or a video. Both were done by montages of old videos/pictures.
After a hiatus the band signed again with another record company - a smaller national one - hoping that this time it will be different. However they went through almost the same events - good sales- bad sales - record company dictated album etc so they left that company too. Now they do not have any record deal, write and produce their own albums on their own dime and just have a distribution deal with a subsidiary of EMI (they'll give the finished album to EMI, EMI will print and distribute the albums to the stores and will get production costs + profit and + share when the CD's get sold).
Now why did I type all this? From my personal experience
- record companies are businesses that wants profits.
- artistically best albums are not necessarily the best selling albums.
- therefore record companies are more interested in "best selling formulas" rather than "musically best" albums.
- record companies are only a friend of the artists as long as they are financially satisfied.
- contracts can put artists into such positions that they do something that they don't necessarily want to do.
- record companies do not necessarily aim to "satisfy the fans", they are much more interested in "reaching the masses".
Anything can be considered speculation, if it isn't actually proven. Some people hear a major difference in vocals on tracks like Monster and Let Me Let Go, others don't, it all comes down to opinion. Nothing is proven, which means nothing is fact, as far as the argument goes, which makes it speculation.
BUMPER SNIPPET;3223760 said:My, my, my, I still have impression that half of my raised points were either ignored or only partially answered. But, that's ok, we're not going to spend an eternity on turning upside down, inside down, round and round.
Apparently the Oprah show censured some info regarding that matter.
Casey R;3203145 said:It was an officially sanctioned promotional press paragraph sent out from Oprah and her team to promote the broadcast. Do you think they would just make it up? The paragraph makes it pretty clear.
In your statement above your opinion was forged after learning about James Porte. You are absolutely not speaking about what your ears really hear. By your very statements above you give impression that you rather follow scientific analysis and your own music experience added than what your ears hear.
The only reason why, in my case, I --as much as I'd like to-- unfortunately cannot believe Teddy, because my ears are telling me the contrary. I trust my trained ears rather than Teddy's word.
The lack of perfection is what makes me believe that they got fooled.
We have a mathematical problem here. We can't add pears to apples. Additional to what? To Michael's vocal analysis??? It just doesn't fit.
Speculation? Did you once heard the side by side vocals put by Pentum of "monster" and "let me let go"? The vocal transition between those two songs can hardly be heard.
What is more, so far not a single fan has been able to put side by side a Michael Jackson's song from other albums with the song "Monster" to hear the vocal transition between the two songs! Isn't that suspicious enough? Is that really speculation?
I did not say it is their fault they got duped. I said it is their fault in selling questionable tracks. Legally covered, they are untouchable.
In other words are you saying that the court would absolutely deny and neglect your opinion and your ability to recognize your son's or father's recorded voice in a studio? What kind of justice is that?
did you read the part that I said before everything I heard part Michael part not Michael? To me it was always a case of legit or not legit additional vocals issue. I later concluded that it was legit supporting vocals.
I heard some (probably not all). and I said before when I listen to Jason YES there are times he sounds convincing as Michael but to me majority of the time he doesn't sound like Michael. Therefore partial fits aren't that impressive for me.
do we have any comparative guide/demo vocals with low quality and heavily processed? no. so no fan would be able to do what you are saying.
again why put fault on the record company? (and you now know that I'm not a big fan or supporter of record companies) In your scenario they were duped and they are selling an album that they in good faith and due diligence effort believe to be authentic. They can be sued but wouldn't be found guilty.