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Spike Lee BAD 25 Documentary- DVD / Blu Ray [available on iTunes Nov 19]
- Thread starter qbee
- Start date
Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
Oh, here's the thread.
Oh, here's the thread.
MJsBollywoodGirl7
Proud Member
Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
I have a blank dvd all ready for me to tape it. And I might watch some of it. I really don't know. It all depends on how I am going to feel tonight.
I have a blank dvd all ready for me to tape it. And I might watch some of it. I really don't know. It all depends on how I am going to feel tonight.
Annita
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Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
The German version wasn`t edited. The only edit, there was no credit-list at the end with the Don`t Be Messin-song
The German version wasn`t edited. The only edit, there was no credit-list at the end with the Don`t Be Messin-song
Silouette
Proud Member
Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
I'm so anxious to see the program. I'm sure all kinds of memories and emotions will
surface and pour out.
I'm so anxious to see the program. I'm sure all kinds of memories and emotions will
surface and pour out.
CaptainEoLove85
Proud Member
Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
Got it already and set to record. Can't wait to watch!
Got it already and set to record. Can't wait to watch!
zhelva
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Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
Wait, what?
The version we'll see today is not the full version that we'll get on the dvd if I understood it correctly?
Edit: I guess I missed that part..
Wait, what?
The version we'll see today is not the full version that we'll get on the dvd if I understood it correctly?
Edit: I guess I missed that part..
Last edited:
Bubs
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More praise for documentary:clapping:
Michael Jackson: ‘Bad 25′ takes bit out of Thanksgiving for ABC Leaving an Indelible Image once it’s Finished
Michael Jackson: Bad 25 takes bit out of Thanksgiving Holiday Television Programming for ABC and leaves quite an indelible image once it’s finished.
It couldn’t have come at a more appropriate time than on Thanksgiving evening as ABC has scheduled the television premiere of Spike Lee’s critically acclaimed documentary “Bad 25.”
The documentary had its public premiere at the Venice International Film Festival earlier this year and was released into theaters shortly afterwards. According to ABC, Lee trimmed almost an hour for the television version, nevertheless, critics say it will still have enough bit to be thankful for on this turkey night.
Award-winning filmmaker Spike Lee, reaches into the Michael Jackson catalog of hit albums and pulls out the one production that represents the opus of Jackson’s life, consumed with music and the inaccurate view that he was immorally bad. Lee craftily captures the pop star’s pain and glory, pictured with arms outstretched, head back in a Christ like posture on the cross. This one Lee got right. The director understood Michael’s the complex history. Clearly “Bad” appeared designed to tell the story only Lee could tell.
Undoubtedly, Jackson’s 1987 follow-up album represents not only his career peak, solidifying him as the “King of Pop,” it also epitomized the most accurate overall portrait of the fallen creative idol.
You have to applaud Lee. The documentary is a terrifically warm, affectionate and celebratory study of the “Bad” album, and Lee simply wanted to clear the tabloid smoke of erroneous sensationalism, and bring the focus back to Jackson’s professional craftsmanship and musical genius.
The film ABC will show its viewing audience tonight is a reassessment of Jackson the quintessential entertainer. Moreover, when all is said and done, it is clearly a stronger tribute to the musical monarch’s creative persona than 2009′s hasty hit “This Is It.”
A Spike Lee joint as the film is branded, but who could argue with the straight-ahead, which exhibits his unmistakable fingerprints throughout the narrative; a narrative I might remind you that reflects less of the firebrand filmmaker’s touch than much of his other nonfiction works. Lee’s personality is largely muted so as not to impose on that of Jackson, with whom Lee enjoyed a firsthand friendship. Nevertheless, it Lee’s firsthand friendship that brings forth a Michael many observers never knew.
If you’re one of those looking for a more critically insightful view on Jackson’s output you won’t find such a portrait in Michael Jackson: Bad 25; it’s not that complicated. Even devoted interviewees, admit to certain artistic miscalculations on “Bad,” such as the missed opportunity of lackluster Stevie Wonder collaboration “Just Good Friends,” or the curious choice of MOR ballad “I Just Can’t Stop Loving You” as the propulsive LP’s lead single.
There were several tasty nuggets unearthed by Lee in the film, for instance, “Bad,” the single, was initially conceived as a Whitney Houston duet; when the soul diva, another prematurely departed pillar of 1980′s pop culture, presents Jackson with a career tribute in a choice bit of archive footage, which Lee was able to subtly integrate into the documentary.
Lee begins the journey by looking at Jackson’s earlier album, Thriller, which established the singer’s extraordinary global dominance. And then “Bad” comes along, during a time in Jackson’s life he was beginning to feel as though his star was beginning to wane. Audiences seemed to be seeking something new, and Prince appeared on the scene as the new pop sensation as a time when hip-hop was first emerging. Moreover, Michael felt he was being criticized on the issue of African-American solidarity and also for having allegedly failed to exert enough raunchy virility. Lee’s penetrating efforts palpably expose some of this pain, which was quite real to Jackson.
“Bad” intended to change all of Jackson’s shortcomings: an intensely competitive counteroffensive, which effectively separated itself from all competition as the first album to be conceived on a stadium scale. Jackson had in mind a bold new video, or “short film” based on the true-life story of a black boy shot by a New York cop. Scorsese directed the film that showed Jackson as a shy student, confronting Wesley Snipes’s tough guy, outfacing him with his dance moves and finally getting street respect: he’s “Bad.” Lee allows the audience to pick up on this as he seeks to demonstrate that Michael’s art imitated life; his life.
I’m hopeful that ABC and Lee were able to keep a fairly funny interview showing Scorsese and his editor Thelma Schoonmaker watching the film now, with a touch of bemusement. Obviously, he isn’t convincing as a warrior, but the point is that Michael Jackson, that delicate pop aesthete, alchemizes his vulnerability and naivety into pure strength. And it works: he really is and was “Bad.” Lee takes no credit as he clearly puts Michael Jackson’s brilliance and glory on the stage for all to see.
Lee makes sure the audience is aware of Jackson’s distinct dance talent is not taken for granite as he links it to a tradition encompassing Fred Astaire and Buster Keaton, and he makes a persuasive claim that Michael is a centrally important figure in that tradition.
Unlike Frank Sinatra or Elvis Presley, Jackson did not make conventional feature films, and so we don’t have that as a visual resource, and of course the videos and live footage, startling and brilliant though they are, can’t give us an extended view of what Jackson was like in ordinary, walking-and-talking real life. Moreover, his interviews were rare, and almost always guarded. Nevertheless, Jackson vigorous work towards perfection produced supreme artistic accomplishment and is cleverly revealed by Jackson with aching pain and triumphant glory.
Lee emphasizes what Jackson’s achieved in the public arena, and his exuberant reverence for the lonely Pop King is contagious throughout.
No narration is necessary since the upside of Lee’s closeness to his subject – and, of course, his individual clout – is that he’s been able to assemble a growing ensemble of top-drawer celebrity names, from super-producer Quincy Jones and “Bad” video director Martin Scorsese to longtime entourage members to fans like Mariah Carey and a typically boisterous Kanye West. The latter contingent adds youth appeal to this silver-anniversary nostalgia piece, though one wonders if Lee is sometimes cheekily using them to further flatter his subject.
Lee also makes sure he shows Jackson’s relevance as he includes a scene where current teen phenom Justin Bieber remarks that Jackson’s video for “The Way You Make Me Feel” was an influence on his own hit “Baby,” the artistic disparity between them is politely implicit.
“Bad 25″ is refreshingly uninterested in celebrity mythos, focusing principally on the practical and physical nuts and bolts of Jackson’s talent as a songwriter, producer, dancer and vocalist. (Another archive rarity that will thrill fans is a recording of one of Jackson’s vocal coaching sessions.) In this regard, Lee’s unstylish but methodical structure for the documentary moving through the album on a track-by-track basis, the cinematic equivalent of highly detailed liner notes – proves an asset; and for the documentary to keep its magical continuity the edited version prepared for ABC must maintain this chronological approach.
If the edit is able to retain Lee’s full vision, it will doubtlessly reflect TIME Magazine’s accurate critique stating that it’s “an intimate view of a performer at his peak in the intense splendor of creativity.”
The requisite montage of interviewees’ “where was I when … ” reactions to Jackson’s death is attached to a specific song, the self-realization anthem “Man in the Mirror,” which proved the biggest radio hit from his catalogue in the immediate wake of his passing, isn’t allowed to overwhelm the dominant spirit of musical celebration.
The documentary’s final image is taken from film of his famous July 16, 1998 concert at Wembley Stadium in England of the “Bad Tour.” Jackson finishes singing “Man in the Mirror,” which proved the biggest radio hit from his catalog in the immediate wake of his passing. It was a song that has become Jackson’s unofficial anthem; but the closing image was particularly important to Spike Lee as Jackson throws back his arms and head in a final flourish sort of resembling his tragic life.
“I am not going to say Michael was Jesus Christ,” Lee remarked in a news conference at the festival. “But if you look at the performance, he was somewhere else. That was one of the greatest performances, ever, ever, ever. He is not of this world.”
With that said, Lee was inspired to leave an indelible image of Jackson pop-star who had been so misunderstood by many whom he came across during his short lived life. So Lee, in his own genius leaves a glorious and simultaneously disturbing image on the screen for all to see, and it was “Bad” 25 years after; the image completely captured Jackson’s pain and glory.
It is interesting that the television premiere comes at a time that Jackson’s estate has reportedly paid off the last dollars on a loan connected to Mijac Music, the catalog that’s home to many songs composed by the King of Pop, including hits like “Beat It” and “Billie Jean.”
According to Forbes Magazine, the payment means that the estate has eliminated the last of Jackson’s outstanding personal debts. It’s quite an amazing accomplishment considering the fact that his obligations were estimated at approximately half a billion dollars–left behind by the singer when he passed away in 2009.
The irony of such an achievement has sort of a poetic meaning when you juxtapose Forbes’ account with Lee’s climatic final image of the man, which is left on the screen as the credits roll. Perhaps, the biblical impression will ring that much more as his audience is brought closer to the real Michael and one combines Lee’s final image with the knowledge that Jackson no longer owes any man; the timing couldn’t be more perfect, at least for Michael’s sake and ours, indeed, “it is finished.”
http://guardianlv.com/2012/11/micha...leaving-an-indelible-image-once-its-finished/
Michael Jackson: ‘Bad 25′ takes bit out of Thanksgiving for ABC Leaving an Indelible Image once it’s Finished
Michael Jackson: Bad 25 takes bit out of Thanksgiving Holiday Television Programming for ABC and leaves quite an indelible image once it’s finished.
It couldn’t have come at a more appropriate time than on Thanksgiving evening as ABC has scheduled the television premiere of Spike Lee’s critically acclaimed documentary “Bad 25.”
The documentary had its public premiere at the Venice International Film Festival earlier this year and was released into theaters shortly afterwards. According to ABC, Lee trimmed almost an hour for the television version, nevertheless, critics say it will still have enough bit to be thankful for on this turkey night.
Award-winning filmmaker Spike Lee, reaches into the Michael Jackson catalog of hit albums and pulls out the one production that represents the opus of Jackson’s life, consumed with music and the inaccurate view that he was immorally bad. Lee craftily captures the pop star’s pain and glory, pictured with arms outstretched, head back in a Christ like posture on the cross. This one Lee got right. The director understood Michael’s the complex history. Clearly “Bad” appeared designed to tell the story only Lee could tell.
Undoubtedly, Jackson’s 1987 follow-up album represents not only his career peak, solidifying him as the “King of Pop,” it also epitomized the most accurate overall portrait of the fallen creative idol.
You have to applaud Lee. The documentary is a terrifically warm, affectionate and celebratory study of the “Bad” album, and Lee simply wanted to clear the tabloid smoke of erroneous sensationalism, and bring the focus back to Jackson’s professional craftsmanship and musical genius.
The film ABC will show its viewing audience tonight is a reassessment of Jackson the quintessential entertainer. Moreover, when all is said and done, it is clearly a stronger tribute to the musical monarch’s creative persona than 2009′s hasty hit “This Is It.”
A Spike Lee joint as the film is branded, but who could argue with the straight-ahead, which exhibits his unmistakable fingerprints throughout the narrative; a narrative I might remind you that reflects less of the firebrand filmmaker’s touch than much of his other nonfiction works. Lee’s personality is largely muted so as not to impose on that of Jackson, with whom Lee enjoyed a firsthand friendship. Nevertheless, it Lee’s firsthand friendship that brings forth a Michael many observers never knew.
If you’re one of those looking for a more critically insightful view on Jackson’s output you won’t find such a portrait in Michael Jackson: Bad 25; it’s not that complicated. Even devoted interviewees, admit to certain artistic miscalculations on “Bad,” such as the missed opportunity of lackluster Stevie Wonder collaboration “Just Good Friends,” or the curious choice of MOR ballad “I Just Can’t Stop Loving You” as the propulsive LP’s lead single.
There were several tasty nuggets unearthed by Lee in the film, for instance, “Bad,” the single, was initially conceived as a Whitney Houston duet; when the soul diva, another prematurely departed pillar of 1980′s pop culture, presents Jackson with a career tribute in a choice bit of archive footage, which Lee was able to subtly integrate into the documentary.
Lee begins the journey by looking at Jackson’s earlier album, Thriller, which established the singer’s extraordinary global dominance. And then “Bad” comes along, during a time in Jackson’s life he was beginning to feel as though his star was beginning to wane. Audiences seemed to be seeking something new, and Prince appeared on the scene as the new pop sensation as a time when hip-hop was first emerging. Moreover, Michael felt he was being criticized on the issue of African-American solidarity and also for having allegedly failed to exert enough raunchy virility. Lee’s penetrating efforts palpably expose some of this pain, which was quite real to Jackson.
“Bad” intended to change all of Jackson’s shortcomings: an intensely competitive counteroffensive, which effectively separated itself from all competition as the first album to be conceived on a stadium scale. Jackson had in mind a bold new video, or “short film” based on the true-life story of a black boy shot by a New York cop. Scorsese directed the film that showed Jackson as a shy student, confronting Wesley Snipes’s tough guy, outfacing him with his dance moves and finally getting street respect: he’s “Bad.” Lee allows the audience to pick up on this as he seeks to demonstrate that Michael’s art imitated life; his life.
I’m hopeful that ABC and Lee were able to keep a fairly funny interview showing Scorsese and his editor Thelma Schoonmaker watching the film now, with a touch of bemusement. Obviously, he isn’t convincing as a warrior, but the point is that Michael Jackson, that delicate pop aesthete, alchemizes his vulnerability and naivety into pure strength. And it works: he really is and was “Bad.” Lee takes no credit as he clearly puts Michael Jackson’s brilliance and glory on the stage for all to see.
Lee makes sure the audience is aware of Jackson’s distinct dance talent is not taken for granite as he links it to a tradition encompassing Fred Astaire and Buster Keaton, and he makes a persuasive claim that Michael is a centrally important figure in that tradition.
Unlike Frank Sinatra or Elvis Presley, Jackson did not make conventional feature films, and so we don’t have that as a visual resource, and of course the videos and live footage, startling and brilliant though they are, can’t give us an extended view of what Jackson was like in ordinary, walking-and-talking real life. Moreover, his interviews were rare, and almost always guarded. Nevertheless, Jackson vigorous work towards perfection produced supreme artistic accomplishment and is cleverly revealed by Jackson with aching pain and triumphant glory.
Lee emphasizes what Jackson’s achieved in the public arena, and his exuberant reverence for the lonely Pop King is contagious throughout.
No narration is necessary since the upside of Lee’s closeness to his subject – and, of course, his individual clout – is that he’s been able to assemble a growing ensemble of top-drawer celebrity names, from super-producer Quincy Jones and “Bad” video director Martin Scorsese to longtime entourage members to fans like Mariah Carey and a typically boisterous Kanye West. The latter contingent adds youth appeal to this silver-anniversary nostalgia piece, though one wonders if Lee is sometimes cheekily using them to further flatter his subject.
Lee also makes sure he shows Jackson’s relevance as he includes a scene where current teen phenom Justin Bieber remarks that Jackson’s video for “The Way You Make Me Feel” was an influence on his own hit “Baby,” the artistic disparity between them is politely implicit.
“Bad 25″ is refreshingly uninterested in celebrity mythos, focusing principally on the practical and physical nuts and bolts of Jackson’s talent as a songwriter, producer, dancer and vocalist. (Another archive rarity that will thrill fans is a recording of one of Jackson’s vocal coaching sessions.) In this regard, Lee’s unstylish but methodical structure for the documentary moving through the album on a track-by-track basis, the cinematic equivalent of highly detailed liner notes – proves an asset; and for the documentary to keep its magical continuity the edited version prepared for ABC must maintain this chronological approach.
If the edit is able to retain Lee’s full vision, it will doubtlessly reflect TIME Magazine’s accurate critique stating that it’s “an intimate view of a performer at his peak in the intense splendor of creativity.”
The requisite montage of interviewees’ “where was I when … ” reactions to Jackson’s death is attached to a specific song, the self-realization anthem “Man in the Mirror,” which proved the biggest radio hit from his catalogue in the immediate wake of his passing, isn’t allowed to overwhelm the dominant spirit of musical celebration.
The documentary’s final image is taken from film of his famous July 16, 1998 concert at Wembley Stadium in England of the “Bad Tour.” Jackson finishes singing “Man in the Mirror,” which proved the biggest radio hit from his catalog in the immediate wake of his passing. It was a song that has become Jackson’s unofficial anthem; but the closing image was particularly important to Spike Lee as Jackson throws back his arms and head in a final flourish sort of resembling his tragic life.
“I am not going to say Michael was Jesus Christ,” Lee remarked in a news conference at the festival. “But if you look at the performance, he was somewhere else. That was one of the greatest performances, ever, ever, ever. He is not of this world.”
With that said, Lee was inspired to leave an indelible image of Jackson pop-star who had been so misunderstood by many whom he came across during his short lived life. So Lee, in his own genius leaves a glorious and simultaneously disturbing image on the screen for all to see, and it was “Bad” 25 years after; the image completely captured Jackson’s pain and glory.
It is interesting that the television premiere comes at a time that Jackson’s estate has reportedly paid off the last dollars on a loan connected to Mijac Music, the catalog that’s home to many songs composed by the King of Pop, including hits like “Beat It” and “Billie Jean.”
According to Forbes Magazine, the payment means that the estate has eliminated the last of Jackson’s outstanding personal debts. It’s quite an amazing accomplishment considering the fact that his obligations were estimated at approximately half a billion dollars–left behind by the singer when he passed away in 2009.
The irony of such an achievement has sort of a poetic meaning when you juxtapose Forbes’ account with Lee’s climatic final image of the man, which is left on the screen as the credits roll. Perhaps, the biblical impression will ring that much more as his audience is brought closer to the real Michael and one combines Lee’s final image with the knowledge that Jackson no longer owes any man; the timing couldn’t be more perfect, at least for Michael’s sake and ours, indeed, “it is finished.”
http://guardianlv.com/2012/11/micha...leaving-an-indelible-image-once-its-finished/
StellaJackson
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Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
The version that's on in the US is only around half the length of the full version. There are 45 minutes cut before we even take the adverts into account. Glad we are getting the full version in the UK with no commercials either. Mind you I saw it at the premiere so shouldn't complain!
The version that's on in the US is only around half the length of the full version. There are 45 minutes cut before we even take the adverts into account. Glad we are getting the full version in the UK with no commercials either. Mind you I saw it at the premiere so shouldn't complain!
MsMo
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Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
'Bad 25': Michael Jackson celebrated on Thanksgiving by Spike Lee and ABC
By Jay Bobbin November 22, 2012 4:00 PM ET
Call it one entertainment icon's tribute to another.
When Michael Jackson's classic release "Bad" debuted in 1987, Spike Lee's filmmaking career was just starting to take hold. The director pays tribute to the fifth-best-selling album of all time -- which yielded such singles as the title cut, "Man in the Mirror," "The Way You Make Me Feel," "Smooth Criminal" and "I Just Can't Stop Loving You" -- in the documentary "Bad 25," which ABC gives a Thanksgiving night television premiere Thursday, Nov. 22.
Lee interviews such other Jackson collaborators as fellow moviemakers Martin Scorsese and Joe Pytka in creating a remembrance of how "Bad" came to be, utilizing archival footage that also recalls the global concert tour Jackson launched in support of the album. Results included sales of approximately 45 million copies and five chart-topping singles, a record tied only relatively recently by Katy Perry's "Teenage Dream."
"Do the Right Thing," "Jungle Fever" and "Malcolm X" maker Lee recently took a break from his New Orleans filming of what he calls a "reinterpretation" of the South Korean melodrama "Oldboy" (starring Josh Brolin and Samuel L. Jackson) to speak with Zap2it about the making of "Bad 25" and his personal ties to Jackson.
Zap2it: How long had it been in your mind that "Bad" was coming up on its 25th anniversary?
Spike Lee: The original plan was to do [a commemorative documentary on Jackson's album] "Thriller," but the Jackson estate said, "Let's wait on that, and let's do this." It was in conjunction with Sony, a whole big plan to remaster and re-release the album.
Zap2it: Did your personal connection to Michael Jackson make the making of "Bad 25" either easier or harder for you?
Spike Lee: It makes it easier as a filmmaker. I know the subject matter, and I know all the music. I was born in 1957, Michael was born in 1958, and Prince also was born in 1958. Who knew we'd all grow up together? I was in Brooklyn, Michael was in Gary [Ind.], and Prince was in Minnesota ... and it's amazing I got to work with them. And with Stevie Wonder, too.
Zap2it: How much say did the Jackson estate have in what you did with "Bad 25"?
Spike Lee: They had their opinions, and the studio (Sony) had opinions, too. [Those affected the filmmaking] not at all, not at all. They are the ones who chose me for this, so we have a great relationship.
Zap2it: Did you put a lot of thought into whether to do the project?
Spike Lee: When they asked me, I said "Yes" right away. I didn't have to blink. I like challenges, but I also love what I do. I don't really even consider it work. To me, it's a joy and a treat to do something like this. Michael was, is, and always will be a part of my life -- and I also know how much he meant to the world. There's been a phenomenal response to the film all over the world.
Zap2it: You directed Michael in the music video "They Don't Care About Us." How was that experience?
Spike Lee: If I wanted to do something 100 times, he wanted to do whatever he had to do to make it perfect. He wanted to do art that would last a long while. He never called videos "music videos," he called them "short films."
Zap2it: When did you first meet him?
Spike Lee: The first time was at a dinner in New York where he was honored, and he got the award at the Waldorf-Astoria. To be honest, there was something like a million people there, so we just had a drink, and that was it.
Zap2it: Are you pleased with the way "Bad 25" is being unveiled to the public, with the ABC?television broadcast coming on the heels of showings at such film festivals as Venice and Toronto, then a limited theatrical run?
Spike Lee: I didn't know what was going to happen. I was just trying to make the best film I could.
Zap2it: In making "Bad 25," you handled some of Michael's work with other directors, including Martin Scorsese. How was that process for you?
Spike Lee: Oh, it was great. It was a wonderful experience having Marty and Thelma [Schoonmaker, the longtime editor of Scorsese's films] sit down in front of an editing machine and watch it. They hadn't seen that footage in 25 years. I know Marty very well, so we had a lot of fun doing that.
Zap2it: How different is the television version of "Bad 25" from what you prepared for theaters?
Spike Lee: With TV, you have commercials, so it's shorter. The theatrical version runs two hours and 11 minutes ... and for television, it's something like 64 minutes. [That editing was] painful, but that's TV. At the same time, it's being shown on ABC on Thanksgiving, so there will be a ton of people who will be in front of their televisions that night. I'm happy about that.
Zap2it: When "Bad" initially was released, your filmmaking career was just starting to take hold. Is there a significant connection between the two for you?
Spike Lee: Yeah. I was working on my second film, "School Daze"; "She's Gotta Have It" had come out in 1986, but I'd been a Michael Jackson fan since I saw him on "The Ed Sullivan Show" with the Jackson 5. That was a long, long time ago.
Zap2it: Your earlier documentaries "When the Levees Broke: A Requiem in Four Acts" and "4 Little Girls" got wide exposure on HBO. Do you enjoy your apparently ongoing connection to television?
Spike Lee: That's where I really feel I have a home now, on cable. It means the world, because I would say they're doing the most interesting stuff out there today, and there are more opportunities there than in feature films. And it lets me do the material I like to do.
http://blog.zap2it.com/frominsideth...tml?utm_source=twitterfeed&utm_medium=twitter
'Bad 25': Michael Jackson celebrated on Thanksgiving by Spike Lee and ABC
By Jay Bobbin November 22, 2012 4:00 PM ET
Call it one entertainment icon's tribute to another.
When Michael Jackson's classic release "Bad" debuted in 1987, Spike Lee's filmmaking career was just starting to take hold. The director pays tribute to the fifth-best-selling album of all time -- which yielded such singles as the title cut, "Man in the Mirror," "The Way You Make Me Feel," "Smooth Criminal" and "I Just Can't Stop Loving You" -- in the documentary "Bad 25," which ABC gives a Thanksgiving night television premiere Thursday, Nov. 22.
Lee interviews such other Jackson collaborators as fellow moviemakers Martin Scorsese and Joe Pytka in creating a remembrance of how "Bad" came to be, utilizing archival footage that also recalls the global concert tour Jackson launched in support of the album. Results included sales of approximately 45 million copies and five chart-topping singles, a record tied only relatively recently by Katy Perry's "Teenage Dream."
"Do the Right Thing," "Jungle Fever" and "Malcolm X" maker Lee recently took a break from his New Orleans filming of what he calls a "reinterpretation" of the South Korean melodrama "Oldboy" (starring Josh Brolin and Samuel L. Jackson) to speak with Zap2it about the making of "Bad 25" and his personal ties to Jackson.
Zap2it: How long had it been in your mind that "Bad" was coming up on its 25th anniversary?
Spike Lee: The original plan was to do [a commemorative documentary on Jackson's album] "Thriller," but the Jackson estate said, "Let's wait on that, and let's do this." It was in conjunction with Sony, a whole big plan to remaster and re-release the album.
Zap2it: Did your personal connection to Michael Jackson make the making of "Bad 25" either easier or harder for you?
Spike Lee: It makes it easier as a filmmaker. I know the subject matter, and I know all the music. I was born in 1957, Michael was born in 1958, and Prince also was born in 1958. Who knew we'd all grow up together? I was in Brooklyn, Michael was in Gary [Ind.], and Prince was in Minnesota ... and it's amazing I got to work with them. And with Stevie Wonder, too.
Zap2it: How much say did the Jackson estate have in what you did with "Bad 25"?
Spike Lee: They had their opinions, and the studio (Sony) had opinions, too. [Those affected the filmmaking] not at all, not at all. They are the ones who chose me for this, so we have a great relationship.
Zap2it: Did you put a lot of thought into whether to do the project?
Spike Lee: When they asked me, I said "Yes" right away. I didn't have to blink. I like challenges, but I also love what I do. I don't really even consider it work. To me, it's a joy and a treat to do something like this. Michael was, is, and always will be a part of my life -- and I also know how much he meant to the world. There's been a phenomenal response to the film all over the world.
Zap2it: You directed Michael in the music video "They Don't Care About Us." How was that experience?
Spike Lee: If I wanted to do something 100 times, he wanted to do whatever he had to do to make it perfect. He wanted to do art that would last a long while. He never called videos "music videos," he called them "short films."
Zap2it: When did you first meet him?
Spike Lee: The first time was at a dinner in New York where he was honored, and he got the award at the Waldorf-Astoria. To be honest, there was something like a million people there, so we just had a drink, and that was it.
Zap2it: Are you pleased with the way "Bad 25" is being unveiled to the public, with the ABC?television broadcast coming on the heels of showings at such film festivals as Venice and Toronto, then a limited theatrical run?
Spike Lee: I didn't know what was going to happen. I was just trying to make the best film I could.
Zap2it: In making "Bad 25," you handled some of Michael's work with other directors, including Martin Scorsese. How was that process for you?
Spike Lee: Oh, it was great. It was a wonderful experience having Marty and Thelma [Schoonmaker, the longtime editor of Scorsese's films] sit down in front of an editing machine and watch it. They hadn't seen that footage in 25 years. I know Marty very well, so we had a lot of fun doing that.
Zap2it: How different is the television version of "Bad 25" from what you prepared for theaters?
Spike Lee: With TV, you have commercials, so it's shorter. The theatrical version runs two hours and 11 minutes ... and for television, it's something like 64 minutes. [That editing was] painful, but that's TV. At the same time, it's being shown on ABC on Thanksgiving, so there will be a ton of people who will be in front of their televisions that night. I'm happy about that.
Zap2it: When "Bad" initially was released, your filmmaking career was just starting to take hold. Is there a significant connection between the two for you?
Spike Lee: Yeah. I was working on my second film, "School Daze"; "She's Gotta Have It" had come out in 1986, but I'd been a Michael Jackson fan since I saw him on "The Ed Sullivan Show" with the Jackson 5. That was a long, long time ago.
Zap2it: Your earlier documentaries "When the Levees Broke: A Requiem in Four Acts" and "4 Little Girls" got wide exposure on HBO. Do you enjoy your apparently ongoing connection to television?
Spike Lee: That's where I really feel I have a home now, on cable. It means the world, because I would say they're doing the most interesting stuff out there today, and there are more opportunities there than in feature films. And it lets me do the material I like to do.
http://blog.zap2it.com/frominsideth...tml?utm_source=twitterfeed&utm_medium=twitter
Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
*groans* And I guarantee that there will be TONS of commercials lol
*groans* And I guarantee that there will be TONS of commercials lol
qbee
Proud Member
Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
Well that just leaves us all the more excitement and anticipation for the BAD25 DVD release where we can see it in full plus additional footage
Well that just leaves us all the more excitement and anticipation for the BAD25 DVD release where we can see it in full plus additional footage
Applehead Ale
Proud Member
Help please im bad with time zones, how many hours till it airs? Any online stream?
Applehead Ale
Proud Member
40 to go? Are they showing "lets ask america" now? Please fellow americans help mee
The Brown Gangsta
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Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
9:30EST so that's 1 hour and 34 minutes to go!
9:30EST so that's 1 hour and 34 minutes to go!
Applehead Ale
Proud Member
Thanksss
moonwalkbhoy
Proud Member
Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
any1 got a live link?
any1 got a live link?
Applehead Ale
Proud Member
Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
http://www.teveonline.net/abc-live-online/
http://www.teveonline.net/abc-live-online/
moonwalkbhoy
Proud Member
Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
how long now? im in uk
how long now? im in uk
Hunterr
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Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
http://www.time.gov/timezone.cgi?Eastern/d/-5/java
http://www.time.gov/timezone.cgi?Eastern/d/-5/java
octavio001331
Proud Member
Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
25 min.
25 min.
Word Smith Sr
Proud Member
Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
Thank you so much Apple.
Thank you so much Apple.
Hunterr
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Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
Another streaming source if the ones above me crap out.
http://www.stream2watch.me/live-tv/abc-live-stream
But being here in the U.S., gonna watch on my big screen!
Another streaming source if the ones above me crap out.
http://www.stream2watch.me/live-tv/abc-live-stream
But being here in the U.S., gonna watch on my big screen!
Word Smith Sr
Proud Member
Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
Thx for the plan b. Btw, Modern Family is a nice show but watching i'm wondering, why are there so many commercials on american television when you watch a show ?
Another streaming source if the ones above me crap out.
http://www.stream2watch.me/live-tv/abc-live-stream
But being here in the U.S., gonna watch on my big screen!
Thx for the plan b. Btw, Modern Family is a nice show but watching i'm wondering, why are there so many commercials on american television when you watch a show ?
Last edited:
The Brown Gangsta
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Re: The Spike Lee BAD 25 Documentary /DVD/ TV / Theater Release [Discussion]
US Amazon sales ranks as of 9:25EST (5 minutes before it airs on ABC)
Bad, 25th Anniversary Edition, Deluxe Edition [Box Set]: #156 in Music, #12 in Music(R&B)
http://www.amazon.com/Bad-25th-Anniversary-Edition-Deluxe/dp/B0084I9QI2/ref=pd_rhf_gw_p_t_1
Bad 25th Anniversary Edition [Double CD]: #580 in Music, #35 in Music(R&B)
http://www.amazon.com/25th-Annivers...ie=UTF8&qid=1353631184&sr=8-2&keywords=bad+25
Michael Jackson Live At Wembley: #2,043 in Movies and TV, #10 (Music Videos & Concerts)
http://www.amazon.com/Michael-Jackson-Live-Wembley-7-16-1988/dp/B0084I9QIW/ref=pd_sim_m_2
Can't wait to see where the numbers move after the airing
US Amazon sales ranks as of 9:25EST (5 minutes before it airs on ABC)
Bad, 25th Anniversary Edition, Deluxe Edition [Box Set]: #156 in Music, #12 in Music(R&B)
http://www.amazon.com/Bad-25th-Anniversary-Edition-Deluxe/dp/B0084I9QI2/ref=pd_rhf_gw_p_t_1
Bad 25th Anniversary Edition [Double CD]: #580 in Music, #35 in Music(R&B)
http://www.amazon.com/25th-Annivers...ie=UTF8&qid=1353631184&sr=8-2&keywords=bad+25
Michael Jackson Live At Wembley: #2,043 in Movies and TV, #10 (Music Videos & Concerts)
http://www.amazon.com/Michael-Jackson-Live-Wembley-7-16-1988/dp/B0084I9QIW/ref=pd_sim_m_2
Can't wait to see where the numbers move after the airing