filmandmusic
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- Joined
- Nov 30, 2021
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I'm baffled. Nobody talks about it. Do you not realize it is one of the funkiest and fattest beats in the history of pop music? It's a musical orgasm to hear each instrument separately and then combined to create this post disco sound. I call it post because it is way too sophisticated to call it mere disco. The horns sound so cinematic, like something coming from a 70s kung fu movie, the bass is fat, like really thick, the strings are dramatic and the percussion is the icing on the cake, I love how the song ends with just the percussion dying out.
Michael is on fire. That opening yell after the spoken part screams funk, his falsetto soars and the chorus is just plain catchy. I mean it is no wonder it stormed the charts. Nobody saw this kind of sound and musical and vocal maturity coming when he left Motown. This is a complete re invention.
It gets love on the radio, it gets love by music critics, it got love as a single in 79 but the fans these days just shrug their shoulders and say whatever dude!
Michael is on fire. That opening yell after the spoken part screams funk, his falsetto soars and the chorus is just plain catchy. I mean it is no wonder it stormed the charts. Nobody saw this kind of sound and musical and vocal maturity coming when he left Motown. This is a complete re invention.
It gets love on the radio, it gets love by music critics, it got love as a single in 79 but the fans these days just shrug their shoulders and say whatever dude!