I thought the whole point of the video was that the detective was trying to frame Michael as Billie Jean's lover? with Michael constantly evading him, only to turn the tables at the end.
the newspaper headline, the ladies on the billboard, and the scene in the bedroom, all link to the song's narrative.
Michael had used magic in the past ('can you feel it', 'don't stop til you get enough', and 'blame it on the boogie'), but this was the first time that the element of mystery was introduced, in both the overall visual and persona. he was otherworldly. literally. his character was an alien in disguise, reconfiguring the DNA of each environment that he stepped foot it.
I love the colour scheme of the street backdrop, and how Michael's outfit matches it. the tiger is also a reference to the album cover.
of course Michael dancing alone and unchoreographed is the nucleus. 'violently protesting his innocence' as Barbee so wonderfully described it. he was venting. we felt his torment. this expression was a far cry from 'don't stop til you get enough'.
it may not be the most straight forward piece, but not all of michael's videos were. in some cases they were the most interesting. after years of watching 'Billie jean', I still come away with something new. so many possibilities! this is how the art survives forever. Michael immortalised himself, and that is the essence!