Cute Michael Jackson Stories
In Search of Neverland by Gloria Rhoads, 1983
“When he was about 24 years old, Michael was given a big, shiny, black Harley Davidson in return for a favor he had done for someone. The motorcycle was a fancy one, worth around $35,000, and it was placed in the foyer of the house on Hayvenhurst, right below the staircase.
(The author says she has a talk with Katherine and she tells her she’s worried about MJ riding because he’s inexperienced.)
Later on, I went over to the music studio where Michael was working. He was writing some new lyrics and creating new arrangements for a song. When Hw as finished I visited with him and he told me he was going to ride the motorcycle.
“Are you sure? I don’t think you should risk it in town. There’s too much traffic.”
Michael replied,”I ride very early in the morning, when there’s little or no traffic. Sometimes when I ride, I ride around the park.”
(The author explains that the park is the 2,500 acre Encino Glen Park)
I said,”Michael, now you’re sure you want to do this? You need to take care of yourself.”
He said,”Well, I want to feel the wind. I need to fill my lungs up with fresh air. And I like the purity of the park, and the smells of the park.”
“Well, you know best what to do”, I replied.
Eventually, he persuaded me to take a spin with him. I reluctantly got on the back of the bike and put my arms around Michael’s chest.
Suddenly, he zoomed off at such a speed that I was holding on for dear life and screaming like crazy. That only made Michael laugh-and go faster! We sped around around the park, me scared out of my wits but loving it in a way, Michael going faster and faster and enjoying the whole ride.
Of course, he returned me safely to where we had begun, but what a ride.
After that day, I understand he only rode the motorcycle about six times. Everyone was concerned for his safety because he really had to be careful. Michael Jackson was insures by his record label and by the companies that employed him to do commercials. If he took unnecessary risk, their policies might cancel.
MJ, Rolling Stone, February 17th 1983
Alas, he is still at the dining-room table in his condo. But despite the visible strain, he’s holding steady. And he brightens at a question about his animals. He says he talks to his menagerie every day.”I have two fawns. Mr. Tibbs looks like a ram; he’s got the horns. I’ve got a beautiful llama. His name is Louie.” He’s also into exotic birds like macaws, cockatoos and a giant rhea.
“Stay right there,” he says, “and I’ll show you something.” He takes the stairs to his bedroom two at a time. Though I know we are the only people in the apartment, I hear him talking.
“Aw, were you asleep? I’m sorry….”
Seconds later, an eight-foot boa constrictor is deposited on the dining-room table. He is moving in my direction at an alarming rate.
“This is Muscles. And I have trained him to eat interviewers.”
Bob Giraldi, director of Beat It, 1983
How did you cast the real gang members?
It was Michael. He went out and he got ‘em through, I guess, the LAPD’s gang squad and he convinced them that, with enough police presence, this would be a smart and charitable thing to do; get them there to like each other and hang with each other for two days doing the video. I didn’t like the idea because it was hard enough to direct actors and dancers, let alone hoods.
So he tried to use the video to foster peace between them?
Michael was always about peace. He was always about some sort of peace offering. That was his idea and the cops did go along with it and as history has it, we were almost shut down the first night because, as you know, film sets get to be very boring after the first hour.
I guess the Crips and Bloods started to get on each other’s nerves – they are mortal enemies – and we had a few incidents and two cops came to me and said they wanted to close it down. I somehow convinced the cop squad guy to just let me [shoot the] dance. I was gonna hold the dance for the second night of shooting. I said, ‘The only thing I can think that’ll save this is to let me just blast the music. I have a feeling it’ll calm everything down. Can’t get any worse, just give me a chance.’ And the cop was cool, he looked at me and said, ‘OK, not much more.’ I couldn’t go much more because it was volatile – no question about it – and scary. So we were in that warehouse, change of plans we’re going to do the dance, get Michael out of the camper, here we go.
What happened next?
The gang members couldn’t dance so they formed the ring and watched. And the [dancers] all started to dance with Michael Peters and Vince Paterson. When Michael Jackson comes down and does what he does, I remember looking at the faces of all the Crips and Bloods lined up and their expressions as they listened to that music and watched those kids dance. Those kids were basically, most of them were gay… and when they started to dance, the Crips and the Bloods had that look like, ‘You know what? With all our wars and vendettas and stuff, that’s cool right there. That’s something we’ll never be able to do.’ And that’s what made that evening work.
What impact has “Beat It” and working with Michael Jackson had on your career?
I met a man who I have total respect for. One of the most interesting things he ever said to me, I’ll never forget, we were arguing, he said to me in that very high-pitched voice of his, ‘You use the F-word to much’. That always stuck with me. I thought that was smart to say at a time like that.
I watched a man dance better than anyone I’d ever seen in my life and I watched a man talk softly and carry a tremendously big stick, get what he wanted and get his way. And as we know now 25 years later, perhaps he got his way too much. But nonetheless, I watched him get his way but always using the softest, quietest approach you could possibly have used. I was influenced not only by his talent, but by his personality.
Thriller video, November 1983
John Landis It was amazing working with Michael at the time because it was at the height – it was like working with The Beatles at the height of Beatlemania or something, it was extraordinary being with him, because he was just ridiculously famous. It was like being with Jesus I used to say, because people used to see him and go into hysterics. Also, Michael’s friends – it was so nuts. It used to be like, ‘Michael, William [son of Walt] Disney’s on the phone,’ or Fred Astaire, who Michael had known very well since he was a kid. ‘Mike, Henry Kissinger’s on the phone’; ‘Mike, President Reagan’s calling.’ Bizarro shit all the time.
My favourite moment during the making of Thriller, and one of the few times in my life I’ve ever been speechless, was when we were shooting the graveyard set in a meatpacking plant in East LA, a dodgy neighbourhood, by a freightyard. And we’re shooting away and Michael’s assistant comes to me and he says, ‘Michael would like to see you in his trailer.’ And I was like, ‘OK, I’ll be out in 20 minutes.’
So I go out – and it’s like 3.30 in the morning – and there’s a Winnebago out there and there’s loads of security there, so I step up and I knock, and Michael’s like, ‘John, do you know Mrs Onassis?’ and it was Jackie Kennedy…
John Landis: We had a première – which was a riot – because Michael wanted a première. I’ve been to the Oscars and I’ve been to the Baftas, I’ve been to the Emmys, I’ve been to the Golden Globes, and I’ve never been anywhere like this première. It was incredible. There was everyone from Diana Ross and Warren Beatty to Prince. It was nuts. Amazing… got a standing ovation and all that stuff and they’re shouting, ‘Encore, encore,’ and I said ‘Encore? There is no f—ing encore!’
Then Eddie Murphy got up and shouted, ‘Show the goddamn thing again!’ So they sat and they watched Thriller again. Why not?
It was just amazing, it was just amazing…
Marty Thomas (props assistant on Thriller): It was a long job and it was secret, you know? I remember we had to sign a non-disclosure agreement and not to tell anybody what we were filming, not to tell family or anything… very, very rare for music videos back then. What they would do is print up maps to the location and leave them around, but they were false locations. Somebody from the press would sneak on set and steal these maps and they were just sort of locations of the shopping mall that’s closed, way way out in the Valley.
I was having lunch and Michael came and sat at the head of our table to talk to somebody else. It was just a crew table, and usually he was pretty separated – in fact, they told us at the start of the shoot, if anybody talks to Michael, you’re fired. So he sat down and we’re like, ‘Oh, God,’ and he started talking with us, and he had with him a mayonnaise and beansprout sandwich, and he said, ‘Anyone wanna finish this?’ and I said, ‘I’ll finish it!’ So he gave me half of his mayonnaise and beansprout sandwich.
I ate a few bites and after he left I didn’t finish it, and one of the guys said, ‘Why’d you take that?’ I said, ‘Actually, I just want to be able to say when I’m 80, I just want to say, I ate half of Michael Jackson’s sandwich.’ Like, mayonnaise is supposed to be so bad for you now – he won’t eat meat, but he’ll eat all that lard.
Recovering from the burn, January 1984
Michael awoke to a breakfast of fruit and juice and a tidal wave of messages from friends and fans. Diana Ross called. So did Liza Minnelli. Jackson’s favorite among the hundreds of telegrams was one from a girl that said, “I heard you were hot, Michael, but this is ridiculous.”
By the time Hoefflin arrived the next day, Jackson had watched American Bandstand on TV and, according to one nurse, “was bebopping in bed while the doctors examined him.”
Joan Rivers presenting the Grammys, February 1984
“The reason we’re reading the rules is so that all the losers will know why they lost to Michael Jackson.”
Marlon Brando’s telegram to Michael, 1984
On the evening of July 6th, 1984, The Jacksons reunited and embarked on a 55-date tour of the U.S. and Canada. Prior to the Victory Tour’s first show, the following ‘Good Luck’ telegram was sent to Michael Jackson by his friend, Marlon Brando.
Transcript
DEAR MICHAEL
THINKING ABOUT YOU THIS EVENING PLEASE TRY NOT TO MAKE AN ASS OF YOURSELF AND PLEASE FOR GOD’S SAKE DON’T FALL IN THE ORCHESTRA PIT.
MARLON
John Landis, visiting Disney World with Michael, 1984
“After Thriller we went to Disney World and I have this photograph in my library that I really treasure which is a really silly photo of Michael Jackson, Mickey and me. The guy took like two pictures when I heard this deafening noise and I looked and I saw this security guy *****ing out and talking into his microphone. I turned around and I don’t really know how to explain it but it was the only time in my life that I was truly terrified and I thought, “We’re dead”. It was a sea of people and they completely surrounded this island of grass and they were held back by this little chain and by when I saw a sea of people, it was people as far as you can see in every direction. There were thousands of people, all of whom were hysterical. The kind of hysterical like Beatles, Elvis, Sinatra-hysterical. They were Michael Jackson hysterical. I looked and I thought, “Oh my God”, and it got louder and the screaming and you had to shout to hear the person next to you. And at Disneyland, the characters in those costumes, they’re never allowed to speak and then Mickey looks at me and goes, “Holy ****!”. And I don’t know how long it was but out of nowhere this Cadillac limousine, I’ll never forget it, I don’t know here it came from… just *poof*… it was Disney magic, and the security people grabbed Michael, Mickey, and I and throws us into the car with Mickey’s giant head and slams the doors and the chains broke and it was like the ocean, like surf. This wall of people, you know, like the Sorcerer’s apprentice, surround the car. And Mickey and I are just platzing, the driver was like, “I don’t know what to do” and I said, “Don’t drive you’ll kill somebody!” and Michael was like, “Hi…, Hello”, totally not phased!”
Fan remembering the Victory Tour, July 1984
My strongest memory from the night was when one of the Jackson brothers ripped off Michael’s white t-shirt with fringe at the bottom (this was 1984) and tossed it into the crowd. My mother was holding me and standing on her chair, and my father was holding my brother; my parents dropped both of us as they leaped up and grabbed the t-shirt. Two guys behind my father also had their hands on the t-shirt and they would not release their grip. I was crying on the floor. My brother was crying on the floor. My father was fighting for the Michael Jackson t-shirt. Finally my mother picked us up, and my father decided that the only solution was to split the t-shirt with the guys.
Hot balloon flight, October 1984
“We were flying fairly low,” Bansemer said, “and we flew over what looked like an elementary school with children playing in the playground, and he started to sing to them, and of course they had no idea who that was. Who would think, ‘Hey, that’s Michael Jackson?’ We were high enough that he wasn’t highly recognizable.”
Stephen Davis, Moonwalk ghostwriter, 1983-86
“Michael had this monkey called Bubbles. And they brought in Bubbles one day after lunch when my daughter was with me – she was seven at the time, her name is Lilly. And there weren’t many kids around at that time. This was in the Encino house, before he moved out to Neverland. And the monkey comes in and takes one look at Lilly, my little seven year old girl, and grabs her by the arm – and then starts dragging her out of the room. And Michael Jackson grabs Lily’s other arm. And he says to the monkey, “Hey Bubbles – Where you goin’ with my girlfriend?”
Meanwhile, I notice that the hand that is being held by the monkey is turning blue, because he’s got this vice grip on it. So I said, Mike, this is getting a little old here, I’m a little worried about the hand turning blue. So he kind of intervened, sort of kicked the monkey with his foot. But it’s that moment – where the monkey is pulling one way, and Michael is pulling the other, and Lilly looks up at me, and Michael goes, “Hey Bubbles – where you going with my girlfriend?” And my heart just went out to him, it was such a sweet thing to do.”
Shaye Areheart, editor for Moonwalk 1983-1988
The last room we toured had a very large glass terrarium with a lid on it. It was a low table, and it was hard to see what was inside. Jackie and I were looking around admiring some very beautiful birds in cages, oblivious to what Michael was up to, when suddenly he turned from the terrarium and said with a sweet smile, ”Here, Shaye, you want to hold Muscles?”
Languishing across his outstretched hands was a very pretty boa constrictor. I took it. It felt like damp silk and, much to my surprise, began to move sideways, so that I was in danger of dropping it. I exclaimed to that effect, and Michael protectively retrieved his snake with a look of abject disappointment on his face. It was only much later, when he teased me about it, that I realized he was hoping — wildly hoping — for a shriek from me and, maybe, a hysterical dash out of the room. He was a kid at heart — then and always.
[..]
In the evenings, we would sometimes see a movie in the screening room. I remember him taking his friend and advisor Karen Langford and me to the L.A. County Children’s Museum, which they kept open for us after hours. We exhausted ourselves leaping against Velcro walls, standing in front of spinning lights, and throwing ourselves into the pools of plastic balls. On the way home, he asked his driver to pull over somewhere near the intersection of Hollywood and Vine and jumped from the car to dance on his star on the Hollywood Walk of Fame, singing some perfect little bit of a song before leaping back in, and off we went into the night. It was exhilarating to be in his presence. He was exciting and funny and brilliant.
Stories from David Gest’s autobio “Simply the Gest”
On Michael’s own money, he and I flew to Nashville and rented a car. He drove. I soon set about driving him mad, just totally bonkers.
In Nashville we were booked into a really nice hotel, Spence Manor. We pulled up alongside an intercom system you had to get past to get to go through the main gates. Michael didn’t know Nasville, so I sensed an opportunity to have some fun.
I told him that because we were in the self styled “Music City” we had to abide by one of the local traditions.
“Michael, you have to sing into the intercom,” I said.
“Sing what?”
“You have to sing ‘It’s Music City and I am here. I’m Mike McDonald so let’s raise a cheer.’ Otherwise they won’t let you in. You have to do it,” I told him.
He gave me a puzzled look but went along with it. The guy on the end of the intercom came on and said in his southern accent, “How can I help you?”
Michael began to sing and the voice on the intercom replied, “Sorry, we don’t let weirdos in here.”
They wouldn’t open the gates. I was laughing so hard I was on the floor. Michael didn’t quite get it for a moment but as soon as he did he nearly peed his pants too. He couldn’t believe he had been such an idiot as to do that.
[...]
Michael and I used to have so much fun playing jokes on each other. My favourite prank was to put on another voice and pretend to be someone else – I loved to do voices. In the early days of working together, Michael went to stay at a hotel in Little Rock, Arkansas. He loved to eat. He had just arrived and I knew the first thing he would do was order food from room service. So I beat him to the punch. As soon as he got to his room, I rang him up, putting on a woman’s voice, and said, “Honey, do you want to order room service?”
“Oh yes, baby, I’ll have a hamburger,” he said. He always called people sweetheart or baby.
“Ok, darling,” I replied.
“I would like some mustard and ketchup.”
“Baby, we have no mustard and ketchup.”
“None?” he asked.
“None. We just ran out and our shipment is two days late,” I replied.
“Ok, I will have some relish.”
“Honey, we’re all out of relish. We just got rid of the last of it.”
“Ok, I’ll have mayonaise.”
“No mayonaise.”
“Cheese and lettuce?”
“No cheese or lettuce.”
“Fries?”
“No fries.”
“Well, just put some butter and tomato in the bun.”
“Honey, we have no buns, just toast.”
By this point he had enough, so he just started screaming, “You have no mustard, you have no ketchup, you have no fries, you have no buns. What kind of restaurant is this?”
I started cracking up. It was then that I realized I had him. I did exactly the same thing to him 25 years later. We weren’t working together then but I knew where he was staying.
[...]
Michael used to love calling people up. He would do it when he came over to my house. He would just pick up the phone, dial a random number and start horsing around.
The person at the other end would pick up the phone and Michael would say, “Who’s this?”
They would reply something like, “It’s Lenore.”
He would go, “Oh, Lenore, listen, we’re going to have to get a divorce. I can’t carry on like this.”
“She would go, “No, no, you have the wrong…”
Michael would interrupt and say, “No, Lenore, don’t even try that on me. I’ve just had it with you. We’ll divide the property evenly and everything but it’s got to be this way.”
Then he would hang up, leaving the person on the other end of the line wondering what the hell had just happened.
(1978)
Michael was staying at my place on Dohney and was happy to come along. He really respected Burt (Bacharach) but wondered, as we all did, what made him tick.
Burt had ordered a bottle of expensive French red wine, which he, Carole (Bayer Sager) and I were drinking. Michael never drank but that night he got interested in wine. Unbelievably; he didn’t even know what wine was.
‘What’s it made of?’ he asked me.
‘Grapes’, I said.
‘I like grapes,’ Michael said. ‘I think I’ll try some.’
So we poured Michael a glass and he drank it. He obviously liked it because he drank another one. We were drinking a 1982 Pomerol that tasted like candy, so he was bound to like it.
By this time, we all had a glass or two and the bottle was finished. So Burt ordered a second bottle. This time, Michael drank virtually the whole bottle. He had really aquired a taste for wine, fine wine at that, and was guzzling the stuff down.
So we ordered a third bottle and Michael drank most of that as well. That’s when I knew we were going to have a problem that night.
The evening came to an end and I drove Michael back to my place. He was, understandbly, happy. In fact, he was flying high, very high. In the car he was talking and laughing. He was singing ‘I Want To Be Where You Are’ and ‘Never Can Say Goodbye’.
Then he started singing more of his hit songs like ‘Ben’. He was giggling away all the time.
‘You’re going to be in trouble,’ he said. ‘I’m going to tell Joesph what you did.’
I wasn’t taking the bait. ‘I didn’t do it, you did,’ I said.
It took us a few minutes to get back to my place. The minute I parked the car and opened the door for him, Michael leaned out and threw up all over the place. He spent the rest of the night hanging over the toilet. He was as sick as a dog. I was up all night with him.
He kept saying, ‘I’m going to tell Joe you corrupted me,’ I was kinda worried he would but he never did.
It was his first taste of wine, something he would come to love a little too much in later years. I always felt bad about that night but it sure was funny!
(Al Green’s church, 1978)
When it came time to head for the party, Michael cried off. He had the worst case of crotch rot from wearing his underwear too tight. He couldn’t move. The sides of his legs were all sore and had broken out in a rash.
We went to Al Green’s church the next day, even though Michael was still in a lot of pain. The rash had spread all over his legs and he couldn’t walk properly.
When we arrived, Al was singing the Curtis Mayfield classic, “People Get Ready.” He still had the most amazing effect on people, only now it was a more religious thing.
This woman who was sitting next to us suddenly started hyperventilating, like a lot of Southern African American women do when they go to church. She started speaking in tongues and jumping up and down. Then she fell right into Michael’s crotch.
I will never forget the look on Michael’s face. It was pure horror.
He just sat there, frozen, obviously in terrible pain, whispering, “Help me, help me.”
I just smiled at him and said, “What am I going to do? I’m not going to get her off your penis. You will have to play with your own organ today!”
That woman lay there for ten minutes. It was only when Al Green ushered Michael up to sing with him that we were able to remove her from Michael’s crotch.
[...]
We would go to Disneyland. We both loved rollercoasters. Sometimes we would go on them twenty times in a row.
Often, Michael would wear disguises. Once, he was a sheikh and I was his translator. We would go into a place called Carnation Restaurant in Disneyland where they served great tuna salad and sandwiches. Michael was eating organic food only, although, at that time, he had a rather strange idea of what organic was. We would go to KFC, Michael reckoned if you took off the skin it became organic.
Anyhow, at Carnation on this particular day, there were two elderly women and a gentleman in their eighties from Croydon. We started talking in our mock Arabic to each other.
When the two ladies looked over, I turned to one of them and explained, “The Sheikh Majolini wanted me to tell you that you are a beautiful woman and so is your friend,” I said.
These two ladies probably hadn’t been paid a compliment like that in the last couple of decades so they started smiling. We then got talking. They asked what the Sheikh was doing here and I said he had just got divorced from his 97th wife and was now on his 154th child.
“He has 154 children?” they asked, looking shocked.
“That he knows of,” I said. “He has had 97 wives…” and I started naming them, “Jada, Jami, Shakira, Vera…” with Michael saying them in mock Arabic.
There was nothing malacious in it. In fact, Michael picked up their bill. He was like that, always pulling practical jokes on people.
Sometimes though, the joke would be on us. The funniest thing that ever happened to us was when we went for pancakes one night. It was after 1am and our regular haunt, Dupars, was closed, so we went to another pancake house that we knew on Ventura Boulevard. There was only one couple in there; normally it held 150 people.
The waitress who served us was in her late sixties or early seventies. This was around 1979, when Off The Wall came out. Michael was the no. 1 artist in the world. She didn’t recognize him at all.
We got to the table and she come over and asked us what we wanted to order. I put on a Saudi accent and went “Yamaka fallesh.”
Michael started laughing. The waitress slapped him across the face with the back of her hand. She said, “This is not funny. Your friend is from a foreign country and you have respect for people from foreign countries.”
Michael got nervous. He wasn’t used to being treated like that in public. He slid further inside the booth so he couldn’t get slapped again.
I asked, “What is pancake? Explain please.”
The waitress started miming a pressing motion. She said, “It’s like a cake that you press down.”
Michael started to laugh again and she started to put her hand up again, so he slid further away.
She then said, “Ok, I’m going to take you back to the kitchen.” She and the cook showed us how to make pancakes. I ordered some.
When the pancakes came to our table, I took the syrup bottle and emptied the whole bottle all over the pancakes. She immediately slapped me across the face. It hurt.
“Not funny,” she said. Michael was laughing again.
She brought me a new batch and I ate them. When we left, Michael left her a $200 tip.
We were in the car park, heading back to Michael’s Rolls Royce, when the waitress came running after us.
“I’m not taking this. You boys are probably working your way through college and you need the money,” she said, not even noticing the car he was driving.
Michael insisted but she said, “No, I’m not taking it.” We couldn’t believe it.
[...]
We’d get in the car and sing songs together. He used to tell me I was the worst singer he’d ever heard! He always made me laugh. Michael had a great sense of humour which most people never saw. We loved to go antiquing for furniture and paintings as well as memorabilia. Our favourite thing to do was walk into a store and go, “Do you have any John LeCockah paintings?”
The antique dealer would respond, “We’ve just sold the last one for $100,000.” I’d say to Michael, “Oh no, he’s just sold the last John LeCockah painting.” We would plead for him to get another in and he’d respond, “They are just too hard to find.” We’d walk out and go, “We’ll never buy from that dealer because there’s no such painter!” Michael would be laughing so hard. He had a laugh that was like a cackle: Hhk hhk hhk hhk hhk.
We’d do very normal things. We’d go out for pancakes and French toast and I’d drive his Rolls-Royce. When we stopped for gas, I’d ask him to fill the tank. He’d say, “I’m the star here. I can’t believe you’re making me put gas in the car.” And I’d tell him, “When we’re together, there’s only one star.” That was the reason our friendship was so good. I never treated him like he was a big deal.
(at the 7th Annual American Cinema Awards where Michael was honoured, 1990)
When Michael Jackson came on stage to take his final bow at the end of the evening with Celia (Lipton Ferris – she was the executive producer of the show), she got even more excited. At one point, she wrapped herself around Michael shouting, ‘He’s the greatest, he’s the greatest!’ Finally the musical conductor danced with Celia and Michael could free himself. It was very funny. Even Michael enjoyed it.
[...]
I remember we once went to Disneyland. He was in disguise and we watched Captain EO, a Disney 3D movie which he starred in.
When we came out I said, ‘You were brilliant’ and he went, ‘Oh thanks, have you only just realised?’. Then when we got home I made him Moonwalk in my kitchen — then I tried it and fell flat on my face!?
The Michael Jackson I will remember was smart, articulate and made me laugh. His death was a huge shock but it brought back so many happy memories.
Sheryl Crow, Bad Tour 1987-88
“It was really surreal. I was lucky in that I got to hang out with him on a number of occasions by myself,” she recalled, “He invited me to his hotel room in Tokyo and we watched ‘Amos & Andy’ videos and the movie ‘Shane,’ just completely unexpected.
“He was funny, he had a big laugh, he loved practical joking and I can remember vividly going to Disneyland and going on a ride with him and he wouldn’t let the ride stop and by the end of it I was just absolutely ill. And he thought that was the funniest things he’d ever seen.”
Source:
http://lacienegasmiled.wordpress.com/2010/08/17/cute-michael-jackson-stories/