Did anyone else think it was weird after Smooth Criminal that MJ went in to an on-stage tent in order to change his clothes? What was the point of that? Why didn't he just go off-stage to change his clothes?
BAD is one of my favorite albums but they could of done better only song I like was al capone, How come they never put tomboy, groove of midnight, girl of another love, someone put your hand out 1987 version on the album why? Too me it wasn't right at all how they did it them songs really didn't groove me or hype me to another level, Cause we know michael got some powerful tracks in the bad era that people are dying too hear.
To me, 'for all time' trounces anything on Bad 25. Michael oversaw the other artists. one will i am tune is cool. that's enough for me. and i already had bucharest. i loved that. you know what..i limit myself to this thread. people celebrate what they wish to celebrate. the fact is, i still play stuff from Thriller 25, today. i wonder if people will still be playing stuff from Bad 25 in 2016. as far as Wembley goes, though...yes i can understand that. there's nothing to oversee on that. that's a complete concert. and i do have a concert recording of Michael. He has released those, before.
Then please provide the statements and quotes where he says he would not want his demos or anything from him to be released at all after he dies.
The alternative to releasing demos, concerts and stuff is to not to release anything at all any more. Ever. Sure, they could release best of compilations again and again, but after the gazzilionth such compilation album who would buy that? There's only as many times you can sell Billie Jean and Beat It. We already have lots of best of albums of MJ on the market.
So the alternative is not to release demos with the reasoning that "Michael would not have wanted unfinished stuff to be released" (and you know how what Michael's stance would be about times when he's not here any more and he cannot create any new songs?).
Then they also should not release concerts, because "had Michael wanted to release them he would have released them when he was alive".
So basically those who say such things want the Estate to just sit there and do nothing at all. I'm not sure if that really is what Michael wanted from his Estate. Or if he did he would have and should have made it clear in his Will, IMO.
The 2nd pressing was released in 1988 on Michael's request. Updated mixes and cut intro on IJCSLY.
These new mixes first appeared digitally remastered on HIStory's disc 1 "HIStory Begins" in 1995.
It's such a shame that BAD25 doesn't come with '87 original mixes, especially when they did release the original IJCSLY with spoken intro as a single.
I sent a friend who's a policeman Abortion Papers yesterday. He said he loved it so much he was listening to it at the station today and played it to his colleagues who all thought it was amazing and didn't understand why it hadn't been released.
BAD is one of my favorite albums but they could of done better only song I like was al capone, How come they never put tomboy, groove of midnight, girl of another love, someone put your hand out 1987 version on the album why? Too me it wasn't right at all how they did it them songs really didn't groove me or hype me to another level, Cause we know michael got some powerful tracks in the bad era that people are dying too hear.
Yep. In the booklet of Bad 25, it states additional mixes were created into 1988.The 2nd pressing was released in 1988 on Michael's request. Updated mixes and cut intro on IJCSLY.
These new mixes first appeared digitally remastered on HIStory's disc 1 "HIStory Begins" in 1995.
Is IJCSLY intro on the bad 25 CD?
The remixed (remastered?) version of the album was actually released far earlier than the 2001 Special Edition, It had to have been early to mid 1990's at least. I have a non SE copy from the mid 90's as well as a copy of Off The Wall with the "glowing socks" cover, which also appeared earlier than 2001. I received these for Christmas of 1997 along with my first ever stereo system when I was 8.
I have never been able to place exactly when the Bad album alterations took place, but I always figured it had to be sometime before HIStory came out, since Disc 1 of that album features the same mixes.
Bad is my favorite MJ album so I have taken it upon myself to document the different versions whenever I come across them since there doesn't seem to be any official documentation on this. So far I have physical CD copies of the following:
1st Pressing (1987) - Contains the exact same mixes of every song as on the vinyl LP, with Leave Me Alone included as a bonus track.
2nd Pressing (Unknown year) - Exactly the same mixes as the above copy, but no spoken intro on IJCSLY.
3rd Pressing (Unknown Year) - This edition was purchased in the 90's, it features the same mixes of Bad, TWYMMF, IJCSLY, Dirty Diana, and Smooth Criminal that are on the 2001 Special Edition.
4th Pressing (2001 Special Edition) - This edition features the same mixes as the 90's pressing with remastered sound and bonus tracks.
There's no guarantee that Michael finished any of those songs, or even completed them to a point that they could be used. I personally think that every single song on this album is just jaw droppingly good.
No way. Just no way. For All Time is a spectacular song, but so far as remixes Michael made a terrible decision. Every remix, except for WBSS 2008, is terrible. Whereas on Bad 25, the Afrojack/Nero remixes are pretty good. The Estate did ten times for Bad 25 what Michael did for Thriller 25, in all honesty.
Exactly. Fans are some of the most impatient people in the world and start panicking if a release doesn't come at least once a year. Michael has tons of unreleased stuff left in the vault to release, and the Estate is going to release it both to please fans and to make money. We all enjoy it, so why complain?
That's all I'm going to say about this matter.
swedis123;3711329 said:Hi! I looove the dvd!!!!
I have one question only: What song does Greg Phillinganes play in his solo? I think it was a big hit in the 80´s.....
Imagine those conversations…
Greg: Crazy. But the craziest thing is at the Wembley shows I personally set out to make a statement. During the band solos I would play tunes from artists that I would find out were in the audience. So I had heard Prince was at the show. So I did a whole separate section of “It’s Gonna Be A Beautiful Night” by Prince. I’m talking about the groove, the breakdown and everything! We stepped down to the front of the stage and got the audience to clap on the four. We wore that shit out [laughs]. And I still don’t know if Prince was really in the audience. But the bad news is that session will not be included in this DVD because Prince decided not to give us the rights. And I wish he would change his mind.
Jon: And you know what, it was just an homage to him.
Greg: And that’s the irony…
Working Day and Night from this one is great, but July 23 the illusion is more amazing because he is still yelling while the curtain is being lifted!
There is one questionable thing about the so-called July 23 amateur tape. Birchey claimed that he changed his outfit for the last part of MITM which seems hard to believe...
LA isn't that good tbh his voice was not its best.