filmandmusic
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It’s the best snippet I have ever heard
It's supposed to be before the end of the songIt’s the best snippet I have ever heard
It would be unusual to have the snippet come after the end of the songIt's supposed to be before the end of the song
Now you know how I feel when Lotfi posts that snippet every damn day lmaoFfs I thought it had been released before I clicked on it lol
I was posting because I thought no one saw it why u are not kind with me ?Now you know how I feel when Lotfi posts that snippet every damn day lmao
Yes. U are rightIt would be unusual to have the snippet come after the end of the song
Damien Shields mentioned this, but this has way more exposition.I don't know if the following interview with WIll I Am and the information it contains about the song "I'm Dreaming" is known or not - I only came across it today:
Pretty sure Teddy Riley is coming back. That VladTv interview made people believe he's been involved.Similarly, turns out the 2018 producer might not be Mark Ronson. Perhaps Rodney?
What are the chances @Lord Jackson or @Korgnex can leak the song from Will's hard drive in his house? Punish Will I Am for his sins.I don't know if the following interview with WIll I Am and the information it contains about the song "I'm Dreaming" is known or not - I only came across it today:
(the excerpt is from an interview from 2021).
From 13:00 he talks about "I'm Dreaming" (a cover by KRS ONE) and sings the MJ vocals/lyrics as well as the bass.
It is actually really interesting getting these hints at what space MJ was in musically, and yet, I'm hoping the songs are more rich and have a lot of depth, like the Quincy made albums. The later records admittedly were much more sparse, with exception to a few tracks, and the ballads obviously had lots of instrumentation. As far as the up tempoes, idk, MJ really liked that James Brown funk/hip hop flip to "rap" over. There were definitely exceptions though.
The production sounds basic, that can't be how all the songs from Neff-U's sessions sounds like. Damien also said that D.I.E in particular was like heavy rock music. This has to be a generalization on his part.
That entry isn't related to MJs cover of HFITST.I'm certain that Hot Fun In The Summertime was going to be on the Estate's next album, around 2018 the song was registered and the Estate had purchased the catalog of the band Sly shortly after. I'm sure it'll still be released at some point.
Michael Jackson Estate Acquires Sly and the Family Stone’s Catalog
Sly Stone’s catalog has long been the subject of royalty disputespitchfork.com
Type of Work:Recorded Document Document Number:V9957D089 Date of Recordation:2018-09-05 Entire Copyright Document:V9957 D089 P1-9 Title:Hot fun in the summertime & 65 other titles. Notes:Notice of termination of grant under 17 USC Section 203 (c); date and manner of service of the notice: 31 Aug18; by Certified Mail, Return Receipt Requested, and First Class. Termination effective 17Sep20. Party 1:Sylvester Stone, p.k.a. Sly Stone. Party 2:Michael Jackson, d.b.a. Mijac Music/Warner Chappell/Mijac Music, & Mijac Music. Links:List of Titles Names:Stone, Sylvester Stone, Sly Jackson, Michael Mijac Music/Warner Chappell/Mijac Music Mijac Music
Interesting thanks for sharing mate.
I think it is a generalization. Not every song has this flavor, but overall this is the direction MJ seemed to be headed in.The production sounds basic, that can't be how all the songs from Neff-U's sessions sounds like. Damien also said that D.I.E in particular was like heavy rock music. This has to be a generalization on his part.
I didn't check the whole registry, the creation date is from 1969 so it has to be the original version that was registered. My bad.That entry isn't related to MJs cover of HFITST.
MJ had RedOne, Lady Gaga esque pop in there, he wanted to work with Stargate, he wanted to work with Ne-Yo, John Legend had songs written, T-Pain, he worked with Akon, and Neff-U and he had tons of older self compositions. And the songs he seemed to be making from then on were very hip-hop esque. Like the modern "Dangerous". Anything I'm forgetting?I think it is a generalization. Not every song has this flavor, but overall this is the direction MJ seemed to be headed in.
He was trying out a bit of everything it seems, there's the gospel songs from Bahrain, the R&B songs from Ne-Yo, the electropop songs from RedOne and pop/hip-hop style from Will.I.Am, pop-rock music with old collaborators like Michael Prince and Brad Buxer and revisiting plenty of songs from past decades. I would love to see the result of all the mixture from that era.MJ had RedOne, Lady Gaga esque pop in there, he wanted to work with Stargate, he wanted to work with Ne-Yo, John Legend had songs written, T-Pain, he worked with Akon, and Neff-U and he had tons of older self compositions. And the songs he seemed to be making from then on were very hip-hop esque. Like the modern "Dangerous". Anything I'm forgetting?
Ah yes, and he was working with Rod Temperton and Steve Porcaro again. That would've been huge tbh.He was trying out a bit of everything it seems, there's the gospel songs from Bahrain, the R&B songs from Ne-Yo, the electropop from RedOne and pop/hip-hop style from Will.I.Am, pop-rock music with old collaborators like Michael Prince and Brad Buxer and revisiting plenty of songs from past decades. I would love to see the result of all the mixture from that era.
And with collaborators from the Invincible era like Dr Freeze and Rodney Jerkins. Ngl I do feel like his next album was gonna be as overproduced as Invincible, MJ was working with way too many producers lol.Ah yes, and he was working with Rod Temperton and Steve Porcaro again. That would've been huge tbh.
That’s how MJ always worked though. 5-6 producers came and went during the Dangerous sessions, and HIStory alone has 10 credited producers. It’s all about how the final track listing comes together.And with collaborators from the Invincible era like Dr Freeze and Rodney Jerkins. Ngl I do feel like his next album was gonna be as overproduced as Invincible, MJ was working with way too many producers lol.
I don't. I'm glad for variety. We still ended up with more material from this collaboration than the others. Will.I.Am got relegated to remixes lol.Honestly, I wish Michael had only worked with his old collaborators Michael Prince and Brad Buxer, as he got older.