Some of you should would make a damn good accountant. :mellow: :lol:
That's not true. Nobody would bother making movies at all if that was the case. In fact theaters admit they get very little profit from ticket sales, most lose money. The real money comes from food and beverage sales plus advertising. If theater owners took 50% of all box office receipts, then the companies would never make movies since there would be no financial motive to do so. Out of that $250 million, only a fraction would go the theater chains. The estate will still end up with close to $100 million in revenue. They expected the movie to do around the quarter billion, and would not have ventured into it knowing they would only pocket a mere 10-20 million.
So based on FACTS, the movie theaters do get a big chunk of that 240M$.The box office number that is reported for a film is the total amount of money people have paid to see a film. This, however, is not how much money the studio accrues for a film. The reason this is the case is that studios have agreements with exhibitors - AKA your local cinema - when it comes to showing films. These agreements outline how the revenue generated by the film will be split between the studio and the exhibitor. Generally, the opening weekend revenue is split at an 80/20 ratio with the studio receiving 80% of the total gates. For their participation, the exhibitors receive their 20%, as well as all the revenue generated from concession sales. As the film’s run continues, the split changes in favor of the exhibitor until it reaches 50/50. This is only a general agreement and is not a standard for all releases. Each release can have its own agreement, with the 80/20 split being the most common. One of the exceptions to this rule was Star Wars Episode 1: The Phantom Menace; the agreement there had the studio receiving 100% of the gates for the first two weeks of release. So while every film is different, considerable variances can be considered the exceptions.
This is what kills me - he woulda done this regardless. The O2 concerts was a 500 million venture for him.- in London alone. Kenny Ortega said MJ wanted the show to go to India, Africa, Japan, then lastly the USA..
This Is It's box office result is 240 million.
let go 135 million for Sony.
that's 105 million left for MJ (90%) and AEG (10%)
and This Is It CD might have sold 2 million copies worldwide now? (best estimate?)
MJ's music royalities are 7% right?
so how can half-a-billion dollars be possible through the music CD royalties and box-office collection of the film 'This Is It'?
do some math!
Heres the video, hear Michael talk about his financial situation himself.
http://www.youtube.com/watch?v=-R6VY4RzO5g
I am one
Here are some facts:
So based on FACTS, the movie theaters do get a big chunk of that 240M$.
Another good read: http://www.seancast.com/2009/11/movies-theaters-money-myth/
My dad got a business degree and we talk alot, so I picked up a thing or two. Also, with recent events here in the US I think everyone here picked up some basic business information.
I am no means an expect in any of this, but I did learn a thing or two.
I am one
Something I dont understand. If MJ's debt in life, why didn't he sell his stakes in Sony? It would have cleared him of debts with over us200million plus in cash excess. Also, why didn't he just sell Neverland instead of selling it the company he co-owned?
The catalogs were never meant to be sold, Michael said. He was a h*ck of a businessman. And like a smart businessman, he wisely held on to his most valuable assets, the catalogs and Neverland.
All these good people surrounding him were after his assets. The whole thing is a setup. Now who has set up who, time will show.
MJ gets a lot more than 7 % from his CD's.
He has one of the best contracts in the industry. He gets more per CD than any other artist.
The people who salivate over his cash flow fail to recognise how much wealthier he could have been if he had not been so generous.
That's true, can't remember exactly but it's either 30 or 40%. It's way up there.
6 CD's next year...? What the...that's gotta be made up. That would just be ridiculous.
I think Michael got the equal share with sony. Michael had 50% of all his cd's net earnings, and sony got the rest 50%. after 04, Michael owned 100% of his new songs. am I wrong?
Did estate also get the share of O2 exhibition. i think this should be a lot of money too.
think its around 30% remember reading a intresting article back in the king mag days during the histroy era where his contract was talked about, think the guy who wrote it is a member hereThat's true, can't remember exactly but it's either 30 or 40%. It's way up there.
yeah thats right. his contract with sony ended in 03 so any songs after that are owned 100% by the estateMichael owned 100% of his new songs. am I wrong?
think its around 30% remember reading a intresting article back in the king mag days during the histroy era where his contract was talked about, think the guy who wrote it is a member here
its a different thread but you need to read up on what happened back then cause your opinion is way offThere were argumnents from both Sony and MJ regarding who was at fault but I believe it to be both Michael and Sony at fault. He didn't do any interviews, he didn't want to tour, he didn't want to promote himself and they were angry at him in my opinion and just flung their hands in the air.
I think Michael may have taken the success of this album and the emotional turmoil he was going through to heart meaning that even his 'fans' were not supporting him as they had been and it hurt him.
his issue was with mottola as an individual not sony. he said that many times. he was very close to the owners in japan and that led to mottola being sacked after the mess with vinceActually, Michael had one of the best deals with Sony ever, and it is hard to understand exactly why he had such a problem with Sony when he did. It seems it was more of a personal issue with a certain person at Sony and not with Sony itself but thats my opinion
This is what kills me - he woulda done this regardless. The O2 concerts was a 500 million venture for him.- in London alone. Kenny Ortega said MJ wanted the show to go to India, Africa, Japan, then lastly the USA.
I hate it when SOME family members say that he was worth more dead than alive - they need to STOP SAYING THAT. Arrgh!
Anyway, I am happy that the estate is a-ok, may God keep it growing, and may Michael's wishes be respected according to his will.