Latest from Brad re. LA event next weekend (22 - 24 June 18):
In The Studio With Michael Jackson
Give In To Me
The Dangerous project had three production teams: Bruce, Bill and Teddy.
Let me break it down a bit further.
The project started with Brian Loren, who was both extremely talented and a really nice guy. (This is the no-judgement zone.) Brian was replaced by Teddy Riley during the early months.
Bruce Swedien goes WAY back with Michael - back to the Wiz to be specific. There is no doubt a father-figure persona with Bruce. He, in no small way, was part of how pop and rock records sound. He pushed the limits of recording technology, worked with tape manufactures to get more interesting sounding tapes, he helped design the layouts of many studios. Oh - and he recorded and mixed a little record called Thriller. Bruce commands respect in a session.
So along comes Bill Bottrell. Bill and Michael had a very unique and cool friendship. Bill is high-quality, but more of a "capture the moment" approach. He is much closer to Michael in age, and the two of them created some amazing music together.
Black or White.
Who Is It.
Monkey Business.
And of course - Give In To Me.
During the Dangerous project Bruce was working on the song Jam. Jam got bigger and bigger, and the mix was incredibly complex. Stay with me on this for a minute: You know when you see pictures of studios and the giant consoles? Those can handle perhaps 80 or so tracks each. (There are many tricks to increase that number, but I don't want to get to technical). Jam grew to the point where Bruce needed two consoles - in two side-by-side studios, just to mix it! We had at least four digital multitracks running in sync, feeding into two consoles - with Bruce and the assistants running up and down the hallway to mix this monster. (To my recording friends - yes, there were other methods we could have used to combine tracks, build stems, etc., - but it got to the point of, "why not?").
Bill, on the other hand, perhaps by design kept his track-count down quite a bit. He wanted to have just enough musical elements to make the song sound great, without going over-the-top.
Here's the thing - I appreciate both approaches. I love the lush, over-the-top production of Bruce's production on Will You Be There, but I also love the simplicity of Bill's song Give In To Me.
Give In To Me was born in the studio control room, in one evening.
Bill was noodling around on his drum machine and strumming his guitar, and Michael wanted to record a new song. I helped with much of the recording, while Bill and Michael kicked ideas back and forth.
Bill played, Michael sang.
Michael would come up with an idea, Bill would try it.
Over the course of the evening Give In To Me was created.
Now, I have told the full, detailed story of the song in many cities, to many groups. But this coming weekend you will have a chance to hear it for yourself, from Bill.
We will dig deep into the track, listen to how it came to life - and hear Bill's thoughts from that day.
A lot happened during and after that project.
A lot happened between Michael and Bill.
A lot happened between Bill and the music industry.
And something happened between Bill and I, which caused a painful falling out.
A lot of years have passed, and I am honored - truly honored - that Bill has agreed to join us next weekend at Cascade Studios.
I haven't spoken to Bill - outside of a few emails - since 1994, when we testified on Michael's behalf in a songwriting trial.
This will be real. It will be unrehearsed. There is no Google Map for this.
I take these events very seriously. I occasionally stick my foot in my mouth, or slip up on a date or song-title, but the core intent of sharing these memories with you is pure.
I wasn't a big shot - I looked up to these guys! They were my mentors, and I was and am proud to call them my friends. And they will be with us next weekend.
Matt Forger
Bill Bottrell
John Barnes
I was blessed, truly blessed, to be at the right place at the exact right time and meet them, work with them, laugh with them, befriend them.
We're older now. Lots of years, lots of events, lots of pain, lots of successes, lots of failures. Just like you.
It's funny, for lack of a better word. I've been laying low on FB for a couple weeks because I don't really know what to say. I'm a bit nervous and a bit excited about this one. This is, in many ways, the event I have wished for the most - and now it's here. (What have I done??!! LOL) I'll be seeing Bill for the first time in more than 20 years.
I have heard from several people, "I hope you can do this again next year!! You guys should all come to (town name)!" Unfortunately, it doesn't work that way, though I wish it were that easy.
If you are going to be in LA next weekend, the ninth anniversary of the passing an in incredible and uniquely talented man by the name of Michael Jackson, I would highly encourage you to consider joining us at Cascade Studios.
On Friday I will be joined by Matt Forger - one of the sweetest guys on the planet - to discuss Captain EO (when I first met Michael), Thriller, Bad - and Matt's unique perspective of their close working relationship. After that we will dig into The Extended Remix and go into much greater detail how a song is mixed. Lastly, I will take you on a virtual tour of Michael's amazing Neverland Valley Ranch! My buddy Al Scanlan might pop in for a bit to share some memories of his years at Neverland.
On Saturday - brace yourself - we will dig into the Havenhurst Sessions with Bill Bottrell, Matt Forger and the incredible John Barnes. These are THE guys! They recorded MOST of the Bad album before the project even started at Westlake. What changed? What songs didn't make it? Why? Find out on Saturday.
Sunday will be my latest presentation of "In The Studio With MJ - 2018". I will take you through the albums Bad, Dangerous and HIStory - from my perspective. How were they recorded? How were the songs written? What was daily life like in the studio?
I have a feeling we'll have a few other friends stop by - it's LA!
Tickets are on sale - please share this post in your groups and to fans who are looking for a place to get as close to Michael's music as possible - which of course is In The Studio.
See you next weekend!
www.inthestudiowithmj.com