http://business.timesonline.co.uk/tol/business/industry_sectors/leisure/article5950641.ece
Stake in live music
EDGE, the investment fund that specialises in live entertainment, is signing a deal with AEG Live, the concert promoter behind the forthcoming sell-out run of Michael Jackson, left, at the O2 Arena in London.
The money manager, which is trying to attract up to £10m in its latest fundraising, has lined up an agreement with AEG that will lead to the American company going into co-promotions with the live-music businesses in which Edge invests.
Edge has a number of music-industry executives on its board, including impresario Harvey Goldsmith.
AEG Live is part of the Anschutz Entertainment Group, operator of the O2.
http://www.thenational.ae/article/20090322/LIFE/247195195/-1/NEWS
Dressing for the now
Julia Robson
- Last Updated: March 22. 2009 8:30AM UAE / March 22. 2009 4:30AM GMT
Working in fashion often makes me feel like a space traveller whizzing through a parallel universe at warp speed.
Don’t ask me to explain how or why “fashion time” seems to work on a different time scale than regular time. It just does.
I’ve spent the past month with my mind mentally hitting fast-forward, watching clothes that will not become truly relevant until September or later.
With the ready-to-wear shows finally over, I now have to frantically rewind to a point last September when I first became acquainted with the current spring/summer 2009 fashions.
These were, remember, conceived and created long before the global financial meltdown and are brimming with an optimism that suddenly feels surreal.
It’s weird playing this backwards and forwards game; pulling up catwalk images on my PC for next winter and intermittently writing about something for “now” that has not even filtered into the shops and yet to me already looks old.
Fashion trends are losing their footing; the logic is why should a collection have to have a point, or at least a reference point?
Although this might not be ideal for fashion editors who have grown used to labelling trends in neat little boxes each season only to send them packing after six months, it does give designers – and fashion followers – a bit of a breather and time for reflection. Not to mention reassuring the customer there will be longevity in her purchase.
I was intrigued to read that Tom Ford had recently bought Nicholas Hoult, the star of his directorial debut, A Single Man, the best-selling self-help book The Power of Now.
Does he know something we don’t? Can designers start to enjoy the now instead of stepping on the present to get to the future?
Rambling backwards at a leisurely pace to get to the now was a recurrent theme at the recent shows of Alexander McQueen, Albert Elbaz for Lanvin and Giles Deacon, who all featured best-of signature pieces.
Many designers rebelled against the Eighties trend and did their own thing. Marc Jacobs took his time to cherry-pick icons from Talitha Getty, the original boho hippie who died in 1971, to Studio 54, which opened its doors in 1977, before settling on an Eighties-ish parody.
The sight of so many Eighties-revival shows did nothing besides send me hurtling back in time with no comforting pangs of nostalgia.
Anything too literal is always a turn-off, especially when it’s in leather with shoulder pads or stone-wash denim.
Although I see that someone is already doing well from the revival. Step forward the King of Pop, Michael Jackson. When he announced his forthcoming tour in London wearing his signature leather jacket with its superwide shoulders (so Balmain), and bang-on-trend skinny leather trousers (YSL fall/winter 2009/10 or what?), he was rocking next season’s look.