Re: News and discussion about new MJ album : Xscape, May 13, 2014.
1) Read Damien Shields'
"Let's Guess the Tracklist" article -- that gives us a pretty good idea of what to expect, which is official releases of the
original recordings of some of the most popular leaked demos we've heard as well as some of the most talked about unheard tracks (Chicago, She Was Lovin' Me) along with newly produced / "contemporized" versions of these songs. Frickin' Awesome.
That's my only gripe here. Don't listen to Damien Shields's article; he has contacts but he majorly misspoke here. For example, he wrote that he heard that Timbaland reworked Do You Know Where Your Children Are, and many fans are immediately using that to say that it will make the album. That is not the case at all. Additionally, he is only including songs that he himself has heard or heard of, and I'm positive the estate isn't limiting their search to that. Also, I'm not listening to anything any producer says. Let's keep in mind that Jerkins was saying that he would appear on
Michael but in the end nothing appeared.
But otherwise, APOM, I'm with you on your entire post.
would you prefer the tracks 06 to 13 on BOTDF over their original versions on HIStory?
Ah, my friend, here is the difference: those are remixes. Remixes in and of themselves are intended to destroy the original song and make it something different. Reproductions are done to complete the song and make it sound like something Michael would have done. Granted, for the most part this wasn't done necessarily perfectly, but they are two distinctly separate things.
This is most evident in that the BOTDF remixes were made into EDM tracks, and I hate that genre. So obviously, the album cuts win it for me. But when it comes to the
Michael album, I find the new versions of Hold My Hand, Hollywood Tonight, (I Like) The Way You Love Me, Behind the Mask and Much Too Soon to beat their original recordings.
See this is what puts old school MJ fans/Music fans in general against the new style "put a beat over anything" style music fan. Hollywood Tonight is far far far less interesting in the album cut, unless repetitiveness is your thing, the album version is a fricken train wreck and by the standards of music Michael produced in his life it rates a 1/10 man, the whole track got shit on big time, from start to finish by a has been amateurish producer, again its the "slap a beat on it and go" 4 hour remix version, as opposed to listening to Michael make the song, listening to him voicing his opinion on record, or beatboxing and working out new ideas as he lays them down vocally, or the musicians improvising, little percusiion here and there, the formation of what will become the final song...............which was completly different and superior to what we finally got xD
To each his own. Personally, the demo bores the hell out of me haha. It's funky and all but it's quite obvious that it is a very early recording. Weak drums, the bass doesn't shake the speakers like Michael wanted it to, and his vocals aren't to full power. Had he finished it, I might be inclined to say otherwise. But for now, Teddy has him beat! The only thing I will admit was that Teddy completely ruined it with the spoken word verse. I mean, Michael wrote an entire bridge to use. Why not have Taryll rap that? Why write your own version entirely?