I do not get it.... if he can hit such low notes with his singing voice.... why he is not able to speak in such a low way?????
iyo......
I mean there are miracles in the world but still a voice is an instrument of nature, right?
listen to Michael's 'tombyish' speaking voice in for instance" Ain't No Sunshine' and then to his voice in '2000 Watts' (for example).... it's the same voice but after the voice's change.... it's obvious for me...
"You know, everybody thinks you're gay," Vocal Coach Seth Riggs told him one day during a break in a vocal lesson. "I know," Jackson laughed. "The other day a big, tall, blond, nice-looking fellow came up to me and said, 'Gee, Michael, I think you're wonderful. I sure would like to go to bed with you.' I looked at him and said, 'When's the last time you read the Bible? You know you really should read it because there is some real information in there about homosexuality.' The guy says, 'I guess if I'd been a girl, it would have been different.' And I said, 'No, there are some very direct words on that in the Bible too.'"
Misunderstandings like this can be compounded by the gutter press and by the putative inside-track show-biz gossip. Jackson wants a sex-change operation; Jackson has gone under the knife for extensive plastic surgery; Jackson has been shot full of female hormones to keep his face pretty and his voice soaring high. "Not true," says Riggs. "I'm his voice teacher, and I'd know. He started out with a high voice, and I've taken it even higher. He can sing low—down to a basso low C—but he prefers to sing as high as he does because pop tenors have more range to create style."
Seth's support sounded like a talking point: "We're all fed up with the lies and nonsense about this boy we love so much. Michael is different. ... He's not of this world." When Seth debunked the hormone rumors, he let slip just how mundanely Michael speaks. "He isn't naturally falsetto," he resolved. "His voice is as low as yours or mine. Natural, male, husky. But he doesn't like it. He calls it his 'frog' voice, so for personal reasons, after I had taught him to reach that level and maintain it, he decided to stick with it. But it's just a technique—a trick."
He’s a high tenor with a three-and-a-half octave range. He goes from basso low E up to G and A-Flat above high C. A lot of people think its falsetto, but it’s not. It’s all connected, which is remarkable. During his vocal exercises he would put his arms up in the air and would start spinning while holding a note. I asked him why he was doing that, and he said ‘I may have to do it onstage, so I want to make sure it’s possible.’ I’d never seen anything like that before. I thought maybe I should stop him so he can concentrate on his voice now, and dance later. But I figured if he can do it, let him do it.
He’s a high tenor with a three-and-a-half octave range. He goes from basso low E up to G and A-Flat above high C. A lot of people think its falsetto, but it’s not. It’s all connected, which is remarkable. During his vocal exercises he would put his arms up in the air and would start spinning while holding a note. I asked him why he was doing that, and he said ‘I may have to do it onstage, so I want to make sure it’s possible.’ I’d never seen anything like that before. I thought maybe I should stop him so he can concentrate on his voice now, and dance later. But I figured if he can do it, let him do it.
Here's one more quote from Seth on Michael's voice.
Michael's speaking voice is regular, not particularly deep, not particularly high, just average, but his singing voice is naturally very high, that's just his best range, that's all. You know where you can hear Michael's normal speaking voice is in "Bad", at the beggining, when the guy runs to stop him he's proud of him and Michael says "Thanks... Thank you." That's Michael normal voice, and it's hardly deeper then what some think it is.
Plus, Michael's vocal profile is as follows:
Vocal Profile
Vocal timbre: Spinto, Countertenor (this is a male vocalist who can sing in the soprano range), Baritone (in the song 2000 Watts of Invinvible album, for exmaple)
Highest note: B5 (only on record)
Lowest note : E2 (only on record)
Vocal range: 3.6+ octaves (E2-B5; 44 notes by the middle of 1980s according to Seth Riggs, Jackson's vocal consultant (Quote from Seth Riggs); in the 1990s, Riggs said the range expanded to 4 octaves. Apparently, due to aging, Jackson got few additional lower notes, while not losing the highest ones.)
Just as a side note, in a documentary, Seth also said that when he and Michael get together after a lengthy period apart, he said working with Michael is, and I quote, like "re-tuning a Ferarri".
excactly, wannabeIs this the quote cinderella?
Hey cinderella, you know, I'm not really sure. I stumbled on to it by accident, looking for another quote, lol. All the site said was that Seth said it to some press people.
let us dream of tommorowi think hiz voice iz really like dat cuz he sumtimez talks regular and not dat phony voice but it's kewl i like hiz voice
IN YOUR OPINION!worst song ever!!!!
Is this the quote cinderella?
I've never seen it before. In a way it contradicts Seth's other statements, the ones I posted above particularly, so that makes me question it's validity, since that came from TIME magazine. Also the fact that Michael spoke that way long before he ever met Seth, in 75, 76, 77, 78, etc... So he couldn't have "taught him" to maintain it if he was already maintaining it before then. But if it is a real quote, then Seth is basically just saying that Michael doesn't actaully have the high falsetto sounding voice he often spoke with in the late 70s and early 80s. But Michael was super shy back then, and that probably is what caused him to talk like that. And as I pointed out above as well, Michael's shown his "real" voice on a number of occasions. It's really no deeper then his spoken parts on "Dangerous", for example, or "Who Is It". His voice isn't much deeper then he sometimes makes it. There's this misconception because everyone assumes Michael to talk in a falsetto, but he doesn't, and when they hear that, they freak out.