Man... I think I must have been blind so far... Not just about the metallic chalk holder, but the writings on that wall, that I didn't even notice until now that they read 'The Whole World's Gone Off The Wall'... That just changes the perspective of how 'Off The Wall' was just this disco testimony of the end of the dance era, or just an album of Michael's coming-of-age, and how he's singing about how you're starting to live crazy as young people are 'supposed' to live and have fun at that age.. This is so fascinating for me right now... ^
In the Bible, writing on the wall foretells misfortunes, and, basically, the fall of the Empire of Babilon. .. How ironic... Not just cuz Babilon today is clearly represented by Hollywood. .. So, it's like.. yeah. .. I love the double meanings you often can find in Michael's work, and how, in this case, 'off the wall' is both defined as carefree and insane, meaning dangerous. And how his album titles progressed from that, to 'Thriller' (in the entertainment sense of the word giving you thrills, and the horror one giving you nightmares and fright), to "Bad" (meaning both 'cool', and actual gangsta bad, opposing the coolness of non-violence through the effective act of dance), to 'Dangerous' (the whole album cover portrays this dangerous world seen from Michael's eyes, and this time, dangerous is really just that, no double meanings, the song also talking about a deceiving, evil woman); to 'Blood On The Dancefloor' (which is straight murder, and tackles loss of innocence as well, HIV infection and the like, through a prototype woman), then "Invincible" (double meaning again, as if he's saying that even though this and that person is this and that, and the whole world is getting crazy, dangerous and bad and invincible (cold, hard-hearted), he's invincible and unbreakable and won't be like those people..
Why did I stray from this topic like that.. lol? ..
The rear cover of 'OTW' did it, though. ^ ..