What attracted you to it when you bought it, Bumper?
Jealousy?
:lmao:
What attracted you to it when you bought it, Bumper?
Jealousy?
:lmao:
Breaking News, Keep Your Head Up, and Monster are sung by Michael Jackson. Sony got away with it! The blasphemy!
^^^ He sings with avery thick foreign accent in that song. The pronounciation is not good IMO
But he does sound good. Maybe people who are not american can't hear the accent .. I dont know ?
Eh. Even Malachi sounds closer to MJ IMO and Malachi is way off himself.[youtube]XyOnC1Ea2TM[/youtube]
Wow. Love this. And his pronouncation is goooooddd.....
Comes closest to Michael to me.
BUMPER SNIPPET;3765148 said:I am pretty sure it would be quite successful.
Lucilla;3765593 said:I agree. This was before the release of Bad25, it was a new remix by Nero but the general audience here loved it.
[video=youtube;7xSviyLIAE4]http://www.youtube.com/watch?v=7xSviyLIAE4[/video]
That could have been big. But they didn’t take that chance for some reason :scratch:
IMO the mix is not good enough for a video release. It's to repetetive and included almost nothing from the original version. There's tons of cool sounds in SD and with the multis, he should've made it better.
It was cool the first 10 times, but since then I haven't even been tempted to listen to it again..
I completely disagree
Nero focused on the rhythmic part of the song. He refreshed and accentuated the vibes. He managed to put forward the uniqueness of MJ's rock and deep voice which is MJ's signature all over the BAD album. When you hear his voice in Smooth Criminal, in BAD, in Just Good Firends, and in recently unreleased material Al Capone and Price Of Fame, his deep more-rock-than-on-Thriller voice is all over those songs.
Also, Nero was clever enough not to remove the trumpets and wind instruments, which is extremely difficult nowdays. Almost no song contain trumpets nowadays. He preserved all the important characteristics of the song, contrary to Afrojack who despite being in the studio where MJ recorded BAD, had apparently extremely weak inspiration.
And finally, he didn't get into the trap to make te remix long. It's as short as any standard song, which is also a good point.
IMO, he did a very good job, and a refreshed video with the Bunny from Moonwalker is completely feasable, it could even boost Moonwalker dvd sales and make people dance in the clubs and elsewhere.
But many seem to have lost faith in MJ's potential post humous success. It is time someone with some more faith in magic took over MJ's releasable material. Where has the magic gone? Releasing MJ's material without faith in magic is like giving your kids gifts from Santa Claus and forgetting to take your kids see Santa Claus with their own eyes.
I completely disagree
Nero focused on the rhythmic part of the song. He refreshed and accentuated the vibes. He managed to put forward the uniqueness of MJ's rock and deep voice which is MJ's signature all over the BAD album. When you hear his voice in Smooth Criminal, in BAD, in Just Good Firends, and in recently unreleased material Al Capone and Price Of Fame, his deep more-rock-than-on-Thriller voice is all over those songs.
Also, Nero was clever enough not to remove the trumpets and wind instruments, which is extremely difficult nowdays. Almost no song contain trumpets nowadays. He preserved all the important characteristics of the song, contrary to Afrojack who despite being in the studio where MJ recorded BAD, had apparently extremely weak inspiration.
And finally, he didn't get into the trap to make te remix long. It's as short as any standard song, which is also a good point.
IMO, he did a very good job, and a refreshed video with the Bunny from Moonwalker is completely feasable, it could even boost Moonwalker dvd sales and make people dance in the clubs and elsewhere.
But many seem to have lost faith in MJ's potential post humous success. It is time someone with some more faith in magic took over MJ's releasable material. Where has the magic gone? Releasing MJ's material without faith in magic is like giving your kids gifts from Santa Claus and forgetting to take your kids see Santa Claus with their own eyes.
To each their own of course, and judging by the response the remix got on here, most people seem to agree with you. But personally I really disagree, especially with the bolded parts. The core of Speed Demon to me is its funky rhythm, driven by the drums, bass, and MJ's beatbox. This is exactly why I love this song. Nero preserved the latter to some extent, but replaced the original drums and bass with an extremely uninspired drum pattern and arpeggiated synth bass, thereby (imo) completely stripping the song of its original groove. It also lacks everything that I like about dubstep. And I also think the mix is a bit sloppy. For instance, you can still hear the original guitar quite clearly in the background during the verses. And as for the trumpets you mentioned: Nero did keep them, but listen how sloppily they are mixed in at 2.54.I completely disagree
Nero focused on the rhythmic part of the song. He refreshed and accentuated the vibes. He managed to put forward the uniqueness of MJ's rock and deep voice which is MJ's signature all over the BAD album. When you hear his voice in Smooth Criminal, in BAD, in Just Good Firends, and in recently unreleased material Al Capone and Price Of Fame, his deep more-rock-than-on-Thriller voice is all over those songs.
Also, Nero was clever enough not to remove the trumpets and wind instruments, which is extremely difficult nowdays. Almost no song contain trumpets nowadays. He preserved all the important characteristics of the song, contrary to Afrojack who despite being in the studio where MJ recorded BAD, had apparently extremely weak inspiration.
And finally, he didn't get into the trap to make te remix long. It's as short as any standard song, which is also a good point.
IMO, he did a very good job, and a refreshed video with the Bunny from Moonwalker is completely feasable, it could even boost Moonwalker dvd sales and make people dance in the clubs and elsewhere.
But many seem to have lost faith in MJ's potential post humous success. It is time someone with some more faith in magic took over MJ's releasable material. Where has the magic gone? Releasing MJ's material without faith in magic is like giving your kids gifts from Santa Claus and forgetting to take your kids see Santa Claus with their own eyes.
To each their own of course, and judging by the response the remix got on here, most people seem to agree with you. But personally I really disagree, especially with the bolded parts. The core of Speed Demon to me is its funky rhythm, driven by the drums, bass, and MJ's beatbox. This is exactly why I love this song. Nero preserved the latter to some extent, but replaced the original drums and bass with an extremely uninspired drum pattern and arpeggiated synth bass, thereby (imo) completely stripping the song of its original groove. It also lacks everything that I like about dubstep. And I also think the mix is a bit sloppy. For instance, you can still hear the original guitar quite clearly in the background during the verses. And as for the trumpets you mentioned: Nero did keep them, but listen how sloppily they are mixed in at 2.54.
In any case, although I enjoy some MJ remixes, they almost always pale in comparison to the original. I would much rather see the focus on MJ's own work. If a remix can help doing that, great, but I think the work MJ left behind himself should always be the main point of focus.
you need to check the recent 50 cent interview
http://www.mjjcommunity.com/forum/threads/128255-50-cent-talks-about-MJ-and-recording-MONSTER!
he mentions Michael called him, Michael mentioned him his record "Monster" and Michael said it was the new version of "Thriller" and asked him to rap on it.
Interesting
I know there's another song called monster, do we have any idea what that song is about?