http://www.vancouversun.com/enterta...Soleil+Immortal+World+Tour/5661487/story.html
MICHAEL JACKSON: THE IMMORTAL WORLD TOUR
When: Friday night (also Saturday and Sunday, 8 p.m.)
Where: Rogers Arena
VANCOUVER - The King of Pop is not dead, he lives on in Cirque du Soleil's Michael Jackson: The Immortal World Tour show.
The Cirque's latest musical spectacular, after its much celebrated Love show dedicated to the Beatles and Viva Elvis dedicated to other King, certainly proved Jackson's musical legacy is alive and well.
The brainchild of creative director Chantal Tremblay (who worked on Love and other Cirque classics Alegria and Mystere) and award-winning tour director Jamie King (Madonna, Rihanna, Britney Spears), Michael Jackson: The Immortal World Tour is a whimsical, eye-popping extravaganza aimed to please fans and non-fans alike.
It was a concert that wasn't really a concert, a circus-themed show that wasn't really the circus, and while it was a multimedia, multi-disciplinary spectacle worthy of the King of Pop, The Immortal World Tour makes Jackson's absence from the stage and from his fans' lives all the more glaring.
What the all-ages crowd that filled Rogers Arena Friday night got - and will get again for two more presentations Saturday and Sunday - was more of a tribute to a dream and a creative vision.
The presentation featured close to 300 different costumes designed by Zaldy Goco (This Is It, Lady Gaga's Monster Ball Tour) and acrobatic and aerial feats and props, all of it layered with MJ's spellbinding musical catalogue re-invented and re-mashed by musical director and keyboardist Greg Phillinganes and musical designer Kevin Antunes, who gave MJ's music a similar treatment the Beatles got with the Love show.
Boasting a creative team beyond compare, Cirque du Soleil has brought Michael Jackson's work back to life under a new light.
The Immortal World Tour, with its loosely woven narrative of a mime (played flawlessly by Salah Belemqawanssa) coming to revisit Jackson through the various stages of his life and career, was mostly about imagery: The signature glove, the hat, five "fanatic" clowns recalling the Jackson Five trying to get into Neverland, the monsters and moves from the Thriller video and, of course, Bubbles.
The music was, with a mix of recorded material and a full live band, the star of the show, but that doesn't mean credit should be taken away from Cirque du Soleil's top notch team of choreographers, whose massive dance numbers were one of the main features of the presentation.
The Dancing Machine number, for example, was a combination of a multitude of dance styles complete with blasts of steam, animated machinery, metal outfits and acrobats swinging from the rafters. Crazy.
Smooth Criminal was a fantastic homage to the original with a stellar video intro and MJ's classic dance moves, while Dangerous featured an impressive feat of pole dancing.
Some numbers felt a little contrived, namely Ben and its ode to MJ's love of animals blending African rhythms, Japanese drumming and Lion King-esque props, and the show's pacing sometimes felt haphazard.
The retro-tinged numbers closer to the source material certainly fared the best, Thriller and its horde of dancing ghouls and the Beat It/Bad combo number and its oversized dancing glove and shoes really standing out.
Throughout, the crowd seemed entranced by the stunning visual presentation, which was really something to behold, and the amazing sound design.
It is unfair to try to guess what Jackson would have thought of Cirque's $60 million re-imagining of his work, but The Immortal World Tour is a concert-slash-circus-slash-multimedia extravaganza of tremendous proportions.
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