Hot_Street
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oh, good thinking. Let's give him a Queen. Theda Bara.maybe this guy
I don't understand why he is to blame for the racism going on at the time. He was a very talented and charismatic guy and if we're being honest, everyone in popular music has gotten their ideas in one way or another from black music. Elvis was very respectful to the black community, despite what some may think, and he has always given credit to black artists, when asked where his style came from.true.. even though he got his ideas from black-artists and even one of the persons (he was black) who wrote a lot of his songs died poorly and didn't get paid. Not mentioning the other creepy stuff about elvis.
Did people actually listen to Grunge shit in Russia?And Kurt Cobain. The King of Garage Punk Rock music
I have never heard him be called the "king of music" until now.Why do most people call Elvis Presley the king of music when he didn't write a single song?
*Babies*He slept with lots of babes.
Gonna put you on the spot, how many artists would you rank over Elvis? Excluding Michael of course@Victorious, which would you prefer, an artist like Elvis doing what Little Richard and Chuck Berry did, with permission or otherwise, but being the only one to be recognized, or an artist like MJ being maybe considered an equal to Caucasian artists, but also being pigeonholed as a "black artist"?
Well, James Brown was prime.Gonna put you on the spot, how many artists would you rank over Elvis? Excluding Michael of course
My question was just in terms of making good music you enjoy listening too, not performing.Well, James Brown was prime.
Jackie Wilson also got a lot of accolades.
Little Richard and Chuck Berry again, also were very good and deserved accolades.
Frank Sinatra was also Music Royalty in his day. And I say Ray Charles deserved all his flowers.
As a performer, I concede, Elvis was a lot of trendsetting. He had just about everything. He made being pretty, the most important part of Pop.
Well, remove Little Richard and Chuck Berry then. The rest I enjoy personally.My question was just in terms of making good music you enjoy listening too, not performing.
Anyone regardless of time period is allowed. Groups count tooWell, remove Little Richard and Chuck Berry then. The rest I enjoy personally.
If you're including newer artists than Elvis? It increases exponentially in the 70s and 80s.
Chaka Khan shoots right near the top then, she was actually insanely talented.Anyone regardless of time period is allowed. Groups count too
Did people actually listen to Grunge shit in Russia?
@Victorious, which would you prefer, an artist like Elvis doing what Little Richard and Chuck Berry did, with permission or otherwise, but being the only one to be recognized, or an artist like MJ being maybe considered an equal to Caucasian artists, but also being pigeonholed as a "black artist"?
That's not cool to insult other artists, especially deceased...Did people actually listen to Grunge shit in Russia?
Well I think it's fine. Black artists getting their shine. So far I haven't learned about a single African American composer in my music appreciation class, and we all know they exist. It's just not a priority.Well my whole point is that they are both not okay, but the latter seems to be very much in style these days; and even propagated (which makes it worse I guess)
Really? No William Grant Still, Samuel Coleridge -Taylor, Florence Price? Scott Joplin?Well I think it's fine. Black artists getting their shine. So far I haven't learned about a single African American composer in my music appreciation class, and we all know they exist. It's just not a priority.
Nope. All Baroque, classical, romantic era blahness. A bunch of dudes making tunes I could barely describe as "listenable".Really? No William Grant Still, Samuel Coleridge -Taylor, Florence Price? Scott Joplin?
That's depressing.
Someone needs to talk to your curriculum programming team, lol. I mean, if the emphasis is on classical, well, those names I posted all qualify. Even Scott Joplin but definitely the others. I don't know how good it is over here in the UK, tbf. Maybe it's not brilliant. But it's already several years since BBC Radio 3 (the classical music station) did a whole week of William Grant Still as Composer of the Week. Samuel C-T has been recognised for longer. Florence Price is getting some attention and that might be quite new bc she's up against the sexism thing, as well, but she has been performed at the Proms (major festival of mostly classical music, runs every year in the UK) since at least 2018. She was back again this year.Nope. All Baroque, classical, romantic era blahness. A bunch of dudes making tunes I could barely describe as "listenable".
I don't know how the rest of your music class is set up but if they want to teach you about composers that were significantly relevant for classical music than maybe those composers were deemed rightfully not significantly relevant enough by the teachers/experts.? Regardless of colourSo far I haven't learned about a single African American composer in my music appreciation class, and we all know they exist. It's just not a priority.
If it was me, skin colour is irrelevant - it's all about who made the biggest contribution and the impact that they had on classical music.I don't know how the rest of your music class is set up but if they want to teach you about composers that were significantly relevant for classical music than maybe those composers were deemed rightfully not significantly relevant enough by the teachers/experts.? Regardless of colour
If that is the case would you still want the school to teach you about them?
But this is the interesting question, imo. Are those African American composers actually not up to the standard of the usual suspects who would be taught on a (classical?) music course? Why not include some of them and examine that very question? Why not teach and demonstrate how the (white European) composers are better? Assuming that they actually are better. Or perhaps that would open up a complicated can of worms but, still, why is there not a way to include some of them? Not all of them and not as if they are on the same level as Beethoven, necessarily, but I still think the curriculum should be broadened out, even just a little bit.I don't know how the rest of your music class is set up but if they want to teach you about composers that were significantly relevant for classical music than maybe those composers were deemed rightfully not significantly relevant enough by the teachers/experts.? Regardless of colour
I can't speak for Mr JT, obviously, but for myself my answer is Yes! I want some of those composers to be included in my course.If that is the case would you still want the school to teach you about them?
I don't see this as a race issue. I simply see that female composers and Black composers have been left out of the picture and I can't see a good reason for that. Black and / or female classical music composers couldn't have made an impact bc they weren't allowed in. If we exclude people bc their contribution is not sufficiently impressive (according to who, exactly?) then we continue to have a classical music landscape dominated by white men. It's the C21. I'm not interested in seeing that particular status quo maintained. I want it to be challenged.If it was me, skin colour is irrelevant - it's all about who made the biggest contribution and the impact that they had on classical music.
It seems that everything gets turned into a race issue these days.
Mr JT, you should go into class and challenge your teachers! Tell them that Marin Alsop has programmed William Grant Still as part of the 2023/24 season with the Philharmonia Orchestra. It's called Let Freedom Ring, it's dedicated to the sounds of America.Well I think it's fine. Black artists getting their shine. So far I haven't learned about a single African American composer in my music appreciation class, and we all know they exist. It's just not a priority.
Very interesting, you seem very knowledgeable about classical music @zinniabooklover so no complaints from me.I don't see this as a race issue. I simply see that female composers and Black composers have been left out of the picture and I can't see a good reason for that. Black and / or female classical music composers couldn't have made an impact bc they weren't allowed in. If we exclude people bc their contribution is not sufficiently impressive (according to who, exactly?) then we continue to have a classical music landscape dominated by white men. It's the C21. I'm not interested in seeing that particular status quo maintained. I want it to be challenged.
Some people whine and complain about jazz being played on Radio 3 (it's been there for years and years) but most people seem to accept that it has it's place alongside traditional classical music which still gets far more hours than any other type of music played on R3. The same thing happened when film scores started to be given air time on R3.