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1 "Love Never Felt So Good". It is a part-time, with violins and a very prominent rhythmic base. Reminiscent of the style of Barry White. That is, mellow but with rhythm. As in other songs, abused a little of the effects of production.
2 «chicago». Another half-time that Michael Jackson dual voices. It returns to ring with force the rhythmic base, which sounds a bit disconcerting. There are sweet moments that are combined with angry moments.
3 "Lovin' You". It continues the rhythm section in excessive foreground. The best, the own contribution of the Michael Jackson, with his voice at full power, with an innate intuition for rhythm and melody. A great timeless song has been sealed as a very contemporary.
4. "a Place with No Name". The first big moment of the disk. The previous songs provoked applause from those present at the hearing, but at the end of this is heard more honest and compelling. The voice is very good company. We find his pop side, with a chorus that sticks to the first and which encouraged dancing.
5. "Slave to the Rhythm". It has an electronic start. Here is the step to the facet funk, with classic changes of pace, nervous accelerations and stops that he dominated with bravado. After the previous song, however, it sounds a little slow, although it is danceable. The rhythm is marked by synthesizers, what is perhaps the most «curious» song.
6. "do You Know Where Your Children Are". Strange robotic effects mixed with the typical sharp cries of the singer. Also seems too decorated, but the topic is gaining as the seconds pass. «Darkest» disc, without concession to sentimentality.
7. "Blue Gangsta'. The strangest. The voice of Michael seems to sound differently. Seems it's even got us singing.
8 "Xscape". The single, although still not been made public. It has the classic seal of its author, perhaps that more. Even when listening to it, comes immediately the image of Michael Jackson dancing to one it. Unfortunately, it is something that we can imagine, but that we will never see. A great theme.