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The Legend Lives On - Official Cirque du Soleil 'Immortal World Tour' Discussion

Memefan said:
Isn't O2 the best one? It's seems an obvious choice even with the sad MJ-connection.

MJ would get his O2 shows.... This will be eery. His presence is felt so profoundly, i can only imagine how moving it'll feel to be at the O2.
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I'd certainly cry my eyes out. It would be so upsetting. We should have seen the 3D, Light Man, Billie Jean by Michael
 
dam2040 said:
I'd certainly cry my eyes out. It would be so upsetting. We should have seen the 3D, Light Man, Billie Jean by Michael
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Speaking of Billie Jean, one of the hardest things about the Cirque show for me was seeing the dancers in the LED suit that Michael was gonna wear for Billie Jean...I liked how they weren't mimicking Michael's moves exactly, so as to show respect...But it was still difficult to see because it would have been truly, truly magical to see Michael perform BJ that way....It was magical without all the lights, but you can tell from his reaction at what Zaldy created for him that he really wanted to take the dance to another level....:cry:
 
Arklove said:
Speaking of Billie Jean, one of the hardest things about the Cirque show for me was seeing the dancers in the LED suit that Michael was gonna wear for Billie Jean...I liked how they weren't mimicking Michael's moves exactly, so as to show respect...But it was still difficult to see because it would have been truly, truly magical to see Michael perform BJ that way....It was magical without all the lights, but you can tell from his reaction at what Zaldy created for him that he really wanted to take the dance to another level....:cry:
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He should have been able to do it :cry:
 
Ex-Poway cellist meets Michael Jackson at Cirque | UTSanDiego.com
Ex-Poway cellist meets Michael Jackson at Cirque
From classical and rock to, now, the late 'King of Pop,' Tina Guo has pluck

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As the founder and president of the Future Doctors of America Club at Poway High School, Tina Guo was anticipating a medical career. Instead, she sought to help heal the world — in a manner — by embracing her lifelong passion for classical music in general and the cello in particular.

Now, less than a decade later, the 26-year-old Guo is a featured soloist for the “Michael Jackson The Immortal World Tour,” a three-year-long trek that is jointly produced by the estate of Michael Jackson and Cirque du Soleil. The tour includes performances here Saturday and Sunday at the Valley View Casino Center (formerly the San Diego Sports Arena).

“Being an Asian person, I thought it might be appropriate to be in the medical field, because going into music is not very secure,” said Guo, who was born in Shanghai and moved to North County with her family when she was 6. “I don’t know what I was thinking! But I changed my mind and went into music, thankfully, and everything worked out.”

Considering her tireless devotion to the cello, it’s surprising she even considered anything else.

The daughter of two classical music teachers, Guo started taking piano lessons at 3 and violin soon thereafter. She switched to cello at 7, and it became the dominant force in her life.

“To be honest, I didn’t have much of a normal childhood, as any Asian string (instrument) player would tell you,” she said.

“I’d wake up and practice (cello) for one to two hours before school. Then I’d come back from school, practice, do my homework, eat and practice some more — every day. It wasn’t always fun. But there’s a price to pay for results that come later, and I’m very grateful.”

In Guo’s case, the results have been many and varied.

She enrolled as a music major at USC, but became so busy doing recording session work and concert dates that she left school to become a full-time cellist. She has since performed as a soloist with the San Diego Symphony, the State of Mexico National Symphony and orchestras in Italy, Greece, Brazil and Canada. Her nonclassical credits include gigs with Foo Fighters, Carlos Santana, Carrie Underwood, John Legend, ex-Smiths’ guitarist Johnny Marr and others.

Guo has also played on the soundtracks to the films “Inception” and “Iron Man 2,” as well as contributing to the music for numerous TV shows. In her spare time, she plays in heavy-metal and industrial-rock bands in Los Angeles, where she lives.

For the “Michael Jackson The Immortal” tour, Guo plays an unaccompanied two-minute electric cello solo each night, using an instrument that she helped design and helps promote for the Cambiare Electric Cellos company. Guo is also featured in a guitar and cello “duel,” which replaces the Eddie Van Halen guitar solo on “Beat It.” She plays cello in at least half a dozen Jackson songs each night, as part of a 13-piece band that performs in the high-tech, multimedia production.

“We have the same (costume) designer for ‘The Immortal’ tour as Madonna,” Guo said, speaking from a San Francisco tour stop. “I wear knee-high boots, a black bra and leather pants, but with only one leg (covered). The other leg has one butt cheek (partially exposed).

“Obviously, I wouldn’t dress like that for my classical music tours. But when I play at industrial Goth underground clubs in L.A., I wear the appropriate gear. To be a musical chameleon, you need to blend in and be flexible. I’ve worn everything — and I’ve had many butt cheeks hanging out!”
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Those of you who saw the giving tree are lucky. I was looking for it in Vegas, but was told it was not ready yet. It is good that they finally introduced it on stage. Guo is fantastic.
 
Memefan said:
Isn't O2 the best one? It's seems an obvious choice even with the sad MJ-connection.

MJ would get his O2 shows.... This will be eery. His presence is felt so profoundly, i can only imagine how moving it'll feel to be at the O2.
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Just thinking of that gives me chiils.....poor michael even though he never got the chance to go in life , he does somewhat in death :(
 
Las Vegas / National Tour Theater Review: MICHAEL JACKSON THE IMMORTAL WORLD TOUR

by DAN ZEFF on <abbr class="published" title="2012-01-22" style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 1em; text-transform: uppercase; letter-spacing: 1px; border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; cursor: help; font-style: normal; ">JANUARY 22, 2012</abbr>
in THEATER-LAS VEGAS

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OH, WHAT FOOL THIS IMMORTAL BE

After a short run in Las Vegas, Cirque du Soleil’s Michael Jackson THE IMMORTAL World Tour begins its 48-city North American excursion that will last through August, 2012, after which it will return to Las Vegas for an open run in May, 2013. The months between now and its return should give the producers time to figure out what kind of show they want to present: will it be an authentic tribute to Michael Jackson, or the display of sensory overload that overwhelmed audiences at the Events Center arena at Mandalay Bay?
A deep reservoir of affection, if not adoration, exists for the late Michael Jackson, and a quality live tribute show should have a sure-fire hit factor built into it. Jackson’s personal and professional life elevated him into a fascinating figure in American pop culture, and Cirque du Soleil, the preeminent brand name in contemporary live entertainment, seems like an appropriate agent to celebrate the man. Nobody who attended the show could leave the arena complaining that they were shortchanged on production values. The succession of ravishing spectacles – singing, dancing, specialty acts, film projections, sound and light – was stunning. Only one element was overlooked – namely, Michael Jackson.
Near the top of the show, there were a few bits about Jackson’s Neverland estate and a song about “the childhood I never had” that teased the viewer into expecting a probing examination into the entertainer’s intimate and controversial life. But the show, written and directed by Jamie King (who is assisted by 10 choreographers), never pursued its opportunities. Instead, we saw a bikini-clad young woman playing what looked like an electronic cello, a one-legged dancer on a crutch, fireworks, jets of steam, and so much activity throughout the arena that the spectators didn’t know where to focus their attention. The show resembled a three-ring circus, wherein concentrating on one ring means missing out on the pleasures of the other two rings. Still, for sheer spectacle, much of IMMORTAL was breathtaking (such as when performers wearing suits of lights dissolved into illuminated bubbles floating through the air).
Near the end of the show was one interlude that did attempt to connect with the essence of Michael Jackson – his humanity, his innocence, and his perhaps naïve hope for a better world. The interlude melded quotations from Jackson with disturbing images of the violence and poverty that afflict much of the world, especially Africa. There were also affecting scenes, both live and animated, of the young Michael leading the Jackson Five. But such moments of delicacy were rare interludes, upstaged by a tsunami of overpowering imagery, mind-numbing action, and deafening sound that could eventually exhaust the spectator.
As an arena show, IMMORTAL likely will prove a commercial success as it hopscotches across the continent, though it could certainly benefit if it were trimmed by 30 minutes. The producers promise a heavily revised production in 2013 more appropriate to traditional theaters. Let’s hope the rethinking genuinely connects with the soul of Michael Jackson, even at the expense of knock-your-socks-off production numbers.

http://www.stageandcinema.com/2012/01/22/michael-jackson-immortal-tour/
 
Last Thursday, Google booked the whole arena for a private MJ Immortal performance for their employees.

I told my boss about it, and wondered if our company would do the same for us, she laughed in my face. lol


A girl can always dream


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This picture was taken at the Google / Cirque Immortal Private show

Fun evening with all Googlers! Michael Jackson Immortal Tour Cirque de Soleil.
Google treated its employees to this special showing.
No wonder Google tops Fortune list of Best Companies to Work For!
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'Glee' cast reacts to Michael Jackson THE IMMORTAL Tour


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Glee's Mark Salling at Jackson-themed Cirque show​

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By Allison Walker, Entertainment Reporter/Anchor
Last Updated: Monday, January 23, 2012 12:28 PM


For the next five weeks, we're bringing you web-exclusive interviews from our Las Vegas coverage of Michael Jackson THE IMMORTAL World Tour. Sin City threw a huge party that attracted some big celebrities who got to see the show for the first time.
The Jackson-themed Cirque show is coming to the Amway Center Feb. 28 and Feb. 29.
The stars of the Fox's smash hit "Glee" were among the celebs who graced the red carpet at the Mandalay Bay. Read below to catch part of my conversation with Mark Salling, Kevin McHale, and Harry Shum Jr. You can watch the clip right now by clicking on the VIDEOattached to this page.
MARK SALLING: [Michael Jackson's] legacy is just so lengthy. Even if you don't know you're directly inspired by him growing up, indirectly you definitely were, if you've ever listened to the radio in your life.
ALLISON WALKER: Are you a big Cirque fan? If this wasn't a Jackson-themed event, would you still have come?
MS: Oh my gosh. I thought the Beatles Cirque show was the best stage show I've ever seen. I say that completely and surely.
AW: Do you think this has a better hook - having Michael versus The Beatles or Elvis?
MS: Oh, that's a debate for the ages. I don't think you can really say. I'm curious to see the structure of the stage and the set-up because The Beatles one was a circular kind of set-up with the stage in the middle. So I'm looking forward to seeing the stage here.
REPORTER [to Kevin McHale and Harry Shum Jr.]: You guys have already done "Thriller." What other Jackson songs would you like to do on Glee?
KM: Anything!
HSJ: Well this next episode we're doing a couple Jackson songs; some Janet Jackson, Jackson 5, and Michael Jackson himself.
REPORTER [to Shum]: You're the resident dancer on "Glee." You must've picked up some moves from Michael!
HSJ: Oh please. He just changed the whole game when we came on with his dance moves and made it his own. I think that's what's special about it. You know, you want to pick up some stuff from other people but also make it your own. And that's what I learned from him.
Again, we were the only Orlando crew on the red carpet. Check out our Michael Jackson-themed On The Townreports on News 13 every Friday through February. Next week on our website, find out what E! News' Jason Kennedy and a Vegas headliner had to say as they headed into the arena to experience THE IMMORTAL.

http://www.cfnews13.com/article/ent...t-reacts-to-Michael-Jackson-THE-IMMORTAL-Tour

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[h=1]The top five concert tours, ranked by average box-office gross per city. Includes the average[/h]
Published: Mon, January 23, 2012 @ 12:00 a.m.
The top five concert tours, ranked by average box-office gross per city. Includes the average ticket price for shows in North America. The previous week’s ranking is in parentheses. The list is based on data provided to the trade publication Pollstar by concert promoters and venue managers.


v (2) Kanye West/Jay-Z: $2,093,467; $118.23.
v (1) Cirque du Soleil — “Michael Jackson, The Immortal”: $2,039,167; $110.54.
v (3) Taylor Swift: $1,120,727; $68.98.
v (5) Foo Fighters: $713,947; $51.07.
v (6) Bob Seger & The Silver Bullet Band: $697,857; $70.11.

http://www.vindy.com/news/2012/jan/23/the-top-five-concert-tours-ranked-by-ave/
 
http://www.ladowntownnews.com/arts_...cle_6dcd2fb8-43c0-11e1-b34c-001871e3ce6c.html
Posted: Friday, January 20, 2012 3:37 pm | Updated: 11:05 am, Mon Jan 23, 2012.


by Ryan E. Smith | 0 comments


DOWNTOWN LOS ANGELES - The latest show from Cirque du Soleil to visit Los Angeles promises to be a thriller. Its inspiration, Michael Jackson, would have wanted it no other way.


The King of Pop&#8217;s choreography and music &#8212; including his 1982 smash hit Thriller &#8212; takes center stage in Michael Jackson The Immortal World Tour. It arrives Downtown at Staples Center on Jan. 27-29.


Some might think the headline-grabbing late performer and the animal-free Canadian circus are an unlikely pair. Not so, says Tara Young, the show&#8217;s artistic director. She believes Jackson&#8217;s signature moves and Cirque&#8217;s reputation for flights of fancy and astounding acrobatics are a natural fit.


&#8220;Michael was always very interested in working with Cirque du Soleil,&#8221; she said. &#8220;When he passed, there was an opportunity to celebrate his life.&#8221;


The collaboration with the estate of Michael Jackson is a 100-minute spectacle with more than 60 international dancers, musicians and acrobats; 252 costumes; 32 songs; and one giant tree representing the &#8220;Giving Tree&#8221; from Neverland Ranch, where Jackson liked to work on his music.


The production written and directed by Jamie King &#8212; Madonna&#8217;s creative director for the past 12 years &#8212; takes place in a fantastical realm where the Giving Tree is discovered and the icon&#8217;s inner world is unlocked. For dancer Joseph Wiggan, though, it&#8217;s all one big tribute to a monumental pop culture figure.


&#8220;It&#8217;s a huge collective that all contributes to this one idea of saying, &#8216;Michael, we love you and your message lives on,&#8217;&#8221; the Los Angeles native said. &#8220;I&#8217;m inspired by his commitment to music, his commitment to dance, his commitment to fashion.&#8221;


All three elements are present in Immortal, often with a twist. In the &#8220;Beat It&#8221; sequence, for example, giant versions of Jackson&#8217;s trademark glove, penny loafers and hat jump to life. During &#8220;Dancing Machine,&#8221; welders fly and swing on motorized cables, performing on various &#8220;dancing machines&#8221; in tribute to different dance styles. Performers swoop through the air in LED costumes in &#8220;Human Nature.&#8221;


Then there&#8217;s Jackson&#8217;s famous &#8220;Thriller&#8221; video. In true Cirque style, that means acrobats dressed as mummies who jump, leap and move through tree branches, coffins and tombstones.


&#8220;It&#8217;s eye candy all night,&#8221; Young said. &#8220;You will feel touched on every level.&#8221;


Arena Setting


Fans of Cirque du Soleil can expect the same level of talent and risk in the acrobatics, Young said, but there&#8217;s something special about this production &#8212; and it&#8217;s not just the arena setting.


Consider the music, which includes songs from the Jackson 5 and the 1978 movie The Wiz (in which Jackson played the Scarecrow). While the band includes members such as Jonathan &#8220;Sugarfoot&#8221; Moffett, who played drums for Jackson for 30 years, it is also full of mash-ups, remixes and new arrangements.


Then there&#8217;s the dancing.


&#8220;They hired the group of choreographers that had worked with Michael Jackson,&#8221; Young said. &#8220;So what you also get is the authenticity of Michael and what he used to do on stage himself. You almost really feel that he&#8217;s out there.&#8221;


As someone who actually is out there &#8212; along with his sister, Josette &#8212; Wiggan loves bridging that gap for audiences.


&#8220;It&#8217;s incredible to see the packed houses and the people who are still calling his name,&#8221; he said. &#8220;He really was about bringing people together.&#8221;


Wiggan has known the power of Jackson&#8217;s music since he was in elementary school, when he sang the Jackson 5 song &#8220;Who&#8217;s Loving You&#8221; over the phone to the person that he wanted to be his valentine. These days, the 25-year-old tap dancer is particularly fond of &#8220;Smooth Criminal.&#8221; In the music video, Jackson donned a white suit and fedora, calling to mind a bygone era.


&#8220;The style, the class, it&#8217;s so Michael,&#8221; Wiggan said. &#8220;I enjoy attempting to re-create that every night.&#8221;


Quarter Century in L.A.


Cirque du Soleil&#8217;s visit to Downtown represents a sort of homecoming for the troupe. The group made its American debut in 1987 in Little Tokyo as part of the Los Angeles Festival. Back then, it wasn&#8217;t the household name it is now, and the producers didn&#8217;t have the money for a return trip if the appearance bombed.


Twenty-five years later, Immortal will join two other Cirque productions in the area. Iris, an homage to cinema, is a $100 million permanent production based at the Kodak Theatre in Hollywood. Ovo, a traveling show focused on insects, opened Jan. 20 at the Santa Monica Pier.


This isn&#8217;t the first time Cirque has harnessed the power of pop music, either. Its Las Vegas show Love is based on tunes by The Beatles, and Viva Elvis, also in Vegas, features music by Elvis Presley.


One huge difference with Immortal is the nearness of the subject&#8217;s death. Jackson died June 25, 2009, in Los Angeles at the age of 50. His personal physician, Dr. Conrad Murray, was found guilty of involuntary manslaughter late last year for providing the star with the surgical anesthetic that claimed his life.


Shortly after Jackson&#8217;s death, a massive memorial for him took place in Staples Center.


&#8220;The hearts of the audience are still feeling the loss of Michael,&#8221; Young said. &#8220;It&#8217;s sometimes quite emotional to watch.&#8221;


Wiggan said the show, with its familiar rhythms and dance steps, has been a way for the performers to deal with the loss of Jackson. He thinks the Los Angeles audience will react in a similar manner.


&#8220;I hope that it allows people to cope with the loss that we all share,&#8221; Wiggan said. &#8220;It&#8217;s a way to celebrate him, and I feel that the way the show was constructed, you can&#8217;t not reflect, you can&#8217;t not reminisce. And you also will be dancing.&#8221;


Wiggan paused, laughed, and said it again, his tone making a listener feel the warmth of his smile.


&#8220;You will be dancing.


Michael Jackson The Immortal World Tour runs Jan. 27-Jan. 29 at Staples Center, 1111 S. Figueroa St. Tickets at (800) 745-3000 or ticketmaster.com.


© Los Angeles Downtown News 2011
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^ I am very surprised the LA's shows aren't sold out already. New York's sold out months ago...and their shows are still two months away.
 
Memefan said:
^ I am very surprised the LA's shows aren't sold out already. New York's sold out months ago...and their shows are still two months away.
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Maybe a lot of LA people went to the Vegas residency last month? It's close enough for a road trip and there was the added bonus of Fanfest.
 
The Brown Gangsta said:
Maybe a lot of LA people went to the Vegas residency last month? It's close enough for a road trip and there was the added bonus of Fanfest.
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You might have a point. I didn't think of that....but at the same time, I am sure many more non / casual fans are attending the Cirque shows than hardcore MJ fans.
 
Wish I was in LA to buy tickets. It must be uncanny being at the Staples when we all know he spent his last evening rehearsal there.
 
Ashtanga...is this ad real or a photoshopped?


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More than 900,000 tickets sold in Noth America so far, according to this article:

Jamie King has got the moves

From a young age, he studied Michael Jackson's steps, a legacy he preserves in 'The Immortal.'

Born in Verona, Wis., to a white teenage mom and a black father who left when he was 5, King describes a people-pleasing childhood in which he felt the pain of his mother's struggles and tried his best to ease the situation. "I learned to 'produce' early," he says. By high school, he worked afternoons and weekends and summers: making pizzas, tinting car windows, cleaning offices, watering greenhouses.

At the same time, identifying powerfully with '80s pop stars (he rotated his outfits at school, "one week Michael, one week Prince"), King danced privately and obsessively. On a foundation of self-taught MTV video reenactments in his basement, King's storybook public dance career took off at age 16 with a fast succession of school scholarships and contest wins, which led to a Los Angeles audition for Michael Jackson that landed him the single open slot for a male dancer on the 1992-93 "Dangerous" world tour. Within weeks, King was rehearsing Jackson's tight, skidding moves from "Beat It" and head-bobbing syncopations from "Smooth Criminal" with the master himself.

King followed his curiosity, "absorbing everything." After the 17-month Jackson tour, King was comfortable with and interested in all aspects of stage production. Working with musical directors, lighting and stage designers, wardrobe, jumbo screens, pyrotechnics, moving sets, he wanted to choreograph it all, and honed his craft working for Prince for several years. Then in 1999, garnering attention for his carnivalesque design for Ricky Martin's Grammy Awards appearance, King was hired to direct the singer's first U.S. tour. After Madonna caught Martin's show one night, King explains, she asked him to help her launch her first tour after an eight-year hiatus. And the rest — disco-ball entrances, mechanical horses, roller-skate mania — is history.

"From when the lights go down, or when the lights come on, to when the screens open or the screens come up, and how that moves with the set pieces coming on or the dancers arriving, I see it all in a dance way," King explains. He sips an iced tea between words. "One of my biggest dislikes is when those elements are not working together. I get very uncomfortable. I like it all to move and flow together and make sense, like theater."

Cirque du Soleil spokesman Maxime Charbonneau says King's background with rock tours and Jackson himself made him the easy choice to help the entertainment company in its first attempt to fill 10,000-seat arenas (and not wall off portions to retain intimacy). For King, who was used to working so incisively as to move from a shoe box concept to world tour in several months, Cirque's initial open-ended creative period was unsettling. "They like to just throw things at you left and right and see what you respond to," King explains. "They say it's 'feeding' — they like to 'feed' you and wait while you chew on it."

Using 65 songs, 30 dancers, 25 acrobats, 10 musicians and a 10-choreographer team, King conceived and directed "The Immortal" to center on a place (Neverland, which he visited early on) rather than his usual artist-focused orientation. Jackson is represented by master tracks of his singing voice, video and spoken-word clips and amplified representations of his most identifiable choreography and accessories.

Since the show opened in Las Vegas in December, reviewers have paled at some cartoonish mash-ups and missteps during pivotal songs (e.g. a frolicking life-size sequined glove and loafers during "Beat It"), yet there's been no argument over King's ability to intensify and amplify the precise, essential dance power in such signature numbers as "Billie Jean" and "Thriller."

Next month, even more of King's oversize movement collaborations with Cirque du Soleil performers and crew will be visible during Madonna's high-exposure Super Bowl performance. "There'll be some magic," he says slyly.

Meanwhile, as the "Immortal" tsunami rolls into Los Angeles this month (more than 900,000 tickets have sold in North America), King has officially begun work with Cirque on the more intimate, permanent version of "The Immortal" to go up in Vegas in 2013.

It had been his "great dream," he says, to scale back to create a work for a fixed site. "The possibilities are just endless when you're in a theater and there aren't people standing in front of you like in a rock concert, with popcorn flying and alcohol," he says. "This will be a focused environment where we'll really have people's attention. I just can't wait."
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http://www.latimes.com/la-ca-jamie-king-20120122,0,5526423.story
 
wow in just 4 months the tour gross about over 140 million with 75 shows already done and an average of almost 2 million a night, this could possible become one of the biggest tour ever if the rumors are true that cirque is extending the touring show to 2014
 
Additional dates in LA announced today...August 14th & 15th

They announced only two dates because of tomorrow's ceremony...but I expect them to announced a few more. I doubt they will go back on the WEst Coast for two shows ...
 
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^^I wonder where they would be on his birthday in August. That would be a great day to attend the show.
 
They need to add more dates for Madison Square Garden in New York too. That would be awesome.
 
TOP 20 CONCERT TOURS
1. (2) Cirque du Soleil — "Michael Jackson: The Immortal"; $2,168,255; $110.16
2. (1) Kanye West / Jay-Z; $2,015,303; $118.98
3. (3) Taylor Swift; $1,184,267; $69.27
4. (5) Bob Seger & The Silver Bullet Band; $702,897; $70.41
5. (6) Trans-Siberian Orchestra; $571,979; $51.82
6. (7) Zac Brown Band; $514,314; $44.12
7. (8) Sting; $475,037; $92.43
8. (10) Guns N' Roses; $415,202; $52.44
9. (13) Jeff Dunham; $316,251; $47.63
10. (14) Paul Simon; $255,730; $77.51
11. (12) Andre Rieu; $247,074; $81.84
12. (15) Lady Antebellum; $244,691; $45.25
13. (16) Judas Priest; $204,372; $53.47
14. (17) "So You Think You Can Dance"; $201,206; $53.96
15. (18) John Mellencamp; $169,771; $90.14
16. (New) Avenged Sevenfold; $160,113; $39.09
17. (New) The String Cheese Incident; $147,062; $39.19
18. (19) "Scream Tour" / Mindless Behavior / Diggy Simmons; $133,881; $41.41
19. (20) Mannheim Steamroller; $125,841; $56.44
20. (New) Celtic Thunder; $118,704; $55.73.


http://www.cnbc.com/id/46162653


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Finally saw it the other night. So incredible, there are no words to describe it. I'm glad I didn't read any spoilers beforehand because then everything was a big surprise to me. Excellent tribute for Michael! :clapping:
 
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