30 Billion dollars??????? Is this for real????? Is this for Sony/ATV or for Mijac catalog? I read that ATV was 1,5 billion and thought it was super massive, but 30 billions? Wow!
Qoted from Absolute Astronomy Encyclopedia , from here:
http://www.absoluteastronomy.com/topics/Sony_slash_ATV_Music_Publishing#encyclopedia
"Sony/ATV Music Publishing LLC is one of the world's largest music publishing companies. The company was formed by the 1995 merger of the Sony Corporation of America's music publishing business and ATV Music—which Michael Jackson purchased, in 1985, for US$47.5 million from Australian businessman Robert Holmes à Court. Jackson was awarded with US$95 million upfront, alongside a 50% share in the merged company. The singer kept as his sole property, Mijac Music Publishing catalogue, which holds all of his music, as well as that of many other acts.
Sony/ATV owns or administers over 600,000 copyrights, including works by The Beatles, Michael Jackson, Willie Nelson, Bob Dylan, The Everly Brothers, Hank Williams, Jimi Hendrix, Elvis Presley, Neil Diamond, and numerous others. Among Sony/ATV's most valuable holdings is the Northern Songs catalogue, consisting of 180 songs written by The Beatles (mostly by Lennon-McCartney). According to the Sony/ATV Music website, the company owns or administers 1,963 songs from the Lennon-McCartney catalog.
In May 2007, Sony/ATV acquired the Famous Music publishing company from Viacom's Paramount Pictures for US$400 million. The Famous Music catalogue includes 125,000 songs.
The company is co-owned by Sony and trusts formed by Michael Jackson and is said to be
worth up to US$30 billion.(*) Sony/ATV Music Publishing is not part of Sony Music Entertainment."
Article on new Beatles book: ATV catalog now worth
$30 billion...
Tue Dec 02, 2008 at 08:02:15 AM:
Another Beatles book? Doesn't the world already know everything it possibly can about the Fab Four, from the nickname of their favorite Hamburg pill dealer to the mustache style of the cab driver who took George through the streets of Rishikesh?
Well... no. And as long as interest in the band continues to flower - and pass along to new generations - Ye Olde Beatles Bookshelf will continue to groan under the accumulated weight of its tomes. Beatles for Sale, though, is the first one to make a comprehensive study of the group through the prism of its finances. Publishing, record contracts, Apple, Inc., merchandising, management, movies and even their fan club are studied with an accountant's eye.
The result is actually not dry and pretty fascinating - mostly how the biggest group in the world, before or since, made blunders that even today's MySpace minions wouldn't fall for. You never give me your money? Not unless it's in the contract, baby.
Rocks Off spoke with Beatles for Sale author and all-around Fabs expert John Blaney (Lennon and McCartney: Together Alone - A Critical Discography of Their Solo Work) about a wide range of money matters that would make a Liverpool taxman orgasm with delight.
Rocks Off: With so many hundreds of books already written about the Beatles, what made you decide to concentrate on their financial life?
John Blaney: It's a fascinating aspect of The Beatles' story that's never been covered in-depth. Money is like sex. None of us think we are getting enough, and when a group like the Beatles comes along, we all want to know how much they're getting and what they do with it.
The fact that The Beatles could have been even richer is also intriguing. Where did it go? And when you look into their business deals, you realize how they were controlled by businessmen and lawyers from the word go. They didn't stand a chance.
RO: The Beatles made many bad business decisions that even a struggling band today would never make. Do you think it's because many of these areas for bands - publishing, merchandising - were relatively new at the time?
JB: To be fair, The Beatles didn't make the mistakes. Their manager, lawyers, and accountants made the mistakes because nobody, with the exception of Elvis Presley and the Disney Corporation, had ever done anything like this before.
The Beatles had to rely on advisors, who for the most part didn't appreciate just how much the group could earn. It wouldn't happen today, because everyone has learned from the mistakes made by
[manager Brian] Epstein and his advisors.
RO: Brian Epstein: how much "blame" should he really get for his bad or uninformed decisions?
JB: The buck stops with Epstein (right). He constantly said The Beatles were going to be bigger than Elvis, and yet he constantly undervalued the group. While it's true that he was breaking new ground with some of his business deals, a businessman would have fought for better deals than Epstein secured.
It's easy to blame him in hindsight, but contemporaries like Don Arden and Allen Klein would have cut better deals. But whether they would have been better for The Beatles is unlikely. If nothing else Epstein was honest, open and a gentleman.
RO: Epstein also signed away a shocking 90 percent of the Beatles' merchandising sales to the Seltaeb company. Is this his biggest blunder?
JB: It sounds like a massive blunder, but the real shocker is the fact that Lennon and McCartney ended up losing the rights to their own songs. The last time
Sony/ATV, which owns Northern Songs, was valued, it was said to be worth
$30 billion!
What they lost in merchandising is peanuts compared to what they lost in royalties when they lost control of Northern Songs. The merchandising bubble would have only lasted a few years at best, but the royalties from songwriting will keep pouring in for as long as their music lasts. And it looks like that is going to be a long time.