arXter
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after Mike and Greg Philliganes conceived the general blueprint for Pretty Young Thing (demo), James Ingram (with Quincy) completely rebooted the song as the uptempo boogie jam we know and love today:
P.Y.T.
Ingram was chiefly responsible for the funk-laced groove, keys, and bass synth work on the track, and during the same period (1981 - less than a year before recording with MJ), he contributed very similar elements to another well-known pop funk track of the decade:
Carl Carlton
She's A Bad
Mama Jama
sounds to me like Ingram pretty much mixed together what Mike handed him in the demo with what he did with Carl Carlton and Leon Haywood for Mama Jama.
and in both, the synth licks are directly influenced by the creative P-Funk grooves of the time, especially the keyboarding wizardry of the great Bernie Worrell (1979):
Funkadelic
Knee Deep
P.Y.T.
Ingram was chiefly responsible for the funk-laced groove, keys, and bass synth work on the track, and during the same period (1981 - less than a year before recording with MJ), he contributed very similar elements to another well-known pop funk track of the decade:
Carl Carlton
She's A Bad
Mama Jama
sounds to me like Ingram pretty much mixed together what Mike handed him in the demo with what he did with Carl Carlton and Leon Haywood for Mama Jama.
and in both, the synth licks are directly influenced by the creative P-Funk grooves of the time, especially the keyboarding wizardry of the great Bernie Worrell (1979):
Funkadelic
Knee Deep