arXter
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Much like the Stevie-MJ connection, I'm always fascinated by any links between such maestros.
I think Marvin played a big influence on Michael's musical prowess. Some of Marvin's ways might have rubbed off on him. We all know that he kept his role models very close, and Marvin was around the J5 brothers quite a lot when they were younger and just starting out on Motown. I think that Michael emulated his vocal ranges/styles as Marvin is one of the first to change his vocal styles around in songs.
But maybe the greatest influence might have been Marvin's exemplary technique of layering background vocals and playing freely with the stacked harmonies. Mike took that approach a level further.
And one of the more blatant connections comes in the form of Marvin's Got To Give It Up (written, composed and arranged by him) which heavily inspired Mike's disco/funk tracks that were penned shortly after:
1977
Got To Give It Up
(Pts. 1 & 2)
I think Marvin played a big influence on Michael's musical prowess. Some of Marvin's ways might have rubbed off on him. We all know that he kept his role models very close, and Marvin was around the J5 brothers quite a lot when they were younger and just starting out on Motown. I think that Michael emulated his vocal ranges/styles as Marvin is one of the first to change his vocal styles around in songs.
But maybe the greatest influence might have been Marvin's exemplary technique of layering background vocals and playing freely with the stacked harmonies. Mike took that approach a level further.
And one of the more blatant connections comes in the form of Marvin's Got To Give It Up (written, composed and arranged by him) which heavily inspired Mike's disco/funk tracks that were penned shortly after:
1977
Got To Give It Up
(Pts. 1 & 2)
Don't Stop 'Til You Get Enough -- groove, arrangement, percussion (cowbell, conga, bottle sounds), falsetto.
Shake Your Body -- catchy chorus "let's dance/let's shout/shake ya body down to the ground" borrowed from Marvin's chant "let's dance/let's shout/gettin funky's what it's all about".
Working Day And Night -- groove, rhythm guitar, always thought this was similar to Don't Stop.
Shake Your Body -- catchy chorus "let's dance/let's shout/shake ya body down to the ground" borrowed from Marvin's chant "let's dance/let's shout/gettin funky's what it's all about".
Working Day And Night -- groove, rhythm guitar, always thought this was similar to Don't Stop.