Xscape2041;3916323 said:I would buy every MJ album again in this quality, seriously!
Which October do u mean??!
I hope it includes more formats, I don't have blu-ray yet.
"It's not necessarily a strategy," he told the BBC, "but what we realised is that initially we're talking to specialists, we're talking to a niche".
"I'm talking about the guy who spent 40 grand on his hi-fi system. Let's face it, this guy is probably 35-plus, and likes heritage artists."
respect77;3917050 said:The article pointed out how SACD and DVD-Audio have been failures despite of the higher quality, so it's not yet certain how widespread Blue-ray CD can become.
Allusio;3917086 said:That’s the most important part … no matter “failure” or not Queen\Freddie’s fans will have it.
exactly, on 5.1 dts-hd master audio. which is the standard for Audio's of Movie's these days. I Can't think of anyone who wouldn't want there music in that quality. i can tell a huge difference between pcm and DTS-HD on my Blu-Rays, it's huge!!! even the difference between dolby digital and DTS-HD is big to me. i would buy everything again in this quality for sure
PCM is the original soundtrack. PCM is the digital format used throughout the entertainment industry. That's how movie soundtracks are recorded. CDs, too. Receivers, pre-pros, disc players, DACs, and nearly all of the audio equipment we use is designed to process PCM and convert into analog signals that drive speakers.
So, why do we have codecs such as DD 5.1, DTS, TrueHD, and dts-MA? Just one reason - to save space. PCM takes up a lot of space, so much space that a 5.1 PCM soundtrack cannot fit on a film or DVD. Dolby and DTS developed data compression codecs that work pretty much like zip files in order to squeeze large PCM tracks into smaller packages. You can't "play" a DD 5.1 or dts-MA track anymore than you can read a document that has been zipped up. You have to decode the track first, turning it back into PCM, so that your audio system can process it to produce sound.
TrueHD and dts-MA are lossless codecs, meaning the decoded output is identical to the input. You feed the original PCM track into the encoder, which compresses it to save space. Your playback system decodes (decompresses) it back into PCM, restoring everything that was taken out so that it is bit for bit identical to the original.
Bottom line: there is no quality difference between the 5.1 PCM track and the losslessly compressed dts-MA version. It's rare to find discs that offer both these days since nearly all players and AVRs can decode the lossless tracks.
I read on Facebook that Brian May said in Classic Rock magazine (December issue) that we will definitely get to hear Victory. The songs will be on a new Queen album.
glad to hear we'll be getting vitory, but what does he mean by ''song's''? does he mean all three or just more to life and previously mentioned title?
Wish the estate would let these slide and let the members of Queen look after them instead of new producers. Brian and Roger know how Freddie should sound (Made in heaven album) and I'm pretty sure that they would treat Freddie & Michael perfectly. After the way the Michael album was received, I think the estate should be open to many avenues of output.
The new producer (William Orbit) has nothing to do with MJ's Estate. He was asked by Queen to work on the tracks.
innuendo141;3925782 said:Oh yes, I'm aware of this. But it seems that the estate are reluctant to release these from what Brian and Roger are saying. Kinda get the feeling that they want the songs for their own ideas.
Allusio;3925801 said:They are just waiting for the right time. See no problem here. I’d rather wait to have something special than see some “uncompleted” releases. If the result is going to be great, it doesn’t matter how much time it’s going to take.
Waiting.....May continued "...at the moment we're working on spinning some new music around those, which is what we did for the Made in Heaven album, which was possibly the best Queen album we ever made. ... I'm a little nervous of saying there's an album there, but there's certainly a few tracks."
The tracks were mostly recorded in 1983 and include three duets with Michael Jackson. William Orbit has been working with May on the restoration.
http://www.smoothradio.co.uk/music/buzz/unreleased-freddie-mercury-music/08f2a#ad-image-0