Foxy..
Proud Member
I have just stumbled upon one of the most fantastic reads regarding the performance of Michael Jackson from Google Books.
This link should open up at the beginning of the chapter:
Michael Jackson: Motown 25, Pasadena Civic Auditorium, March 25th 1983
Author: Jaap Kooijman
If anyone is interested in that particular performance (as many fans should be), or if you are interested in the art of Michael Jackson's performance and dance then this is a great read for you.
I hope you all enjoy it as much as I did, and I have selected what I feel is a stand out quote in a wonderful chapter;
"...although the moonwalk stood out, it was only one of several visual elements that constituted his trademark performance. The single white sequinned glove grasping his crotch, the staccato movement of his pelvis and his angry gaze into the camera have all become classic elements of the Michael Jacksons star persona..." (Pg. 122)
Reference
Kooijman. J (2006) Michael Jackson: Motown 25, Pasadena Civic Auditorium, March 25th 1983, In; Inglis, I. (ed.) The Performance of Popular Music: History, Place and Time, Ashgate, Pg. 122
This link should open up at the beginning of the chapter:
Michael Jackson: Motown 25, Pasadena Civic Auditorium, March 25th 1983
Author: Jaap Kooijman
If anyone is interested in that particular performance (as many fans should be), or if you are interested in the art of Michael Jackson's performance and dance then this is a great read for you.
I hope you all enjoy it as much as I did, and I have selected what I feel is a stand out quote in a wonderful chapter;
"...although the moonwalk stood out, it was only one of several visual elements that constituted his trademark performance. The single white sequinned glove grasping his crotch, the staccato movement of his pelvis and his angry gaze into the camera have all become classic elements of the Michael Jacksons star persona..." (Pg. 122)
Reference
Kooijman. J (2006) Michael Jackson: Motown 25, Pasadena Civic Auditorium, March 25th 1983, In; Inglis, I. (ed.) The Performance of Popular Music: History, Place and Time, Ashgate, Pg. 122