So Ivy it's the estate (Branca and McClain) that get to decide which tracks Sony can release? And as we know McClain was against the Cascio tracks? So is it accurate then to say that ultimately the Cascio tracks being on the album is solely down to Branca?
Jackie Jackson, Taryll Jackson and Teddy Riley all suggested/said that McClain was against the Cascio tracks.
If what Ivy said was true, isn't it possible that he didn't like the music itself, rather than the authenticity? If he's the "artistic" half of the Estate, perhaps he just didn't like how the tracks were produced, considering he does have a habit of producing songs written/sung in the 80s.
Eh, I'm still thinking that he wasn't satisfied with the production of the actual songs. I remember reading/hearing that both Teddy and McClain did mixes for "Breaking News", but McClain's mix sounded too dated.
Jackie Jackson, Taryll Jackson and Teddy Riley all suggested/said that McClain was against the Cascio tracks.
No, I don't think has to do with the quality of the melody or w/e..as Jackie/Teddy said John Mclain had "Concerns over specific tracks" ..Like the Letter from the estate said "The authenticity of these tracks were immediately a concern." It's pretty obvious Branca and Mcclain were probably butting heads over this, with good reason too.
But you said above Ivy that anything they want to release they have to have the Estate's approval right? The Estate IS Branca and McClain right? So Sony would have selected songs and then they would all have had some say in what actually went on the album?. If McClain was against the Cascio tracks and Sony and Branca wanted them on the album McClain would be outvoted and they would be on the album, right? Considering Branca's past with Sony, previous conflicts of interest, the fact that Michael fired him etc etc this makes me very uneasy.
Tsukiji i agree i doubt it was because McClain just didn't like the tracks. When someone has 'concerns' that doesn't sound like they just don't like the tracks.
Actually Jackie's tweet is vague. Didn't he say they had "concerns"? So it means that they doubted the vocals but then did the tests. Jackie didn't say they were against the songs to be on the album right? anyway to me it seems vague.
"My friend John McClain (co-executor) and I have insisted for many weeks to have certain tracks removed from Michael's new album. " Jackie's Tweet after BN stream
Teddy Riley said it was John McClain that was bringing up the concerns over the authenticity...so they obviously were not happy about the decision to keep it on.
Michael singing sitting:
[youtube]PtxUtocFuO0&feature=related[/youtube]
Just to answer those people who said that we don't have many footages of Michael in the studio, here are some and we can clearly have a glimpse how he had been working:
[youtube]tKPoWoMupbE&feature=related[/youtube]
[youtube]w5b0m-ZlWs8&feature=related[/youtube]
[youtube]A7qq2wPZKb0&feature=related[/youtube]
[youtube]2uloWqjazb8[/youtube]
[youtube]KQod8jMu4PA&feature=autoplay&list=PL07C408A51F2941F6&index=5&playnext=2[/youtube]
Says you. And I don't care, get back to discussing the album please
ATTENTION:
Thanks to Worldwide, I was able to make a Keep Your Head Up VS Room 2 Breath [Jason Malachi] with only Keep Your Head Up instrumental. This will blow your mind - please listen closely to the voice.
Note: I did pitch Jason's voice with 2 +. The reason why I did this is because in my opinion, The Cascio tracks are pitched up with at least 2 +. It shouldn't really matter that much, but there is always a slight different.
http://soundcloud.com/pentum/room-2-breath-vs-keep-your
Credits goes to Worldwide.
ATTENTION:
Thanks to Worldwide, I was able to make a Keep Your Head Up VS Room 2 Breath [Jason Malachi] with only Keep Your Head Up instrumental. This will blow your mind - please listen closely to the voice.
Note: I did pitch Jason's voice with 2 +. The reason why I did this is because in my opinion, The Cascio tracks are pitched up with at least 2 +. It shouldn't really matter that much, but there is always a slight different.
http://soundcloud.com/pentum/room-2-breath-vs-keep-your
Credits goes to Worldwide.
Perhaps he would've released a new album, hell maybe even two new albums during/after "This Is It" to satisfy those conditions.
Ivy and bumper darling, you two get me all confused now.
So, was Michael a free agent? Or, did he need to give Sony two new albums in order to break away from Sony?
But this wouldn't have been a tour, at least initially. He would've stayed in one place (his primary complaint, I believe, was that he had to travel so frequently) and he would have a good few months between legs, giving him ample time to polish off existing unreleased songs and record for new albums.
Plus, the tour would've been excellent promotion for the albums. See MJ live and then pick up his new album is much more effective than a new album suddenly popping up.