filmandmusic
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- Joined
- Nov 30, 2021
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90 million streams is really massive for a song released in 2012 by a deceased artist without any promotional push or release. I mean the song is pretty much invisible it is not in the least comparable with the Kate Bush situation. Imagine if Chicago ends up on a popular tv show, those 90 million streams would turn to 200 million in no time. The young generation clearly likes this song, there is no doubt.This is the sort of thing I don't understand, not having a business brain. Seems to me you could react to this really quickly in this day and age, slap out the single pdq, get the radio play and see what happens. Can it be that expensive? I can't see why. It should be quick and easy to do.
Is it bc Chicago has been doing well during 'T40' and that's where their focus is? Erm ...
I dunno. I'd be wanting to maximise whichever bit of Michael's catalogue was doing well at any given point.
But, like I said, I don't have a business brain. There must be some other reason why they don't seem to be doing anything with this.
90 million streams on Spotify. Woulda thought that meant something.
I wonder how much more of a push it needs to actually chart on the top 100