Mikky Dee;4289421 said:
MJ was a saviour to many; also king of his chosen profession and his personal domain. I think he was an empath who saw himself as a universal father; one who could help and do some good in the world - a shining beacon in a sea of grey. He said many times that he enjoyed escapism and wanted to provide that, for others, through his music and entertainment. I think the paintings which showed himself in masterful roles were escapism, romanticism, whimsical fancy, a projection of where he wanted to be and what he wanted to do in life.....perhaps even a compensation for something missing from his self-esteem, since childhood. Many reasons are possible....Michael's paintings, his HIStory statues, his general largesse for at least three decades, certainly kept people interested and engendered constant discussion/debate....even to this day, as we can see here.
Mikky Dee;4289423 said:
It is my opinion that:
Michael Jackson didn't have an arrogant bone in his body. The Brit Awards Earth Song performance was about LOVE - love for the planet, for humanity and for each other. That was always his message and that was always what he tried to portray in his performances. Just because some people are cynical and hard-hearted and don't understand what he was trying to do, it doesn't make him wrong, embarrassing, ridiculous, arrogant, messianic, or anything else like that. That is just what some others project on to him.....they read their own meanings into what he did and then label him as something he was not.
Art should not be a free-for-all territory, especially when it comes to such religious matters.
What Michael Jackson actually did at that ‘Earth Song’ 1996 Brit Awards performance was to appropriate the messianic imagery of Jesus.
Look, for example, how these people/children around him want to touch him because this supposedly would cure them.
And his arrogance was not just obvious from that particular performance, but it can also be seen from the entire HIStory era.
His ‘HIStory’ song for example was another clear sign of his arrogance, where in essence he put himself in the same league as all those great historic pioneers of the past that the song refers to.
As for the paintings, these were not just arrogant but vain as well.
DuranDuran;4289404 said:
This thread is kinda odd. Mike wasn't really doing anything that other performers had also done.
You've never been to a church service when people get the spirit or Holy Ghost?
[video=youtube;Rn5MBzZJM00]https://www.youtube.com/watch?v=Rn5MBzZJM00[/video]
[video=youtube;-Jgv6BS5jP4]https://www.youtube.com/watch?v=-Jgv6BS5jP4[/video]
James Brown had long been doing that wearing a cape.
[video=youtube;vruy2GRUsV8]https://www.youtube.com/watch?v=vruy2GRUsV8[/video]
Go check out late 1970s Earth Wind & Fire concerts with magic tricks and Verdine White playing bass while levitating in the air. Funkadelic had the Mothership. Sun Ra was doing space imagery back in the 1950s. Wearing costumes has also long been done. Like Screamin' Jay Hawkins, Genesis (Peter Gabriel sung wearing a fox head and a dress, plus other masks) during their prog days, Alice Cooper, Arthur Brown, GWAR, etc.
Many acts have extended songs performing in concert. Especially in funk, jazz, and gospel. In some cases with different arrangements rather than doing an exact copy of the records.
Janet gets a guy out of the audience, has him strapped down and then gropes him.
[video=youtube;fHKKR8hhdCc]https://www.youtube.com/watch?v=fHKKR8hhdCc[/video]
[video=youtube;Y8JGTS56nVU]https://www.youtube.com/watch?v=Y8JGTS56nVU[/video]
Other performers have already done some of these things or similar things, but this does not mean that these things added value to his performance when he did them when he was performing.
For instance, that Janet Jackson’s ‘Would You Mind’ live segment added no value to her performance, either (her lap dance looks very forced and fake).
Also, it is not just the excessive length of ‘Working Day And Night’ that added no value to his performance, but it is also all these irritating starts and stops that make it look even more unnecessary.
He should have performed a new, additional song in the place of these 4 unnecessary extra minutes of ‘Working Day And Night’.
The jumping up and down at the end of ‘Beat It’ even if it was inspired by the church service when people get the spirit or Holy Ghost, yet it looks very out of place at the end of the ‘Beat It’ performance.